https://wiki.piksel.org/api.php?action=feedcontributions&user=Maite&feedformat=atomPikselProd - User contributions [en]2024-03-28T22:11:17ZUser contributionsMediaWiki 1.38.5https://wiki.piksel.org/index.php?title=Main_Page&diff=9544Main Page2023-06-26T15:58:55Z<p>Maite: /* Projects */</p>
<hr />
<div>[[File:PIKSEL-Logo-GOOD 150mm.png|600px|none]]<br />
<br />
<big>'''Welcome to the new Piksel wiki!'''</big><br />
<br />
<br />
This is the home for planning and documenting collaborative and participatory projects connected to [http://piksel.no/pulse Piksel Pulse] and [http://piksel.no/festival Piksel Festival] events. <br />
<br />
The old Piksel wiki (< 2009) is now offline, but hopefully it will be restored for archival reasons.<br />
<br />
== Projects ==<br />
* 2023<br />
** ** [[PIKSEL XX. 20 years of Libre Electronic Art 2022-24. THE BOOK]]<br />
* 2022<br />
** [[Inkluderende Digitalt Laboratorium for Eksperimentell Kunst (IDLE) 2022-24]]<br />
** [[PIKSEL XX. 20 years of Libre Electronic Art 2022-24]]<br />
* 2021<br />
** [[TransPiksel 2021]]<br />
* 2020<br />
** [[TransPiksel 2020]]<br />
** [[BAS Digital Challenge Program]]<br />
** [[Piksel meets IoT]]<br />
* 2019<br />
** [[TransPiksel 2019]]<br />
* 2018<br />
** [[TransPiksel 2018]]<br />
* 2017<br />
** [[TransPiksel 2017]]<br />
* 2016<br />
** [[TransPiksel 2016]]<br />
** [[Sushi Roulette: Novel plastic pollutants - byproducts of novel & emerging technologies explored using novel DIY science techniques]]<br />
* 2015<br />
** [[PIKSEL15 - Get A-Life!]]<br />
** [[Pikslo deep diving / underwater interception of the nordic sea]]<br />
* 2012<br />
** [[OpenSound Bergen]]<br />
* 2010<br />
** [[Piksel SummerCamp 2010]]<br />
** [[Regnskog]]<br />
* 2009<br />
** [[Piksel Plenum]]<br />
<br />
----</div>Maitehttps://wiki.piksel.org/index.php?title=PIKSEL_XX._20_years_of_Libre_Electronic_Art_2022-24&diff=9541PIKSEL XX. 20 years of Libre Electronic Art 2022-242023-04-13T10:38:39Z<p>Maite: </p>
<hr />
<div>Bergen 2022<br />
<br />
''''“The development, and therefore use, of digital technology today is mainly controlled by multinational corporations. Despite the prospects of technology expanding the means of artistic expression, the commercial demands of the software industries severely limit them instead. <br />
<br />
Piksel is focusing on the Free/Libre and Open Source movement as a strategy for regaining artistic control of the technology, but also a means to bring attention to the close connections between art, politics, technology and economy.”''<br />
<br />
'''― Piksel festival'''''<br />
<br />
== '''2003-2022 – 20 years of the Piksel in Norway.''' ==<br />
<br />
In November 2003 the first edition of p1k5el, or Piksel, takes place at BEK, Landmark and the Art Academy. The instigator of the event is Gisle Frøysland whose original intention was to organise a workshop around ‘real-time media’ tools, particularly the MøB platform which has reached a state where it may prove useful for other artists. Participants include Artem Baguinski, Antoine van de Ven and Simon de Bakker from V2_ Rotterdam, Tom Schouten from Belgium, Yves Degoyon from France, Jaromil from Italy, Pedro Soler from Spain, Amy Alexander from the USA, Martin Howse from the UK and Kentaro Fukuchi from Japan, altogether about 30 artists and developers. #video #vjing #software #workshop #realtime #freesoftware<br />
<br />
From 2005 Piksel widens its scope to focus more broadly on the aesthetics and politics of open source, adopting the subtitle ‘Festival for Free, Libre and Open Source Audiovisual Software and Art’. About 60 participants gather at the event, from the collectives and organisations Goto10, dyne.org, Hackitectura, De Waag, Free Software Foundation and others. <br />
<br />
By 2007, the exclusive reliance on free software as opposed to proprietary tools is without precedent in the context of arts events. With further editions to follow ever since, Piksel would established itself as the leading event for open-source arts internationally. Like-minded festivals would follow including Make Art, organised by Goto10 in Poitiers between 2006-2010, and LiWoLi in Linz from 2008, later called Art Meets Radical Openness. By now, Piksel has also established an informal support network with the audiovisual arts and digital culture festival Pixelache which took place in April at Kiasma Museum in Helsinki and its offshoot Mau au Pixel planned for the following April in Paris. Tatiana Bazzichelli (Aksioma) in Italy, servus.at in Austria and APO33 in France.<br />
<br />
Over the 20 years, Piksel has become a strong international network and annual event for electronic art and technological freedom. Part workshop, part festival, it is based in a mixed artists selections, part curated and partially selected by the open call, it mixes different artists and programmers generations, all FLOSS practitioners.<br />
<br />
As the head of PNEK Stahl Stenslie stated in the 2015 Piksel edition, after 12 yeas of existence, “Piksel is more than a festival. It is a contemporary academy in the experimental arts. Organized by Gisle Frøysland and Maite Cajaraville, Piksel turns Bergen into a creative explosion of new, emerging forms of creative expressions and strangely attractive experiments. The 2015 version saw anything from deep noise concerts to workshops in Do-It-Yourself, open source biokitchen art to electro-mechanical sculptures and surveillance bots. It was an event not just for visitors, but also an exquisite arena for the exchange of ideas and inspirations between artists. The feeling of the festival was intimate and local, yet a temporary home to a wide number of international guests from all over the world. Piksel is what PNEK is about: getting stronger through networking and building bonds across boundaries of thinking and acting.”<br />
<br />
=== Piksel => Open source + art ===<br />
<br />
Gisle Froysland, the director of Piksel Festival over the years, started BEK (Bergen Elektronik Kunst, together with Jorgen Larsson who states about him “Gisle did amazing video installations, a real 8-bit steampunk. Gisle was the video guy for Bakruppen and played guitar in Alle Tiders Duster. He was a legend. We approached him and he said yes! Gisle Froysland.<br />
Both Gisle and I had a kind of contrary thinking: technology is a way to get your own infrastructure by building something that is on the side of, or contrary to, commercially available tools. To get the tools into de workers’ house, to own your own tools. That was actually a very important part of early BEK. To have control over infrastructure and tools was really important. Very early on, Gisle knew how this all fitted together technologically, he knew how to work with Unix systems, create open-souce, free software and tools. He was so clear; he was older than me and had already been working a lot with this, and his ideology was really important for us at BEK at the time. Jorgen Larsson 2020 – pag. 125<br />
<br />
=== Piksel influenced the Norwegian electronic art scene opening up new inspiration and tools to Norwegian artists. ===<br />
<br />
Piksel was, an still is, a large international scene. Thirty to forty artists and programmers would come to BEK every year, and we filled Landmark and other venues with days of jamming and trying out different things. This scene was very much focusing on Linux. I was really influenced by the artists such as Martin Howse, Jonathan Kemp and Erich Berger. For me, Piksel was a huge inspiration in terms of research. Ellen Roed, 2020 -pag 128.<br />
<br />
As a pioneer, Piksel was the first festival in the world devoted to free/libre technologies applied to arts. The festival model was promptly followed along Europe for many other artists associations and collectives. That situation also brought Bergen as the centre of the free media art.<br />
<br />
Piksel was a big part of my work at BEK in the first years. What is interesting is that Piksel not as much part of the local and national, but rather of the international field. For many people abroad, the only thing they know about Bergen is that Piksel is happening here. Roar Sletteland, 2020. - pag128<br />
<br />
Locally and internationally Piksel has written the story of new media art using Free and Libre technologies, after 20 years there is a lot to tell to new generations. <br />
As Dušan Barok, the founding editor of Monoskop, a research platform for the arts and humanities, states: “Through the Piksel history we can know the history of Free/Libre Open Source and Software movement”, that is the importance of the Piksel festivals in Norway and its impact in the international arenas.<br />
<br />
To preserve the history of contemporary art in Norway, the electronic and experimental art scene that Norway triggered internationally through the Piksel festival, and to open it to new generations is the goal of this book.<br />
<br />
== '''The book. "PIKSEL XX. 20 years of Libre Electronic Art."''' ==<br />
<br />
The book “Piksel. Celebrating 20 years of New Media Art and Free/Libre technologies in Norway” intends to collect the history of Piksel and the reflections, thoughts, collaborations and projects that was initiated as a result of artists meeting at the festival.<br />
<br />
Themes will range among the Piksel theme: Electronic art and Free/Libre technologies and subtopics: artistic practices related to politics and surveillance in information technologies, open source biokitchen art, visual/sound instruments made by electronics using Free/Libre software and hardware (FLOSS), and open networks and communities around FLOSS. <br />
<br />
The book is divided into 5 parts: 20 years of Piksel, Piksel on politics, The Piksel Kitchen bioart, Electronic instruments FLOSS based, and Piksel Open Networks. <br />
<br />
The publication includes ‘ad hoc’ written articles by Norwegian and international Piksel guest artists and special contributions. <br />
Among the invited artists, Per Platou (Motherboard) and Grethe Melby, Norwegian electronic arts pioneers, and art critic writer at Scenkunst, Robertina Šebjanič and Marc Duseiller, main figures of the biokitchen artistic practices worldwide, Malte Steiner, artist and developer practitioner, John Bowers, artists combining design-led explorations of digital technologies with sound art and intermedia performance, and the open networks APO33, Asimtria / Marco Valdivia (Perú) / Paola Torres Núñez del Prado as representatives of Piksel Pulse, those international projects carried by Piksel abroad. <br />
<br />
The editorial team has been carefully chosen. The editor and in charge of the Piksel history chapter is Dušan Barok, an artist, researcher and organiser. He is founding editor of Monoskop, a research platform for the arts and humanities. His work deals with digital culture, memory studies and activism. The deepest knowledge of Dusan Barok in the field of new media art and the free artists communities and the fact that he has been editing the book last year edited by BEK: 20 years of BEK, made us to decide he is the right person to carry on the job. He has already deep knowledge in the Norwegian electronic media culture and scene. With this book we try to add to that history, not to repeat. It is important to work with somebody in the field also in a geographical approach. <br />
<br />
The book also intends to reflect the artistic part of Piksel as an artist book. The goal is to bring special attention also to its design. Jenny Picket is a Goldsmith artist designer who has developed Piksel design along the years. Working with FLOSS technologies she will create an outstanding front page and artistic book including more than 100 colour pictures.<br />
<br />
The book will be printed in Bergen, and open a process of “printing on demand” online.</div>Maitehttps://wiki.piksel.org/index.php?title=PIKSEL_XX._20_years_of_Libre_Electronic_Art_2022-24&diff=9540PIKSEL XX. 20 years of Libre Electronic Art 2022-242023-04-13T10:36:59Z<p>Maite: /* The book. PIKSEL XX. 20 years of Libre Electronic Art. */</p>
<hr />
<div>Bergen 2022<br />
<br />
''''“The development, and therefore use, of digital technology today is mainly controlled by multinational corporations. Despite the prospects of technology expanding the means of artistic expression, the commercial demands of the software industries severely limit them instead. <br />
<br />
Piksel is focusing on the Free/Libre and Open Source movement as a strategy for regaining artistic control of the technology, but also a means to bring attention to the close connections between art, politics, technology and economy.”''<br />
<br />
'''― Piksel festival'''''<br />
<br />
== 2003-2022 – 20 years of the Piksel in Norway. ==<br />
<br />
In November 2003 the first edition of p1k5el, or Piksel, takes place at BEK, Landmark and the Art Academy. The instigator of the event is Gisle Frøysland whose original intention was to organise a workshop around ‘real-time media’ tools, particularly the MøB platform which has reached a state where it may prove useful for other artists. Participants include Artem Baguinski, Antoine van de Ven and Simon de Bakker from V2_ Rotterdam, Tom Schouten from Belgium, Yves Degoyon from France, Jaromil from Italy, Pedro Soler from Spain, Amy Alexander from the USA, Martin Howse from the UK and Kentaro Fukuchi from Japan, altogether about 30 artists and developers. #video #vjing #software #workshop #realtime #freesoftware<br />
<br />
From 2005 Piksel widens its scope to focus more broadly on the aesthetics and politics of open source, adopting the subtitle ‘Festival for Free, Libre and Open Source Audiovisual Software and Art’. About 60 participants gather at the event, from the collectives and organisations Goto10, dyne.org, Hackitectura, De Waag, Free Software Foundation and others. <br />
<br />
By 2007, the exclusive reliance on free software as opposed to proprietary tools is without precedent in the context of arts events. With further editions to follow ever since, Piksel would established itself as the leading event for open-source arts internationally. Like-minded festivals would follow including Make Art, organised by Goto10 in Poitiers between 2006-2010, and LiWoLi in Linz from 2008, later called Art Meets Radical Openness. By now, Piksel has also established an informal support network with the audiovisual arts and digital culture festival Pixelache which took place in April at Kiasma Museum in Helsinki and its offshoot Mau au Pixel planned for the following April in Paris. Tatiana Bazzichelli (Aksioma) in Italy, servus.at in Austria and APO33 in France.<br />
<br />
Over the 20 years, Piksel has become a strong international network and annual event for electronic art and technological freedom. Part workshop, part festival, it is based in a mixed artists selections, part curated and partially selected by the open call, it mixes different artists and programmers generations, all FLOSS practitioners.<br />
<br />
As the head of PNEK Stahl Stenslie stated in the 2015 Piksel edition, after 12 yeas of existence, “Piksel is more than a festival. It is a contemporary academy in the experimental arts. Organized by Gisle Frøysland and Maite Cajaraville, Piksel turns Bergen into a creative explosion of new, emerging forms of creative expressions and strangely attractive experiments. The 2015 version saw anything from deep noise concerts to workshops in Do-It-Yourself, open source biokitchen art to electro-mechanical sculptures and surveillance bots. It was an event not just for visitors, but also an exquisite arena for the exchange of ideas and inspirations between artists. The feeling of the festival was intimate and local, yet a temporary home to a wide number of international guests from all over the world. Piksel is what PNEK is about: getting stronger through networking and building bonds across boundaries of thinking and acting.”<br />
<br />
=== Piksel => Open source + art ===<br />
<br />
Gisle Froysland, the director of Piksel Festival over the years, started BEK (Bergen Elektronik Kunst, together with Jorgen Larsson who states about him “Gisle did amazing video installations, a real 8-bit steampunk. Gisle was the video guy for Bakruppen and played guitar in Alle Tiders Duster. He was a legend. We approached him and he said yes! Gisle Froysland.<br />
Both Gisle and I had a kind of contrary thinking: technology is a way to get your own infrastructure by building something that is on the side of, or contrary to, commercially available tools. To get the tools into de workers’ house, to own your own tools. That was actually a very important part of early BEK. To have control over infrastructure and tools was really important. Very early on, Gisle knew how this all fitted together technologically, he knew how to work with Unix systems, create open-souce, free software and tools. He was so clear; he was older than me and had already been working a lot with this, and his ideology was really important for us at BEK at the time. Jorgen Larsson 2020 – pag. 125<br />
<br />
=== '''Piksel influenced the Norwegian electronic art scene opening up new inspiration and tools to Norwegian artists.''' ===<br />
<br />
Piksel was, an still is, a large international scene. Thirty to forty artists and programmers would come to BEK every year, and we filled Landmark and other venues with days of jamming and trying out different things. This scene was very much focusing on Linux. I was really influenced by the artists such as Martin Howse, Jonathan Kemp and Erich Berger. For me, Piksel was a huge inspiration in terms of research. Ellen Roed, 2020 -pag 128.<br />
<br />
As a pioneer, Piksel was the first festival in the world devoted to free/libre technologies applied to arts. The festival model was promptly followed along Europe for many other artists associations and collectives. That situation also brought Bergen as the centre of the free media art.<br />
<br />
Piksel was a big part of my work at BEK in the first years. What is interesting is that Piksel not as much part of the local and national, but rather of the international field. For many people abroad, the only thing they know about Bergen is that Piksel is happening here. Roar Sletteland, 2020. - pag128<br />
<br />
Locally and internationally Piksel has written the story of new media art using Free and Libre technologies, after 20 years there is a lot to tell to new generations. <br />
As Dušan Barok, the founding editor of Monoskop, a research platform for the arts and humanities, states: “Through the Piksel history we can know the history of Free/Libre Open Source and Software movement”, that is the importance of the Piksel festivals in Norway and its impact in the international arenas.<br />
<br />
To preserve the history of contemporary art in Norway, the electronic and experimental art scene that Norway triggered internationally through the Piksel festival, and to open it to new generations is the goal of this book.<br />
<br />
== '''The book. PIKSEL XX. 20 years of Libre Electronic Art. ''' ==<br />
<br />
The book “Piksel. Celebrating 20 years of New Media Art and Free/Libre technologies in Norway” intends to collect the history of Piksel and the reflections, thoughts, collaborations and projects that was initiated as a result of artists meeting at the festival.<br />
<br />
Themes will range among the Piksel theme: Electronic art and Free/Libre technologies and subtopics: artistic practices related to politics and surveillance in information technologies, open source biokitchen art, visual/sound instruments made by electronics using Free/Libre software and hardware (FLOSS), and open networks and communities around FLOSS. <br />
<br />
The book is divided into 5 parts: 20 years of Piksel, Piksel on politics, The Piksel Kitchen bioart, Electronic instruments FLOSS based, and Piksel Open Networks. <br />
<br />
The publication includes ‘ad hoc’ written articles by Norwegian and international Piksel guest artists and special contributions. <br />
Among the invited artists, Per Platou (Motherboard) and Grethe Melby, Norwegian electronic arts pioneers, and art critic writer at Scenkunst, Robertina Šebjanič and Marc Duseiller, main figures of the biokitchen artistic practices worldwide, Malte Steiner, artist and developer practitioner, John Bowers, artists combining design-led explorations of digital technologies with sound art and intermedia performance, and the open networks APO33, Asimtria / Marco Valdivia (Perú) / Paola Torres Núñez del Prado as representatives of Piksel Pulse, those international projects carried by Piksel abroad. <br />
<br />
The editorial team has been carefully chosen. The editor and in charge of the Piksel history chapter is Dušan Barok, an artist, researcher and organiser. He is founding editor of Monoskop, a research platform for the arts and humanities. His work deals with digital culture, memory studies and activism. The deepest knowledge of Dusan Barok in the field of new media art and the free artists communities and the fact that he has been editing the book last year edited by BEK: 20 years of BEK, made us to decide he is the right person to carry on the job. He has already deep knowledge in the Norwegian electronic media culture and scene. With this book we try to add to that history, not to repeat. It is important to work with somebody in the field also in a geographical approach. <br />
<br />
The book also intends to reflect the artistic part of Piksel as an artist book. The goal is to bring special attention also to its design. Jenny Picket is a Goldsmith artist designer who has developed Piksel design along the years. Working with FLOSS technologies she will create an outstanding front page and artistic book including more than 100 colour pictures.<br />
<br />
The book will be printed in Bergen, and open a process of “printing on demand” online.</div>Maitehttps://wiki.piksel.org/index.php?title=PIKSEL_XX._20_years_of_Libre_Electronic_Art_2022-24&diff=9539PIKSEL XX. 20 years of Libre Electronic Art 2022-242023-04-13T10:17:54Z<p>Maite: </p>
<hr />
<div>Bergen 2022<br />
<br />
''''“The development, and therefore use, of digital technology today is mainly controlled by multinational corporations. Despite the prospects of technology expanding the means of artistic expression, the commercial demands of the software industries severely limit them instead. <br />
<br />
Piksel is focusing on the Free/Libre and Open Source movement as a strategy for regaining artistic control of the technology, but also a means to bring attention to the close connections between art, politics, technology and economy.”''<br />
<br />
'''― Piksel festival'''''<br />
<br />
== 2003-2022 – 20 years of the Piksel in Norway. ==<br />
<br />
In November 2003 the first edition of p1k5el, or Piksel, takes place at BEK, Landmark and the Art Academy. The instigator of the event is Gisle Frøysland whose original intention was to organise a workshop around ‘real-time media’ tools, particularly the MøB platform which has reached a state where it may prove useful for other artists. Participants include Artem Baguinski, Antoine van de Ven and Simon de Bakker from V2_ Rotterdam, Tom Schouten from Belgium, Yves Degoyon from France, Jaromil from Italy, Pedro Soler from Spain, Amy Alexander from the USA, Martin Howse from the UK and Kentaro Fukuchi from Japan, altogether about 30 artists and developers. #video #vjing #software #workshop #realtime #freesoftware<br />
<br />
From 2005 Piksel widens its scope to focus more broadly on the aesthetics and politics of open source, adopting the subtitle ‘Festival for Free, Libre and Open Source Audiovisual Software and Art’. About 60 participants gather at the event, from the collectives and organisations Goto10, dyne.org, Hackitectura, De Waag, Free Software Foundation and others. <br />
<br />
By 2007, the exclusive reliance on free software as opposed to proprietary tools is without precedent in the context of arts events. With further editions to follow ever since, Piksel would established itself as the leading event for open-source arts internationally. Like-minded festivals would follow including Make Art, organised by Goto10 in Poitiers between 2006-2010, and LiWoLi in Linz from 2008, later called Art Meets Radical Openness. By now, Piksel has also established an informal support network with the audiovisual arts and digital culture festival Pixelache which took place in April at Kiasma Museum in Helsinki and its offshoot Mau au Pixel planned for the following April in Paris. Tatiana Bazzichelli (Aksioma) in Italy, servus.at in Austria and APO33 in France.<br />
<br />
Over the 20 years, Piksel has become a strong international network and annual event for electronic art and technological freedom. Part workshop, part festival, it is based in a mixed artists selections, part curated and partially selected by the open call, it mixes different artists and programmers generations, all FLOSS practitioners.<br />
<br />
As the head of PNEK Stahl Stenslie stated in the 2015 Piksel edition, after 12 yeas of existence, “Piksel is more than a festival. It is a contemporary academy in the experimental arts. Organized by Gisle Frøysland and Maite Cajaraville, Piksel turns Bergen into a creative explosion of new, emerging forms of creative expressions and strangely attractive experiments. The 2015 version saw anything from deep noise concerts to workshops in Do-It-Yourself, open source biokitchen art to electro-mechanical sculptures and surveillance bots. It was an event not just for visitors, but also an exquisite arena for the exchange of ideas and inspirations between artists. The feeling of the festival was intimate and local, yet a temporary home to a wide number of international guests from all over the world. Piksel is what PNEK is about: getting stronger through networking and building bonds across boundaries of thinking and acting.”<br />
<br />
=== Piksel => Open source + art ===<br />
<br />
Gisle Froysland, the director of Piksel Festival over the years, started BEK (Bergen Elektronik Kunst, together with Jorgen Larsson who states about him “Gisle did amazing video installations, a real 8-bit steampunk. Gisle was the video guy for Bakruppen and played guitar in Alle Tiders Duster. He was a legend. We approached him and he said yes! Gisle Froysland.<br />
Both Gisle and I had a kind of contrary thinking: technology is a way to get your own infrastructure by building something that is on the side of, or contrary to, commercially available tools. To get the tools into de workers’ house, to own your own tools. That was actually a very important part of early BEK. To have control over infrastructure and tools was really important. Very early on, Gisle knew how this all fitted together technologically, he knew how to work with Unix systems, create open-souce, free software and tools. He was so clear; he was older than me and had already been working a lot with this, and his ideology was really important for us at BEK at the time. Jorgen Larsson 2020 – pag. 125<br />
<br />
=== '''Piksel influenced the Norwegian electronic art scene opening up new inspiration and tools to Norwegian artists.''' ===<br />
<br />
Piksel was, an still is, a large international scene. Thirty to forty artists and programmers would come to BEK every year, and we filled Landmark and other venues with days of jamming and trying out different things. This scene was very much focusing on Linux. I was really influenced by the artists such as Martin Howse, Jonathan Kemp and Erich Berger. For me, Piksel was a huge inspiration in terms of research. Ellen Roed, 2020 -pag 128.<br />
<br />
As a pioneer, Piksel was the first festival in the world devoted to free/libre technologies applied to arts. The festival model was promptly followed along Europe for many other artists associations and collectives. That situation also brought Bergen as the centre of the free media art.<br />
<br />
Piksel was a big part of my work at BEK in the first years. What is interesting is that Piksel not as much part of the local and national, but rather of the international field. For many people abroad, the only thing they know about Bergen is that Piksel is happening here. Roar Sletteland, 2020. - pag128<br />
<br />
Locally and internationally Piksel has written the story of new media art using Free and Libre technologies, after 20 years there is a lot to tell to new generations. <br />
As Dušan Barok, the founding editor of Monoskop, a research platform for the arts and humanities, states: “Through the Piksel history we can know the history of Free/Libre Open Source and Software movement”, that is the importance of the Piksel festivals in Norway and its impact in the international arenas.<br />
<br />
To preserve the history of contemporary art in Norway, the electronic and experimental art scene that Norway triggered internationally through the Piksel festival, and to open it to new generations is the goal of this book.<br />
<br />
== '''The book. PIKSEL XX. 20 years of Libre Electronic Art. ''' ==<br />
<br />
The book “Piksel. Celebrating 20 years of New Media Art and Free/Libre technologies in Norway” intends to collect the history of Piksel and the reflections, thoughts, collaborations and projects that was initiated as a result of artists meeting at the festival.<br />
Themes will range among the Piksel theme: Electronic art and Free/Libre technologies and subtopics: artistic practices related to politics and surveillance in information technologies, open source biokitchen art, visual/sound instruments made by electronics using Free/Libre software and hardware (FLOSS), and open networks and communities around FLOSS. <br />
<br />
The book is divided into 5 parts: 20 years of Piksel, Piksel on politics, The Piksel Kitchen bioart, Electronic instruments FLOSS based, and Piksel Open Networks. <br />
<br />
The publication includes ‘ad hoc’ written articles by Norwegian and international Piksel guest artists and special contribution from the writer Frode Grytten, an author based in Bergen. <br />
Among the invited artists, Per Platou (Motherboard) and Grethe Melby, Norwegian electronic arts pioneers, and art critic writer at Scenkunst, Dr.Jonatan Kemp, an artist, researcher and main editor of the Icon - The Institute of Conservation, Icon is the professional body and the lead voice for the conservation and restoration of cultural heritage (objects, collections and buildings, from stones to hard disks) in the UK, Aymeric Mansoux (Goto10) + Marloes de Valk, artists and editors of the well known book FLOSS+Art, Robertina Šebjanič and Marc Duseiller, main figures of the biokitchen artistic practices worldwide, Malte Steiner, artist and developer practitioner, and the open networks APO33, Asimtria / Marco Valdivia (Perú) / Paola Torres Núñez del Prado as representatives of Piksel Pulse, those international projects carried by Piksel abroad. <br />
<br />
The editorial team has been carefully chosen. The editor and in charge of the Piksel history chapter is Dušan Barok, an artist, researcher and organiser. He is founding editor of Monoskop, a research platform for the arts and humanities. His work deals with digital culture, memory studies and activism. The deepest knowledge of Dusan Barok in the field of new media art and the free artists communities and the fact that he has been editing the book last year edited by BEK: 20 years of BEK, made us to decide he is the right person to carry on the job. He has already deep knowledge in the Norwegian electronic media culture and scene. With this book we try to add to that history, not to repeat. It is important to work with somebody in the field also in a geographical approach. <br />
<br />
The book also intends to reflect the artistic part of Piksel as an artist book. The goal is to bring special attention also to its design. Jenny Picket is a Goldsmith artist designer who has developed Piksel design along the years. Working with FLOSS technologies she will create an outstanding front page and artistic book including more than 100 colour pictures.<br />
<br />
The book will be printed in one of the best printers in Bergen, specialized in artist book and exhibition catalogues Bodoni. Printed on matte, 120grs paper and hardcovers.<br />
Apart form the 500 copies we intend to do, we will open a process of “printing on demand” online.</div>Maitehttps://wiki.piksel.org/index.php?title=PIKSEL_XX._20_years_of_Libre_Electronic_Art_2022-24&diff=9538PIKSEL XX. 20 years of Libre Electronic Art 2022-242023-04-13T10:14:43Z<p>Maite: </p>
<hr />
<div>Bergen 2022<br />
<br />
''“The development, and therefore use, of digital technology today is mainly controlled by multinational corporations. Despite the prospects of technology expanding the means of artistic expression, the commercial demands of the software industries severely limit them instead. <br />
<br />
Piksel is focusing on the Free/Libre and Open Source movement as a strategy for regaining artistic control of the technology, but also a means to bring attention to the close connections between art, politics, technology and economy.”''<br />
<br />
'''― Piksel festival'''<br />
<br />
=='''2003-2022 – 20 years of the Piksel in Norway.'''==<br />
<br />
In November 2003 the first edition of p1k5el, or Piksel, takes place at BEK, Landmark and the Art Academy. The instigator of the event is Gisle Frøysland whose original intention was to organise a workshop around ‘real-time media’ tools, particularly the MøB platform which has reached a state where it may prove useful for other artists. Participants include Artem Baguinski, Antoine van de Ven and Simon de Bakker from V2_ Rotterdam, Tom Schouten from Belgium, Yves Degoyon from France, Jaromil from Italy, Pedro Soler from Spain, Amy Alexander from the USA, Martin Howse from the UK and Kentaro Fukuchi from Japan, altogether about 30 artists and developers. #video #vjing #software #workshop #realtime #freesoftware<br />
<br />
From 2005 Piksel widens its scope to focus more broadly on the aesthetics and politics of open source, adopting the subtitle ‘Festival for Free, Libre and Open Source Audiovisual Software and Art’. About 60 participants gather at the event, from the collectives and organisations Goto10, dyne.org, Hackitectura, De Waag, Free Software Foundation and others. <br />
<br />
By 2007, the exclusive reliance on free software as opposed to proprietary tools is without precedent in the context of arts events. With further editions to follow ever since, Piksel would established itself as the leading event for open-source arts internationally. Like-minded festivals would follow including Make Art, organised by Goto10 in Poitiers between 2006-2010, and LiWoLi in Linz from 2008, later called Art Meets Radical Openness. By now, Piksel has also established an informal support network with the audiovisual arts and digital culture festival Pixelache which took place in April at Kiasma Museum in Helsinki and its offshoot Mau au Pixel planned for the following April in Paris. Tatiana Bazzichelli (Aksioma) in Italy, servus.at in Austria and APO33 in France.<br />
<br />
Over the 20 years, Piksel has become a strong international network and annual event for electronic art and technological freedom. Part workshop, part festival, it is based in a mixed artists selections, part curated and partially selected by the open call, it mixes different artists and programmers generations, all FLOSS practitioners.<br />
<br />
As the head of PNEK Stahl Stenslie stated in the 2015 Piksel edition, after 12 yeas of existence, “Piksel is more than a festival. It is a contemporary academy in the experimental arts. Organized by Gisle Frøysland and Maite Cajaraville, Piksel turns Bergen into a creative explosion of new, emerging forms of creative expressions and strangely attractive experiments. The 2015 version saw anything from deep noise concerts to workshops in Do-It-Yourself, open source biokitchen art to electro-mechanical sculptures and surveillance bots. It was an event not just for visitors, but also an exquisite arena for the exchange of ideas and inspirations between artists. The feeling of the festival was intimate and local, yet a temporary home to a wide number of international guests from all over the world. Piksel is what PNEK is about: getting stronger through networking and building bonds across boundaries of thinking and acting.”<br />
<br />
==='''Piksel = Open source + art'''===<br />
<br />
Gisle Froysland, the director of Piksel Festival over the years, started BEK (Bergen Elektronik Kunst, together with Jorgen Larsson who states about him “Gisle did amazing video installations, a real 8-bit steampunk. Gisle was the video guy for Bakruppen and played guitar in Alle Tiders Duster. He was a legend. We approached him and he said yes! Gisle Froysland.<br />
Both Gisle and I had a kind of contrary thinking: technology is a way to get your own infrastructure by building something that is on the side of, or contrary to, commercially available tools. To get the tools into de workers’ house, to own your own tools. That was actually a very important part of early BEK. To have control over infrastructure and tools was really important. Very early on, Gisle knew how this all fitted together technologically, he knew how to work with Unix systems, create open-souce, free software and tools. He was so clear; he was older than me and had already been working a lot with this, and his ideology was really important for us at BEK at the time. Jorgen Larsson 2020 – pag. 125<br />
<br />
'''Piksel influenced the Norwegian electronic art scene opening up new inspiration and tools to Norwegian artists.'''<br />
<br />
Piksel was, an still is, a large international scene. Thirty to forty artists and programmers would come to BEK every year, and we filled Landmark and other venues with days of jamming and trying out different things. This scene was very much focusing on Linux. I was really influenced by the artists such as Martin Howse, Jonathan Kemp and Erich Berger. For me, Piksel was a huge inspiration in terms of research. Ellen Roed, 2020 -pag 128.<br />
<br />
As a pioneer, Piksel was the first festival in the world devoted to free/libre technologies applied to arts. The festival model was promptly followed along Europe for many other artists associations and collectives. That situation also brought Bergen as the centre of the free media art.<br />
<br />
Piksel was a big part of my work at BEK in the first years. What is interesting is that Piksel not as much part of the local and national, but rather of the international field. For many people abroad, the only thing they know about Bergen is that Piksel is happening here. Roar Sletteland, 2020. - pag128<br />
<br />
Locally and internationally Piksel has written the story of new media art using Free and Libre technologies, after 20 years there is a lot to tell to new generations. <br />
As Dušan Barok, the founding editor of Monoskop, a research platform for the arts and humanities, states: “Through the Piksel history we can know the history of Free/Libre Open Source and Software movement”, that is the importance of the Piksel festivals in Norway and its impact in the international arenas.<br />
<br />
To preserve the history of contemporary art in Norway, the electronic and experimental art scene that Norway triggered internationally through the Piksel festival, and to open it to new generations is the goal of this book.<br />
<br />
=='''PIKSEL XX. 20 years of Libre Electronic Art. The book.'''==<br />
<br />
The book “Piksel. Celebrating 20 years of New Media Art and Free/Libre technologies in Norway” intends to collect the history of Piksel and the reflections, thoughts, collaborations and projects that was initiated as a result of artists meeting at the festival.<br />
Themes will range among the Piksel theme: Electronic art and Free/Libre technologies and subtopics: artistic practices related to politics and surveillance in information technologies, open source biokitchen art, visual/sound instruments made by electronics using Free/Libre software and hardware (FLOSS), and open networks and communities around FLOSS. <br />
<br />
The book is divided into 5 parts: 20 years of Piksel, Piksel on politics, The Piksel Kitchen bioart, Electronic instruments FLOSS based, and Piksel Open Networks. <br />
<br />
The publication includes ‘ad hoc’ written articles by Norwegian and international Piksel guest artists and special contribution from the writer Frode Grytten, an author based in Bergen. <br />
Among the invited artists, Per Platou (Motherboard) and Grethe Melby, Norwegian electronic arts pioneers, and art critic writer at Scenkunst, Dr.Jonatan Kemp, an artist, researcher and main editor of the Icon - The Institute of Conservation, Icon is the professional body and the lead voice for the conservation and restoration of cultural heritage (objects, collections and buildings, from stones to hard disks) in the UK, Aymeric Mansoux (Goto10) + Marloes de Valk, artists and editors of the well known book FLOSS+Art, Robertina Šebjanič and Marc Duseiller, main figures of the biokitchen artistic practices worldwide, Malte Steiner, artist and developer practitioner, and the open networks APO33, Asimtria / Marco Valdivia (Perú) / Paola Torres Núñez del Prado as representatives of Piksel Pulse, those international projects carried by Piksel abroad. <br />
<br />
The editorial team has been carefully chosen. The editor and in charge of the Piksel history chapter is Dušan Barok, an artist, researcher and organiser. He is founding editor of Monoskop, a research platform for the arts and humanities. His work deals with digital culture, memory studies and activism. The deepest knowledge of Dusan Barok in the field of new media art and the free artists communities and the fact that he has been editing the book last year edited by BEK: 20 years of BEK, made us to decide he is the right person to carry on the job. He has already deep knowledge in the Norwegian electronic media culture and scene. With this book we try to add to that history, not to repeat. It is important to work with somebody in the field also in a geographical approach. <br />
<br />
The book also intends to reflect the artistic part of Piksel as an artist book. The goal is to bring special attention also to its design. Jenny Picket is a Goldsmith artist designer who has developed Piksel design along the years. Working with FLOSS technologies she will create an outstanding front page and artistic book including more than 100 colour pictures.<br />
<br />
The book will be printed in one of the best printers in Bergen, specialized in artist book and exhibition catalogues Bodoni. Printed on matte, 120grs paper and hardcovers.<br />
Apart form the 500 copies we intend to do, we will open a process of “printing on demand” online.</div>Maitehttps://wiki.piksel.org/index.php?title=PIKSEL_XX._20_years_of_Libre_Electronic_Art_2022-24&diff=9537PIKSEL XX. 20 years of Libre Electronic Art 2022-242023-04-13T10:10:08Z<p>Maite: </p>
<hr />
<div>Bergen 2022<br />
<br />
''“The development, and therefore use, of digital technology today is mainly controlled by multinational corporations. Despite the prospects of technology expanding the means of artistic expression, the commercial demands of the software industries severely limit them instead. <br />
<br />
Piksel is focusing on the Free/Libre and Open Source movement as a strategy for regaining artistic control of the technology, but also a means to bring attention to the close connections between art, politics, technology and economy.”''<br />
<br />
=='''― Piksel festival'''==<br />
<br />
'''2003-2022 – 20 years of the Piksel in Norway.'''<br />
<br />
In November 2003 the first edition of p1k5el, or Piksel, takes place at BEK, Landmark and the Art Academy. The instigator of the event is Gisle Frøysland whose original intention was to organise a workshop around ‘real-time media’ tools, particularly the MøB platform which has reached a state where it may prove useful for other artists. Participants include Artem Baguinski, Antoine van de Ven and Simon de Bakker from V2_ Rotterdam, Tom Schouten from Belgium, Yves Degoyon from France, Jaromil from Italy, Pedro Soler from Spain, Amy Alexander from the USA, Martin Howse from the UK and Kentaro Fukuchi from Japan, altogether about 30 artists and developers. #video #vjing #software #workshop #realtime #freesoftware<br />
<br />
From 2005 Piksel widens its scope to focus more broadly on the aesthetics and politics of open source, adopting the subtitle ‘Festival for Free, Libre and Open Source Audiovisual Software and Art’. About 60 participants gather at the event, from the collectives and organisations Goto10, dyne.org, Hackitectura, De Waag, Free Software Foundation and others. <br />
<br />
By 2007, the exclusive reliance on free software as opposed to proprietary tools is without precedent in the context of arts events. With further editions to follow ever since, Piksel would established itself as the leading event for open-source arts internationally. Like-minded festivals would follow including Make Art, organised by Goto10 in Poitiers between 2006-2010, and LiWoLi in Linz from 2008, later called Art Meets Radical Openness. By now, Piksel has also established an informal support network with the audiovisual arts and digital culture festival Pixelache which took place in April at Kiasma Museum in Helsinki and its offshoot Mau au Pixel planned for the following April in Paris. Tatiana Bazzichelli (Aksioma) in Italy, servus.at in Austria and APO33 in France.<br />
<br />
Over the 20 years, Piksel has become a strong international network and annual event for electronic art and technological freedom. Part workshop, part festival, it is based in a mixed artists selections, part curated and partially selected by the open call, it mixes different artists and programmers generations, all FLOSS practitioners.<br />
<br />
As the head of PNEK Stahl Stenslie stated in the 2015 Piksel edition, after 12 yeas of existence, “Piksel is more than a festival. It is a contemporary academy in the experimental arts. Organized by Gisle Frøysland and Maite Cajaraville, Piksel turns Bergen into a creative explosion of new, emerging forms of creative expressions and strangely attractive experiments. The 2015 version saw anything from deep noise concerts to workshops in Do-It-Yourself, open source biokitchen art to electro-mechanical sculptures and surveillance bots. It was an event not just for visitors, but also an exquisite arena for the exchange of ideas and inspirations between artists. The feeling of the festival was intimate and local, yet a temporary home to a wide number of international guests from all over the world. Piksel is what PNEK is about: getting stronger through networking and building bonds across boundaries of thinking and acting.”<br />
<br />
'''Piksel = Open source + art'''<br />
<br />
Gisle Froysland, the director of Piksel Festival over the years, started BEK (Bergen Elektronik Kunst, together with Jorgen Larsson who states about him “Gisle did amazing video installations, a real 8-bit steampunk. Gisle was the video guy for Bakruppen and played guitar in Alle Tiders Duster. He was a legend. We approached him and he said yes! Gisle Froysland.<br />
Both Gisle and I had a kind of contrary thinking: technology is a way to get your own infrastructure by building something that is on the side of, or contrary to, commercially available tools. To get the tools into de workers’ house, to own your own tools. That was actually a very important part of early BEK. To have control over infrastructure and tools was really important. Very early on, Gisle knew how this all fitted together technologically, he knew how to work with Unix systems, create open-souce, free software and tools. He was so clear; he was older than me and had already been working a lot with this, and his ideology was really important for us at BEK at the time. Jorgen Larsson 2020 – pag. 125<br />
<br />
'''Piksel influenced the Norwegian electronic art scene opening up new inspiration and tools to Norwegian artists.'''<br />
<br />
Piksel was, an still is, a large international scene. Thirty to forty artists and programmers would come to BEK every year, and we filled Landmark and other venues with days of jamming and trying out different things. This scene was very much focusing on Linux. I was really influenced by the artists such as Martin Howse, Jonathan Kemp and Erich Berger. For me, Piksel was a huge inspiration in terms of research. Ellen Roed, 2020 -pag 128.<br />
<br />
As a pioneer, Piksel was the first festival in the world devoted to free/libre technologies applied to arts. The festival model was promptly followed along Europe for many other artists associations and collectives. That situation also brought Bergen as the centre of the free media art.<br />
<br />
Piksel was a big part of my work at BEK in the first years. What is interesting is that Piksel not as much part of the local and national, but rather of the international field. For many people abroad, the only thing they know about Bergen is that Piksel is happening here. Roar Sletteland, 2020. - pag128<br />
<br />
Locally and internationally Piksel has written the story of new media art using Free and Libre technologies, after 20 years there is a lot to tell to new generations. <br />
As Dušan Barok, the founding editor of Monoskop, a research platform for the arts and humanities, states: “Through the Piksel history we can know the history of Free/Libre Open Source and Software movement”, that is the importance of the Piksel festivals in Norway and its impact in the international arenas.<br />
<br />
To preserve the history of contemporary art in Norway, the electronic and experimental art scene that Norway triggered internationally through the Piksel festival, and to open it to new generations is the goal of this book.<br />
<br />
'''Piksel 20 years. The book.'''<br />
<br />
The book “Piksel. Celebrating 20 years of New Media Art and Free/Libre technologies in Norway” intends to collect the history of Piksel and the reflections, thoughts, collaborations and projects that was initiated as a result of artists meeting at the festival.<br />
Themes will range among the Piksel theme: Electronic art and Free/Libre technologies and subtopics: artistic practices related to politics and surveillance in information technologies, open source biokitchen art, visual/sound instruments made by electronics using Free/Libre software and hardware (FLOSS), and open networks and communities around FLOSS. <br />
<br />
The book is divided into 5 parts: 20 years of Piksel, Piksel on politics, The Piksel Kitchen bioart, Electronic instruments FLOSS based, and Piksel Open Networks. <br />
<br />
The publication includes ‘ad hoc’ written articles by Norwegian and international Piksel guest artists and special contribution from the writer Frode Grytten, an author based in Bergen. <br />
Among the invited artists, Per Platou (Motherboard) and Grethe Melby, Norwegian electronic arts pioneers, and art critic writer at Scenkunst, Dr.Jonatan Kemp, an artist, researcher and main editor of the Icon - The Institute of Conservation, Icon is the professional body and the lead voice for the conservation and restoration of cultural heritage (objects, collections and buildings, from stones to hard disks) in the UK, Aymeric Mansoux (Goto10) + Marloes de Valk, artists and editors of the well known book FLOSS+Art, Robertina Šebjanič and Marc Duseiller, main figures of the biokitchen artistic practices worldwide, Malte Steiner, artist and developer practitioner, and the open networks APO33, Asimtria / Marco Valdivia (Perú) / Paola Torres Núñez del Prado as representatives of Piksel Pulse, those international projects carried by Piksel abroad. <br />
<br />
The editorial team has been carefully chosen. The editor and in charge of the Piksel history chapter is Dušan Barok, an artist, researcher and organiser. He is founding editor of Monoskop, a research platform for the arts and humanities. His work deals with digital culture, memory studies and activism. The deepest knowledge of Dusan Barok in the field of new media art and the free artists communities and the fact that he has been editing the book last year edited by BEK: 20 years of BEK, made us to decide he is the right person to carry on the job. He has already deep knowledge in the Norwegian electronic media culture and scene. With this book we try to add to that history, not to repeat. It is important to work with somebody in the field also in a geographical approach. <br />
<br />
The book also intends to reflect the artistic part of Piksel as an artist book. The goal is to bring special attention also to its design. Jenny Picket is a Goldsmith artist designer who has developed Piksel design along the years. Working with FLOSS technologies she will create an outstanding front page and artistic book including more than 100 colour pictures.<br />
<br />
The book will be printed in one of the best printers in Bergen, specialized in artist book and exhibition catalogues Bodoni. Printed on matte, 120grs paper and hardcovers.<br />
Apart form the 500 copies we intend to do, we will open a process of “printing on demand” online.</div>Maitehttps://wiki.piksel.org/index.php?title=PIKSEL_XX._20_years_of_Libre_Electronic_Art_2022-24&diff=9536PIKSEL XX. 20 years of Libre Electronic Art 2022-242023-04-13T10:04:46Z<p>Maite: </p>
<hr />
<div>Bergen 2022<br />
<br />
''“The development, and therefore use, of digital technology today is mainly controlled by multinational corporations. Despite the prospects of technology expanding the means of artistic expression, the commercial demands of the software industries severely limit them instead. <br />
<br />
Piksel is focusing on the Free/Libre and Open Source movement as a strategy for regaining artistic control of the technology, but also a means to bring attention to the close connections between art, politics, technology and economy.”''<br />
<br />
'''― Piksel festival'''<br />
<br />
'''2003-2022 – 20 years of the Piksel in Norway.'''<br />
<br />
In November 2003 the first edition of p1k5el, or Piksel, takes place at BEK, Landmark and the Art Academy. The instigator of the event is Gisle Frøysland whose original intention was to organise a workshop around ‘real-time media’ tools, particularly the MøB platform which has reached a state where it may prove useful for other artists. Participants include Artem Baguinski, Antoine van de Ven and Simon de Bakker from V2_ Rotterdam, Tom Schouten from Belgium, Yves Degoyon from France, Jaromil from Italy, Pedro Soler from Spain, Amy Alexander from the USA, Martin Howse from the UK and Kentaro Fukuchi from Japan, altogether about 30 artists and developers. #video #vjing #software #workshop #realtime #freesoftware<br />
<br />
From 2005 Piksel widens its scope to focus more broadly on the aesthetics and politics of open source, adopting the subtitle ‘Festival for Free, Libre and Open Source Audiovisual Software and Art’. About 60 participants gather at the event, from the collectives and organisations Goto10, dyne.org, Hackitectura, De Waag, Free Software Foundation and others. <br />
<br />
By 2007, the exclusive reliance on free software as opposed to proprietary tools is without precedent in the context of arts events. With further editions to follow ever since, Piksel would established itself as the leading event for open-source arts internationally. Like-minded festivals would follow including Make Art, organised by Goto10 in Poitiers between 2006-2010, and LiWoLi in Linz from 2008, later called Art Meets Radical Openness. By now, Piksel has also established an informal support network with the audiovisual arts and digital culture festival Pixelache which took place in April at Kiasma Museum in Helsinki and its offshoot Mau au Pixel planned for the following April in Paris. Tatiana Bazzichelli (Aksioma) in Italy, servus.at in Austria and APO33 in France.<br />
<br />
Over the 20 years, Piksel has become a strong international network and annual event for electronic art and technological freedom. Part workshop, part festival, it is based in a mixed artists selections, part curated and partially selected by the open call, it mixes different artists and programmers generations, all FLOSS practitioners.<br />
<br />
As the head of PNEK Stahl Stenslie stated in the 2015 Piksel edition, after 12 yeas of existence, “Piksel is more than a festival. It is a contemporary academy in the experimental arts. Organized by Gisle Frøysland and Maite Cajaraville, Piksel turns Bergen into a creative explosion of new, emerging forms of creative expressions and strangely attractive experiments. The 2015 version saw anything from deep noise concerts to workshops in Do-It-Yourself, open source biokitchen art to electro-mechanical sculptures and surveillance bots. It was an event not just for visitors, but also an exquisite arena for the exchange of ideas and inspirations between artists. The feeling of the festival was intimate and local, yet a temporary home to a wide number of international guests from all over the world. Piksel is what PNEK is about: getting stronger through networking and building bonds across boundaries of thinking and acting.”<br />
<br />
'''Piksel = Open source + art'''<br />
<br />
Gisle Froysland, the director of Piksel Festival over the years, started BEK (Bergen Elektronik Kunst, together with Jorgen Larsson who states about him “Gisle did amazing video installations, a real 8-bit steampunk. Gisle was the video guy for Bakruppen and played guitar in Alle Tiders Duster. He was a legend. We approached him and he said yes! Gisle Froysland.<br />
Both Gisle and I had a kind of contrary thinking: technology is a way to get your own infrastructure by building something that is on the side of, or contrary to, commercially available tools. To get the tools into de workers’ house, to own your own tools. That was actually a very important part of early BEK. To have control over infrastructure and tools was really important. Very early on, Gisle knew how this all fitted together technologically, he knew how to work with Unix systems, create open-souce, free software and tools. He was so clear; he was older than me and had already been working a lot with this, and his ideology was really important for us at BEK at the time. Jorgen Larsson 2020 – pag. 125<br />
Piksel influenced the Norwegian electronic art scene opening up new inspiration and tools to Norwegian artists.<br />
Piksel was, an still is, a large international scene. Thirty to forty artists and programmers would come to BEK every year, and we filled Landmark and other venues with days of jamming and trying out different things. This scene was very much focusing on Linux. I was really influenced by the artists such as Martin Howse, Jonathan Kemp and Erich Berger. For me, Piksel was a huge inspiration in terms of research. Ellen Roed, 2020 -pag 128.<br />
<br />
As a pioneer, Piksel was the first festival in the world devoted to free/libre technologies applied to arts. The festival model was promptly followed along Europe for many other artists associations and collectives. That situation also brought Bergen as the centre of the free media art.<br />
Piksel was a big part of my work at BEK in the first years. What is interesting is that Piksel not as much part of the local and national, but rather of the international field. For many people abroad, the only thing they know about Bergen is that Piksel is happening here. Roar Sletteland, 2020. - pag128<br />
Locally and internationally Piksel has written the story of new media art using Free and Libre technologies, after 20 years there is a lot to tell to new generations. <br />
As Dušan Barok, the founding editor of Monoskop, a research platform for the arts and humanities, states: “Through the Piksel history we can know the history of Free/Libre Open Source and Software movement”, that is the importance of the Piksel festivals in Norway and its impact in the international arenas.<br />
To preserve the history of contemporary art in Norway, the electronic and experimental art scene that Norway triggered internationally through the Piksel festival, and to open it to new generations is the goal of this book.<br />
<br />
'''Piksel 20 years. The book.'''<br />
<br />
The book “Piksel. Celebrating 20 years of New Media Art and Free/Libre technologies in Norway” intends to collect the history of Piksel and the reflections, thoughts, collaborations and projects that was initiated as a result of artists meeting at the festival.<br />
Themes will range among the Piksel theme: Electronic art and Free/Libre technologies and subtopics: artistic practices related to politics and surveillance in information technologies, open source biokitchen art, visual/sound instruments made by electronics using Free/Libre software and hardware (FLOSS), and open networks and communities around FLOSS. <br />
The book is divided into 5 parts: 20 years of Piksel, Piksel on politics, The Piksel Kitchen bioart, Electronic instruments FLOSS based, and Piksel Open Networks. <br />
The publication includes ‘ad hoc’ written articles by Norwegian and international Piksel guest artists and special contribution from the writer Frode Grytten, an author based in Bergen. <br />
Among the invited artists, Per Platou (Motherboard) and Grethe Melby, Norwegian electronic arts pioneers, and art critic writer at Scenkunst, Dr.Jonatan Kemp, an artist, researcher and main editor of the Icon - The Institute of Conservation, Icon is the professional body and the lead voice for the conservation and restoration of cultural heritage (objects, collections and buildings, from stones to hard disks) in the UK, Aymeric Mansoux (Goto10) + Marloes de Valk, artists and editors of the well known book FLOSS+Art, Robertina Šebjanič and Marc Duseiller, main figures of the biokitchen artistic practices worldwide, Malte Steiner, artist and developer practitioner, and the open networks APO33, Asimtria / Marco Valdivia (Perú) / Paola Torres Núñez del Prado as representatives of Piksel Pulse, those international projects carried by Piksel abroad. <br />
<br />
The editorial team has been carefully chosen. The editor and in charge of the Piksel history chapter is Dušan Barok, an artist, researcher and organiser. He is founding editor of Monoskop, a research platform for the arts and humanities. His work deals with digital culture, memory studies and activism. The deepest knowledge of Dusan Barok in the field of new media art and the free artists communities and the fact that he has been editing the book last year edited by BEK: 20 years of BEK, made us to decide he is the right person to carry on the job. He has already deep knowledge in the Norwegian electronic media culture and scene. With this book we try to add to that history, not to repeat. It is important to work with somebody in the field also in a geographical approach. <br />
<br />
The book also intends to reflect the artistic part of Piksel as an artist book. The goal is to bring special attention also to its design. Jenny Picket is a Goldsmith artist designer who has developed Piksel design along the years. Working with FLOSS technologies she will create an outstanding front page and artistic book including more than 100 colour pictures.<br />
The book will be printed in one of the best printers in Bergen, specialized in artist book and exhibition catalogues Bodoni. Printed on matte, 120grs paper and hardcovers.<br />
Apart form the 500 copies we intend to do, we will open a process of “printing on demand” online.</div>Maitehttps://wiki.piksel.org/index.php?title=PIKSEL_XX._20_years_of_Libre_Electronic_Art_2022-24&diff=9535PIKSEL XX. 20 years of Libre Electronic Art 2022-242023-04-13T10:03:10Z<p>Maite: Created page with "Bergen 2022 ''“The development, and therefore use, of digital technology today is mainly controlled by multinational corporations. Despite the prospects of technology expanding the means of artistic expression, the commercial demands of the software industries severely limit them instead. Piksel is focusing on the Free/Libre and Open Source movement as a strategy for regaining artistic control of the technology, but also a means to bring attention to the close conne..."</p>
<hr />
<div>Bergen 2022<br />
<br />
''“The development, and therefore use, of digital technology today is mainly controlled by multinational corporations. Despite the prospects of technology expanding the means of artistic expression, the commercial demands of the software industries severely limit them instead. <br />
<br />
Piksel is focusing on the Free/Libre and Open Source movement as a strategy for regaining artistic control of the technology, but also a means to bring attention to the close connections between art, politics, technology and economy.”''<br />
<br />
'''― Piksel festival'''<br />
<br />
'''2003-2022 – 20 years of the Piksel in Norway.'''<br />
<br />
In November 2003 the first edition of p1k5el, or Piksel, takes place at BEK, Landmark and the Art Academy. The instigator of the event is Gisle Frøysland whose original intention was to organise a workshop around ‘real-time media’ tools, particularly the MøB platform which has reached a state where it may prove useful for other artists. Participants include Artem Baguinski, Antoine van de Ven and Simon de Bakker from V2_ Rotterdam, Tom Schouten from Belgium, Yves Degoyon from France, Jaromil from Italy, Pedro Soler from Spain, Amy Alexander from the USA, Martin Howse from the UK and Kentaro Fukuchi from Japan, altogether about 30 artists and developers. #video #vjing #software #workshop #realtime #freesoftware<br />
From 2005 Piksel widens its scope to focus more broadly on the aesthetics and politics of open source, adopting the subtitle ‘Festival for Free, Libre and Open Source Audiovisual Software and Art’. About 60 participants gather at the event, from the collectives and organisations Goto10, dyne.org, Hackitectura, De Waag, Free Software Foundation and others. <br />
By 2007, the exclusive reliance on free software as opposed to proprietary tools is without precedent in the context of arts events. With further editions to follow ever since, Piksel would established itself as the leading event for open-source arts internationally. Like-minded festivals would follow including Make Art, organised by Goto10 in Poitiers between 2006-2010, and LiWoLi in Linz from 2008, later called Art Meets Radical Openness. By now, Piksel has also established an informal support network with the audiovisual arts and digital culture festival Pixelache which took place in April at Kiasma Museum in Helsinki and its offshoot Mau au Pixel planned for the following April in Paris. Tatiana Bazzichelli (Aksioma) in Italy, servus.at in Austria and APO33 in France.<br />
Over the 20 years, Piksel has become a strong international network and annual event for electronic art and technological freedom. Part workshop, part festival, it is based in a mixed artists selections, part curated and partially selected by the open call, it mixes different artists and programmers generations, all FLOSS practitioners.<br />
As the head of PNEK Stahl Stenslie stated in the 2015 Piksel edition, after 12 yeas of existence, “Piksel is more than a festival. It is a contemporary academy in the experimental arts. Organized by Gisle Frøysland and Maite Cajaraville, Piksel turns Bergen into a creative explosion of new, emerging forms of creative expressions and strangely attractive experiments. The 2015 version saw anything from deep noise concerts to workshops in Do-It-Yourself, open source biokitchen art to electro-mechanical sculptures and surveillance bots. It was an event not just for visitors, but also an exquisite arena for the exchange of ideas and inspirations between artists. The feeling of the festival was intimate and local, yet a temporary home to a wide number of international guests from all over the world. Piksel is what PNEK is about: getting stronger through networking and building bonds across boundaries of thinking and acting.”<br />
<br />
'''Piksel = Open source + art'''<br />
<br />
Gisle Froysland, the director of Piksel Festival over the years, started BEK (Bergen Elektronik Kunst, together with Jorgen Larsson who states about him “Gisle did amazing video installations, a real 8-bit steampunk. Gisle was the video guy for Bakruppen and played guitar in Alle Tiders Duster. He was a legend. We approached him and he said yes! Gisle Froysland.<br />
Both Gisle and I had a kind of contrary thinking: technology is a way to get your own infrastructure by building something that is on the side of, or contrary to, commercially available tools. To get the tools into de workers’ house, to own your own tools. That was actually a very important part of early BEK. To have control over infrastructure and tools was really important. Very early on, Gisle knew how this all fitted together technologically, he knew how to work with Unix systems, create open-souce, free software and tools. He was so clear; he was older than me and had already been working a lot with this, and his ideology was really important for us at BEK at the time. Jorgen Larsson 2020 – pag. 125<br />
Piksel influenced the Norwegian electronic art scene opening up new inspiration and tools to Norwegian artists.<br />
Piksel was, an still is, a large international scene. Thirty to forty artists and programmers would come to BEK every year, and we filled Landmark and other venues with days of jamming and trying out different things. This scene was very much focusing on Linux. I was really influenced by the artists such as Martin Howse, Jonathan Kemp and Erich Berger. For me, Piksel was a huge inspiration in terms of research. Ellen Roed, 2020 -pag 128.<br />
<br />
As a pioneer, Piksel was the first festival in the world devoted to free/libre technologies applied to arts. The festival model was promptly followed along Europe for many other artists associations and collectives. That situation also brought Bergen as the centre of the free media art.<br />
Piksel was a big part of my work at BEK in the first years. What is interesting is that Piksel not as much part of the local and national, but rather of the international field. For many people abroad, the only thing they know about Bergen is that Piksel is happening here. Roar Sletteland, 2020. - pag128<br />
Locally and internationally Piksel has written the story of new media art using Free and Libre technologies, after 20 years there is a lot to tell to new generations. <br />
As Dušan Barok, the founding editor of Monoskop, a research platform for the arts and humanities, states: “Through the Piksel history we can know the history of Free/Libre Open Source and Software movement”, that is the importance of the Piksel festivals in Norway and its impact in the international arenas.<br />
To preserve the history of contemporary art in Norway, the electronic and experimental art scene that Norway triggered internationally through the Piksel festival, and to open it to new generations is the goal of this book.<br />
<br />
'''Piksel 20 years. The book.'''<br />
<br />
The book “Piksel. Celebrating 20 years of New Media Art and Free/Libre technologies in Norway” intends to collect the history of Piksel and the reflections, thoughts, collaborations and projects that was initiated as a result of artists meeting at the festival.<br />
Themes will range among the Piksel theme: Electronic art and Free/Libre technologies and subtopics: artistic practices related to politics and surveillance in information technologies, open source biokitchen art, visual/sound instruments made by electronics using Free/Libre software and hardware (FLOSS), and open networks and communities around FLOSS. <br />
The book is divided into 5 parts: 20 years of Piksel, Piksel on politics, The Piksel Kitchen bioart, Electronic instruments FLOSS based, and Piksel Open Networks. <br />
The publication includes ‘ad hoc’ written articles by Norwegian and international Piksel guest artists and special contribution from the writer Frode Grytten, an author based in Bergen. <br />
Among the invited artists, Per Platou (Motherboard) and Grethe Melby, Norwegian electronic arts pioneers, and art critic writer at Scenkunst, Dr.Jonatan Kemp, an artist, researcher and main editor of the Icon - The Institute of Conservation, Icon is the professional body and the lead voice for the conservation and restoration of cultural heritage (objects, collections and buildings, from stones to hard disks) in the UK, Aymeric Mansoux (Goto10) + Marloes de Valk, artists and editors of the well known book FLOSS+Art, Robertina Šebjanič and Marc Duseiller, main figures of the biokitchen artistic practices worldwide, Malte Steiner, artist and developer practitioner, and the open networks APO33, Asimtria / Marco Valdivia (Perú) / Paola Torres Núñez del Prado as representatives of Piksel Pulse, those international projects carried by Piksel abroad. <br />
<br />
The editorial team has been carefully chosen. The editor and in charge of the Piksel history chapter is Dušan Barok, an artist, researcher and organiser. He is founding editor of Monoskop, a research platform for the arts and humanities. His work deals with digital culture, memory studies and activism. The deepest knowledge of Dusan Barok in the field of new media art and the free artists communities and the fact that he has been editing the book last year edited by BEK: 20 years of BEK, made us to decide he is the right person to carry on the job. He has already deep knowledge in the Norwegian electronic media culture and scene. With this book we try to add to that history, not to repeat. It is important to work with somebody in the field also in a geographical approach. <br />
<br />
The book also intends to reflect the artistic part of Piksel as an artist book. The goal is to bring special attention also to its design. Jenny Picket is a Goldsmith artist designer who has developed Piksel design along the years. Working with FLOSS technologies she will create an outstanding front page and artistic book including more than 100 colour pictures.<br />
The book will be printed in one of the best printers in Bergen, specialized in artist book and exhibition catalogues Bodoni. Printed on matte, 120grs paper and hardcovers.<br />
Apart form the 500 copies we intend to do, we will open a process of “printing on demand” online.</div>Maitehttps://wiki.piksel.org/index.php?title=Main_Page&diff=9534Main Page2023-04-13T09:54:04Z<p>Maite: </p>
<hr />
<div>[[File:PIKSEL-Logo-GOOD 150mm.png|600px|none]]<br />
<br />
<big>'''Welcome to the new Piksel wiki!'''</big><br />
<br />
<br />
This is the home for planning and documenting collaborative and participatory projects connected to [http://piksel.no/pulse Piksel Pulse] and [http://piksel.no/festival Piksel Festival] events. <br />
<br />
The old Piksel wiki (< 2009) is now offline, but hopefully it will be restored for archival reasons.<br />
<br />
== Projects ==<br />
* 2022<br />
** [[Inkluderende Digitalt Laboratorium for Eksperimentell Kunst (IDLE) 2022-24]]<br />
** [[PIKSEL XX. 20 years of Libre Electronic Art 2022-24]]<br />
* 2021<br />
** [[TransPiksel 2021]]<br />
* 2020<br />
** [[TransPiksel 2020]]<br />
** [[BAS Digital Challenge Program]]<br />
** [[Piksel meets IoT]]<br />
* 2019<br />
** [[TransPiksel 2019]]<br />
* 2018<br />
** [[TransPiksel 2018]]<br />
* 2017<br />
** [[TransPiksel 2017]]<br />
* 2016<br />
** [[TransPiksel 2016]]<br />
** [[Sushi Roulette: Novel plastic pollutants - byproducts of novel & emerging technologies explored using novel DIY science techniques]]<br />
* 2015<br />
** [[PIKSEL15 - Get A-Life!]]<br />
** [[Pikslo deep diving / underwater interception of the nordic sea]]<br />
* 2012<br />
** [[OpenSound Bergen]]<br />
* 2010<br />
** [[Piksel SummerCamp 2010]]<br />
** [[Regnskog]]<br />
* 2009<br />
** [[Piksel Plenum]]<br />
<br />
----</div>Maitehttps://wiki.piksel.org/index.php?title=TransPiksel_2021&diff=9509TransPiksel 20212021-03-01T13:50:01Z<p>Maite: </p>
<hr />
<div>[[File:Bannerwiki.jpg|1000px]]<br />
<br />
[[File:Logo_small.jpg|100px]]<br />
<br />
=='''Transpiksel, Laboratorios sobre arte electrónico y cultura digital en Abya Yala | Free Digital Culture Labs in Latinamerica'''==<br />
<br />
[[TransPiksel 2020]]<br />
<br />
[[TransPiksel 2019]]<br />
<br />
[[TransPiksel 2018]]<br />
<br />
[[TransPiksel 2017]]<br />
<br />
[[TransPiksel 2016]]<br />
<br />
== '''Transpiksel 2021, Paray mitapim Transpikselniqa''' ==<br />
<br />
Transpiksel es una red de colectivos en arte y tecnología de España, México, Noruega y Perú, quienes junto a otras organizaciones y colectivos proponen anualmente un festival itinerante, sucedido desde el año 2016 en Colombia, Chile, Ecuador, México, Perú y República Dominicana.<br />
<br />
En el 2021 propone una edición especial durante el verano austral, que presenta transmisiones de conciertos y performances audiovisuales desde Arequipa, Cusco, Huancayo, Lima y Ayacucho en Perú, Madrid en España y Ciudad de México, un programa de talleres virtuales y un espacio que reúne obras en VR y 3D, entre el 8 y el 26 febrero.<br />
<br />
----<br />
<br />
==='''''COMPILACIÓN DE ESCULTURAS 3D Y ESPACIOS DE REALIDAD VIRTUAL + PIKSEL QUARANTINE'''''===<br />
<br />
<br />
'''Lunes 08 Febrero'''<br />
<br />
:'''00h [MX] | 01h [PE] | 07h [Es/No]''' <br />
<br />
::Apertura de recorridos, disponible hasta el 26 de febrero en https://asimtria.org/transpiksel/?page_id=203<br />
<br />
:::Pensamiento Vertical | [https://asimtria.org/transpiksel/?p=202 Analucia Roeder] [PE]<br />
<br />
:::COLINEALES | [https://asimtria.org/transpiksel/?p=207 Eleazar Herrera] [PE]<br />
<br />
:::Ancestros y Futuro | [https://asimtria.org/transpiksel/?p=213 Giovanna Pillaca Morote] [PE]<br />
<br />
:::Hibernación | [https://asimtria.org/transpiksel/?p=218 Jesper Frederiksen (Jesperino)] [PE/DK]<br />
<br />
:::LAYERING CORPUS | [https://asimtria.org/transpiksel/?p=223 Malitzin Cortes CNDSD] [MX]<br />
<br />
:::“Las redes son cromáticas” | [https://asimtria.org/transpiksel/?p=226 Santiago Ramírez Camarena] [PE]<br />
<br />
:::POLLEN GLITCH | [https://asimtria.org/transpiksel/?p=230 Yannet Vilela (N3t4)] [PE]<br />
<br />
:::Entidad Akakor, la experiencia VR | [https://asimtria.org/transpiksel/?p=235 Jennifer Durand - Daniel Escobar - Claudia Garcia - Giovanna Pillaca - Jose Luis Vintimilla] [PE/US/ES/EC]<br />
<br />
::SELECCIÓN DE PIKSEL QUARANTINE<br />
<br />
:::BIO-CREA | [https://asimtria.org/transpiksel/?p=317 Hamilton Mestizo] [MX]<br />
<br />
:::Luftslott | [https://asimtria.org/transpiksel/?p=321 Alexandra Cárdenas] | [https://asimtria.org/transpiksel/?p=323 Camilla Vatne Barrat-Due] [MX/CO/NO]<br />
<br />
:::And in the future the cracks will also be a home. EcoPoetics. | [https://asimtria.org/transpiksel/?p=3195 Jaime Lobato] [MX]<br />
<br />
==='''''Programa de Conciertos'''''===<br />
<br />
Transmisiones desde:<br />
<br />
: https://asimtria.org/Transpiksel<br />
: https://facebook.com/TransPiksel<br />
: https://www.youtube.com/asimtria<br />
: https://www.twitch.tv/pikselfest<br />
<br />
'''Martes 09 Febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Wed 10) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://web.facebook.com/wasicleta/ Wasicleta], Cusco [PE]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=77 Gladys Conde, en compañía de Omar Vargas] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=96 Rosa Naid Cruz Tica] – Electrónica, [https://asimtria.org/transpiksel/?p=96 María Luisa Ochoa Justiniani] – Improvisación Cello [PE]<br />
:::[https://asimtria.org/transpiksel/?p=116 TAKAU] [PE]<br />
<br />
<br />
<br />
'''Jueves 11 febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Fri 12) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde Arequipa [PE], con la colaboración de [http://monopelao.pe/ Monopelao]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=120 r1ffm4nn] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=76 DMTh5] [PE]<br />
<br />
::Desde [https://paraderocultural.com/ El Paradero], Lima [PE], con la colaboración de [https://web.facebook.com/sumaserv/ Suma]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=134 Gabriel Tanta Chavez] [PE]<br />
<br />
<br />
<br />
'''Martes 16 Febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Wed 17) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://www.cholacontravisual.com/la-munay-casa La Munay], Huancayo [PE]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=150 Zorzal] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=153 Paraedolia Espectral] [PE]<br />
:::[https://asimtria.org/transpiksel/?p=156 JoJoss.exe] [PE]<br />
<br />
<br />
<br />
'''Miércoles 17 Febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Thu 18) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://paraderocultural.com/ El Paradero], Lima [PE], con la colaboración de [https://web.facebook.com/sumaserv/ Suma]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=159 Enrique Trelles] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=162 Karen Chalco] [PE]<br />
:::[https://asimtria.org/transpiksel/?p=165 Patricia Saucedo] [PE]<br />
<br />
<br />
<br />
'''Jueves 18 febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Fri 19) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://asimitria.org asimtria.org], Ayacucho [PE]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=273 Brageiki] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=276 Hanuna] [PE]<br />
:::[https://asimtria.org/transpiksel/?p=279 '###'] [PE]<br />
<br />
<br />
<br />
'''Martes 23 Febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Wed 24) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://web.facebook.com/toplap.mx/ Toplap MX], Ciudad de México [MX]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=194 Sonidazo La Verga] [MX] <br />
:::[https://asimtria.org/transpiksel/?p=196 César Ch + Arrehola] [MX]<br />
:::[https://asimtria.org/transpiksel/?p=199 NUT] [MX]<br />
<br />
<br />
<br />
'''Jueves 25 febrero'''<br />
<br />
:'''12h [MX] | 13h [PE] | 19h [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde Madrid [ES], en colaboración con [http://villtank.com/ Villtank] y [https://piksel.no/ Piksel], Bergen [NO]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=287 Agnès Pe] [ES] <br />
:::[https://asimtria.org/transpiksel/?p=187 Guillem Bayo] + [https://asimtria.org/transpiksel/?p=289 Me-Lenna (Luis González)] [ES]<br />
:::[https://asimtria.org/transpiksel/?p=291 Maite Cajaraville] + [https://asimtria.org/transpiksel/?p=293 Gisle Frøysland] [ES/NO]<br />
:::[https://asimtria.org/transpiksel/?p=291 David Brown - Gisle Frøysland + Anders G] [NO]<br />
<br />
==='''''Talleres'''''===<br />
<br />
'''Lunes 15 Febrero'''<br />
<br />
:'''15h [MX] | 16h [PE] | 22h [Es/No]''' <br />
<br />
::Pure Data para la síntesis y procesamiento de audio | [https://asimtria.org/transpiksel/?p=178 Abel Castro] [PE]<br />
<br />
::3 sesiones | 10 participantes | Virtual | Participación sólo a través de becas, aplicaciones hasta el 7 de febrero.<br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=30<br />
<br />
Pure Data es un potente software libre para procesamiento de datos, audio y video. En este curso veremos procesamiento de audio y síntesis. Empezaremos de manera experimental reutilizando, conectando y modificando algoritmos ya producidos. En una segunda parte introduciremos la parte teórica de las síntesis de audio y el flujo de datos.<br />
<br />
:'''17h [MX] | 18h [PE] | 0h (Tue 16) [Es/No]''' <br />
<br />
::Introducción a Hydra – Visuales en vivo con lenguajes de programación | [https://asimtria.org/transpiksel/?p=175 SENSÁFONA] [PE]<br />
<br />
::3 sesiones | 15 participantes | Virtual | Participación sólo a través de becas, aplicaciones hasta el 7 de febrero.<br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=41<br />
<br />
Taller introductorio de Hydra como una herramienta que genera vínculos entre la tecnología libre y las artes para generar visuales en vivo haciendo uso de lenguajes de programación y plataformas colaborativas interdisciplinarias.<br />
<br />
<br />
<br />
'''Miércoles 17 Febrero'''<br />
<br />
:'''13h [MX] | 14h [PE] | 20h [Es/No]''' <br />
<br />
::Diseño y fabricación de circuitos electrónicos | [https://asimtria.org/transpiksel/?p=187 Guillem Bayo] [ES]<br />
<br />
::1 sesión | 10 participantes | Virtual <br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=49<br />
<br />
En el taller se analizarán proyectos de hardware libre de instrumentos autónomos, módulos eurorack y piezas de arte electrónico. Los participantes aprenderán a desarrollar sus propios proyectos e instrumentos partiendo de un núcleo de Arduino y a generar los Gerbers para encargar la fabricación de cualquier proyecto open source.<br />
<br />
El taller está dirigido a cualquier persona interesada en el desarrollo y la fabricación de instrumentos o piezas electrónicas.<br />
<br />
Los asistentes necesitarán un ordenador para seguir el taller y, a ser posible, tener instaladas las versiones gratuitas de KiCAD y EAGLE..<br />
<br />
<br />
<br />
'''Lunes 22 Febrero'''<br />
<br />
:'''15h [MX] | 16h [PE] | 22h [Es/No]''' <br />
<br />
::Supercollider. Introducción a la programación textual para la ejecución musical | [https://asimtria.org/transpiksel/?p=172 Jorge Luis Quispe Córdova] [PE]<br />
<br />
::3 sesiones | 10 participantes | Virtual | Participación sólo a través de becas, aplicaciones hasta el 7 de febrero.<br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=49<br />
<br />
El taller permitirá conocer e interactuar con la plataforma Supercollider como herramienta para la generación de material musical e intervención en vivo.<br />
<br />
:'''17h [MX] | 18h [PE] | 0h (Tue 23) [Es/No]''' <br />
<br />
::Paisaje sonoro: técnicas y usos para contar historias a distancia | [https://asimtria.org/transpiksel/?p=169 Vanessa Valencia y Cinthya Robles] [PE]<br />
<br />
::3 sesiones | 15 participantes | Virtual | Participación sólo a través de becas, aplicaciones hasta el 7 de febrero.<br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=51<br />
<br />
Este taller virtual va dirigido para las todas personas interesadas en introducirse en el paisaje sonoro y poner en práctica su escucha atenta a través dispositivos móviles, la web y en tiempo real. Entendemos que el paisaje sonoro tiene una relación transversal con los seres vivos, las máquinas y el sistema. Por ello, en esta oportunidad, nuestro objetivo es reconocer al paisaje sonoro que nos rodea desde nuestras casas, nuestras ventanas y cómo nos relacionamos con éste. Tendremos sesiones de escucha, exploraremos técnicas de registro del paisaje sonoro, sus tipologías y el cómo contar una historia con este elemento del lenguaje radiofónico, desde las experiencias de lxs participantes. Esta experiencia colectiva brindará herramientas para que sus participantes puedan retratar la sonoridad de sus lugares. Creando una memoria colectiva digital sonora ad portas del Bicentenario. Finalmente, el resultado del taller serán las producciones de estas piezas sonoras con una duración no mayor de 10’ cada una de ellas.<br />
<br />
<br />
<br />
'''Miércoles 24 Febrero'''<br />
<br />
:'''09h [MX] | 10h [PE] | 16h [Es/No]''' <br />
<br />
::HTML SAMIZDAT | [https://asimtria.org/transpiksel/?p=287 Agnès Pe] [ES]<br />
<br />
::1 sesión | 10 participantes | Virtual <br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=352<br />
<br />
El término samizdat fue acuñado como un juego de palabras creado por el poeta ruso Nikolai Glazkov en la década de 1940, que mecanografiaba copias de sus poemas indicando en su primera página самсебяизда́т (samsebiaizdat, “auto-editorial”). HTML SAMIZDAT es una propuesta de creación web directamente desde el navegador, colectiva, abierta y visible al instante. A partir de la web como soporte y lienzo, se propone la realización de una página conjunta, un samizdat, a través de la apropiación del código html y de objetos multimedia. Para ello, trabajaremos a partir de la herramienta Hotglue, desarrollada por Gottfried Haider y Danja Vasiliev, y worm.org.<br />
<br />
Solo necesitas un ordenador con Firefox instalado. No es necesario tener conocimientos de programación ni de código.</div>Maitehttps://wiki.piksel.org/index.php?title=TransPiksel_2021&diff=9508TransPiksel 20212021-03-01T13:49:08Z<p>Maite: </p>
<hr />
<div>[[File:Bannerwiki.jpg|1000px]]<br />
<br />
=='''Transpiksel, Laboratorios sobre arte electrónico y cultura digital en Abya Yala | Free Digital Culture Labs in Latinamerica'''==<br />
<br />
[[TransPiksel 2020]]<br />
<br />
[[TransPiksel 2019]]<br />
<br />
[[TransPiksel 2018]]<br />
<br />
[[TransPiksel 2017]]<br />
<br />
[[TransPiksel 2016]]<br />
<br />
== '''Transpiksel 2021, Paray mitapim Transpikselniqa''' ==<br />
<br />
Transpiksel es una red de colectivos en arte y tecnología de España, México, Noruega y Perú, quienes junto a otras organizaciones y colectivos proponen anualmente un festival itinerante, sucedido desde el año 2016 en Colombia, Chile, Ecuador, México, Perú y República Dominicana.<br />
<br />
En el 2021 propone una edición especial durante el verano austral, que presenta transmisiones de conciertos y performances audiovisuales desde Arequipa, Cusco, Huancayo, Lima y Ayacucho en Perú, Madrid en España y Ciudad de México, un programa de talleres virtuales y un espacio que reúne obras en VR y 3D, entre el 8 y el 26 febrero.<br />
<br />
----<br />
<br />
==='''''COMPILACIÓN DE ESCULTURAS 3D Y ESPACIOS DE REALIDAD VIRTUAL + PIKSEL QUARANTINE'''''===<br />
<br />
<br />
'''Lunes 08 Febrero'''<br />
<br />
:'''00h [MX] | 01h [PE] | 07h [Es/No]''' <br />
<br />
::Apertura de recorridos, disponible hasta el 26 de febrero en https://asimtria.org/transpiksel/?page_id=203<br />
<br />
:::Pensamiento Vertical | [https://asimtria.org/transpiksel/?p=202 Analucia Roeder] [PE]<br />
<br />
:::COLINEALES | [https://asimtria.org/transpiksel/?p=207 Eleazar Herrera] [PE]<br />
<br />
:::Ancestros y Futuro | [https://asimtria.org/transpiksel/?p=213 Giovanna Pillaca Morote] [PE]<br />
<br />
:::Hibernación | [https://asimtria.org/transpiksel/?p=218 Jesper Frederiksen (Jesperino)] [PE/DK]<br />
<br />
:::LAYERING CORPUS | [https://asimtria.org/transpiksel/?p=223 Malitzin Cortes CNDSD] [MX]<br />
<br />
:::“Las redes son cromáticas” | [https://asimtria.org/transpiksel/?p=226 Santiago Ramírez Camarena] [PE]<br />
<br />
:::POLLEN GLITCH | [https://asimtria.org/transpiksel/?p=230 Yannet Vilela (N3t4)] [PE]<br />
<br />
:::Entidad Akakor, la experiencia VR | [https://asimtria.org/transpiksel/?p=235 Jennifer Durand - Daniel Escobar - Claudia Garcia - Giovanna Pillaca - Jose Luis Vintimilla] [PE/US/ES/EC]<br />
<br />
::SELECCIÓN DE PIKSEL QUARANTINE<br />
<br />
:::BIO-CREA | [https://asimtria.org/transpiksel/?p=317 Hamilton Mestizo] [MX]<br />
<br />
:::Luftslott | [https://asimtria.org/transpiksel/?p=321 Alexandra Cárdenas] | [https://asimtria.org/transpiksel/?p=323 Camilla Vatne Barrat-Due] [MX/CO/NO]<br />
<br />
:::And in the future the cracks will also be a home. EcoPoetics. | [https://asimtria.org/transpiksel/?p=3195 Jaime Lobato] [MX]<br />
<br />
==='''''Programa de Conciertos'''''===<br />
<br />
Transmisiones desde:<br />
<br />
: https://asimtria.org/Transpiksel<br />
: https://facebook.com/TransPiksel<br />
: https://www.youtube.com/asimtria<br />
: https://www.twitch.tv/pikselfest<br />
<br />
'''Martes 09 Febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Wed 10) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://web.facebook.com/wasicleta/ Wasicleta], Cusco [PE]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=77 Gladys Conde, en compañía de Omar Vargas] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=96 Rosa Naid Cruz Tica] – Electrónica, [https://asimtria.org/transpiksel/?p=96 María Luisa Ochoa Justiniani] – Improvisación Cello [PE]<br />
:::[https://asimtria.org/transpiksel/?p=116 TAKAU] [PE]<br />
<br />
<br />
<br />
'''Jueves 11 febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Fri 12) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde Arequipa [PE], con la colaboración de [http://monopelao.pe/ Monopelao]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=120 r1ffm4nn] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=76 DMTh5] [PE]<br />
<br />
::Desde [https://paraderocultural.com/ El Paradero], Lima [PE], con la colaboración de [https://web.facebook.com/sumaserv/ Suma]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=134 Gabriel Tanta Chavez] [PE]<br />
<br />
<br />
<br />
'''Martes 16 Febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Wed 17) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://www.cholacontravisual.com/la-munay-casa La Munay], Huancayo [PE]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=150 Zorzal] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=153 Paraedolia Espectral] [PE]<br />
:::[https://asimtria.org/transpiksel/?p=156 JoJoss.exe] [PE]<br />
<br />
<br />
<br />
'''Miércoles 17 Febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Thu 18) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://paraderocultural.com/ El Paradero], Lima [PE], con la colaboración de [https://web.facebook.com/sumaserv/ Suma]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=159 Enrique Trelles] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=162 Karen Chalco] [PE]<br />
:::[https://asimtria.org/transpiksel/?p=165 Patricia Saucedo] [PE]<br />
<br />
<br />
<br />
'''Jueves 18 febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Fri 19) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://asimitria.org asimtria.org], Ayacucho [PE]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=273 Brageiki] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=276 Hanuna] [PE]<br />
:::[https://asimtria.org/transpiksel/?p=279 '###'] [PE]<br />
<br />
<br />
<br />
'''Martes 23 Febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Wed 24) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://web.facebook.com/toplap.mx/ Toplap MX], Ciudad de México [MX]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=194 Sonidazo La Verga] [MX] <br />
:::[https://asimtria.org/transpiksel/?p=196 César Ch + Arrehola] [MX]<br />
:::[https://asimtria.org/transpiksel/?p=199 NUT] [MX]<br />
<br />
<br />
<br />
'''Jueves 25 febrero'''<br />
<br />
:'''12h [MX] | 13h [PE] | 19h [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde Madrid [ES], en colaboración con [http://villtank.com/ Villtank] y [https://piksel.no/ Piksel], Bergen [NO]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=287 Agnès Pe] [ES] <br />
:::[https://asimtria.org/transpiksel/?p=187 Guillem Bayo] + [https://asimtria.org/transpiksel/?p=289 Me-Lenna (Luis González)] [ES]<br />
:::[https://asimtria.org/transpiksel/?p=291 Maite Cajaraville] + [https://asimtria.org/transpiksel/?p=293 Gisle Frøysland] [ES/NO]<br />
:::[https://asimtria.org/transpiksel/?p=291 David Brown - Gisle Frøysland + Anders G] [NO]<br />
<br />
==='''''Talleres'''''===<br />
<br />
'''Lunes 15 Febrero'''<br />
<br />
:'''15h [MX] | 16h [PE] | 22h [Es/No]''' <br />
<br />
::Pure Data para la síntesis y procesamiento de audio | [https://asimtria.org/transpiksel/?p=178 Abel Castro] [PE]<br />
<br />
::3 sesiones | 10 participantes | Virtual | Participación sólo a través de becas, aplicaciones hasta el 7 de febrero.<br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=30<br />
<br />
Pure Data es un potente software libre para procesamiento de datos, audio y video. En este curso veremos procesamiento de audio y síntesis. Empezaremos de manera experimental reutilizando, conectando y modificando algoritmos ya producidos. En una segunda parte introduciremos la parte teórica de las síntesis de audio y el flujo de datos.<br />
<br />
:'''17h [MX] | 18h [PE] | 0h (Tue 16) [Es/No]''' <br />
<br />
::Introducción a Hydra – Visuales en vivo con lenguajes de programación | [https://asimtria.org/transpiksel/?p=175 SENSÁFONA] [PE]<br />
<br />
::3 sesiones | 15 participantes | Virtual | Participación sólo a través de becas, aplicaciones hasta el 7 de febrero.<br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=41<br />
<br />
Taller introductorio de Hydra como una herramienta que genera vínculos entre la tecnología libre y las artes para generar visuales en vivo haciendo uso de lenguajes de programación y plataformas colaborativas interdisciplinarias.<br />
<br />
<br />
<br />
'''Miércoles 17 Febrero'''<br />
<br />
:'''13h [MX] | 14h [PE] | 20h [Es/No]''' <br />
<br />
::Diseño y fabricación de circuitos electrónicos | [https://asimtria.org/transpiksel/?p=187 Guillem Bayo] [ES]<br />
<br />
::1 sesión | 10 participantes | Virtual <br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=49<br />
<br />
En el taller se analizarán proyectos de hardware libre de instrumentos autónomos, módulos eurorack y piezas de arte electrónico. Los participantes aprenderán a desarrollar sus propios proyectos e instrumentos partiendo de un núcleo de Arduino y a generar los Gerbers para encargar la fabricación de cualquier proyecto open source.<br />
<br />
El taller está dirigido a cualquier persona interesada en el desarrollo y la fabricación de instrumentos o piezas electrónicas.<br />
<br />
Los asistentes necesitarán un ordenador para seguir el taller y, a ser posible, tener instaladas las versiones gratuitas de KiCAD y EAGLE..<br />
<br />
<br />
<br />
'''Lunes 22 Febrero'''<br />
<br />
:'''15h [MX] | 16h [PE] | 22h [Es/No]''' <br />
<br />
::Supercollider. Introducción a la programación textual para la ejecución musical | [https://asimtria.org/transpiksel/?p=172 Jorge Luis Quispe Córdova] [PE]<br />
<br />
::3 sesiones | 10 participantes | Virtual | Participación sólo a través de becas, aplicaciones hasta el 7 de febrero.<br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=49<br />
<br />
El taller permitirá conocer e interactuar con la plataforma Supercollider como herramienta para la generación de material musical e intervención en vivo.<br />
<br />
:'''17h [MX] | 18h [PE] | 0h (Tue 23) [Es/No]''' <br />
<br />
::Paisaje sonoro: técnicas y usos para contar historias a distancia | [https://asimtria.org/transpiksel/?p=169 Vanessa Valencia y Cinthya Robles] [PE]<br />
<br />
::3 sesiones | 15 participantes | Virtual | Participación sólo a través de becas, aplicaciones hasta el 7 de febrero.<br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=51<br />
<br />
Este taller virtual va dirigido para las todas personas interesadas en introducirse en el paisaje sonoro y poner en práctica su escucha atenta a través dispositivos móviles, la web y en tiempo real. Entendemos que el paisaje sonoro tiene una relación transversal con los seres vivos, las máquinas y el sistema. Por ello, en esta oportunidad, nuestro objetivo es reconocer al paisaje sonoro que nos rodea desde nuestras casas, nuestras ventanas y cómo nos relacionamos con éste. Tendremos sesiones de escucha, exploraremos técnicas de registro del paisaje sonoro, sus tipologías y el cómo contar una historia con este elemento del lenguaje radiofónico, desde las experiencias de lxs participantes. Esta experiencia colectiva brindará herramientas para que sus participantes puedan retratar la sonoridad de sus lugares. Creando una memoria colectiva digital sonora ad portas del Bicentenario. Finalmente, el resultado del taller serán las producciones de estas piezas sonoras con una duración no mayor de 10’ cada una de ellas.<br />
<br />
<br />
<br />
'''Miércoles 24 Febrero'''<br />
<br />
:'''09h [MX] | 10h [PE] | 16h [Es/No]''' <br />
<br />
::HTML SAMIZDAT | [https://asimtria.org/transpiksel/?p=287 Agnès Pe] [ES]<br />
<br />
::1 sesión | 10 participantes | Virtual <br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=352<br />
<br />
El término samizdat fue acuñado como un juego de palabras creado por el poeta ruso Nikolai Glazkov en la década de 1940, que mecanografiaba copias de sus poemas indicando en su primera página самсебяизда́т (samsebiaizdat, “auto-editorial”). HTML SAMIZDAT es una propuesta de creación web directamente desde el navegador, colectiva, abierta y visible al instante. A partir de la web como soporte y lienzo, se propone la realización de una página conjunta, un samizdat, a través de la apropiación del código html y de objetos multimedia. Para ello, trabajaremos a partir de la herramienta Hotglue, desarrollada por Gottfried Haider y Danja Vasiliev, y worm.org.<br />
<br />
Solo necesitas un ordenador con Firefox instalado. No es necesario tener conocimientos de programación ni de código.<br />
<br />
<br />
[[Powered by:]] 4bytes.<br />
<br />
[[File:Logo_small.jpg|200px]]</div>Maitehttps://wiki.piksel.org/index.php?title=TransPiksel_2021&diff=9507TransPiksel 20212021-03-01T13:47:51Z<p>Maite: </p>
<hr />
<div>[[File:Bannerwiki.jpg|1000px]]<br />
<br />
=='''Transpiksel, Laboratorios sobre arte electrónico y cultura digital en Abya Yala | Free Digital Culture Labs in Latinamerica'''==<br />
<br />
[[TransPiksel 2020]]<br />
<br />
[[TransPiksel 2019]]<br />
<br />
[[TransPiksel 2018]]<br />
<br />
[[TransPiksel 2017]]<br />
<br />
[[TransPiksel 2016]]<br />
<br />
== '''Transpiksel 2021, Paray mitapim Transpikselniqa''' ==<br />
<br />
Transpiksel es una red de colectivos en arte y tecnología de España, México, Noruega y Perú, quienes junto a otras organizaciones y colectivos proponen anualmente un festival itinerante, sucedido desde el año 2016 en Colombia, Chile, Ecuador, México, Perú y República Dominicana.<br />
<br />
En el 2021 propone una edición especial durante el verano austral, que presenta transmisiones de conciertos y performances audiovisuales desde Arequipa, Cusco, Huancayo, Lima y Ayacucho en Perú, Madrid en España y Ciudad de México, un programa de talleres virtuales y un espacio que reúne obras en VR y 3D, entre el 8 y el 26 febrero.<br />
<br />
----<br />
<br />
==='''''COMPILACIÓN DE ESCULTURAS 3D Y ESPACIOS DE REALIDAD VIRTUAL + PIKSEL QUARANTINE'''''===<br />
<br />
<br />
'''Lunes 08 Febrero'''<br />
<br />
:'''00h [MX] | 01h [PE] | 07h [Es/No]''' <br />
<br />
::Apertura de recorridos, disponible hasta el 26 de febrero en https://asimtria.org/transpiksel/?page_id=203<br />
<br />
:::Pensamiento Vertical | [https://asimtria.org/transpiksel/?p=202 Analucia Roeder] [PE]<br />
<br />
:::COLINEALES | [https://asimtria.org/transpiksel/?p=207 Eleazar Herrera] [PE]<br />
<br />
:::Ancestros y Futuro | [https://asimtria.org/transpiksel/?p=213 Giovanna Pillaca Morote] [PE]<br />
<br />
:::Hibernación | [https://asimtria.org/transpiksel/?p=218 Jesper Frederiksen (Jesperino)] [PE/DK]<br />
<br />
:::LAYERING CORPUS | [https://asimtria.org/transpiksel/?p=223 Malitzin Cortes CNDSD] [MX]<br />
<br />
:::“Las redes son cromáticas” | [https://asimtria.org/transpiksel/?p=226 Santiago Ramírez Camarena] [PE]<br />
<br />
:::POLLEN GLITCH | [https://asimtria.org/transpiksel/?p=230 Yannet Vilela (N3t4)] [PE]<br />
<br />
:::Entidad Akakor, la experiencia VR | [https://asimtria.org/transpiksel/?p=235 Jennifer Durand - Daniel Escobar - Claudia Garcia - Giovanna Pillaca - Jose Luis Vintimilla] [PE/US/ES/EC]<br />
<br />
::SELECCIÓN DE PIKSEL QUARANTINE<br />
<br />
:::BIO-CREA | [https://asimtria.org/transpiksel/?p=317 Hamilton Mestizo] [MX]<br />
<br />
:::Luftslott | [https://asimtria.org/transpiksel/?p=321 Alexandra Cárdenas] | [https://asimtria.org/transpiksel/?p=323 Camilla Vatne Barrat-Due] [MX/CO/NO]<br />
<br />
:::And in the future the cracks will also be a home. EcoPoetics. | [https://asimtria.org/transpiksel/?p=3195 Jaime Lobato] [MX]<br />
<br />
==='''''Programa de Conciertos'''''===<br />
<br />
Transmisiones desde:<br />
<br />
: https://asimtria.org/Transpiksel<br />
: https://facebook.com/TransPiksel<br />
: https://www.youtube.com/asimtria<br />
: https://www.twitch.tv/pikselfest<br />
<br />
'''Martes 09 Febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Wed 10) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://web.facebook.com/wasicleta/ Wasicleta], Cusco [PE]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=77 Gladys Conde, en compañía de Omar Vargas] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=96 Rosa Naid Cruz Tica] – Electrónica, [https://asimtria.org/transpiksel/?p=96 María Luisa Ochoa Justiniani] – Improvisación Cello [PE]<br />
:::[https://asimtria.org/transpiksel/?p=116 TAKAU] [PE]<br />
<br />
<br />
<br />
'''Jueves 11 febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Fri 12) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde Arequipa [PE], con la colaboración de [http://monopelao.pe/ Monopelao]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=120 r1ffm4nn] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=76 DMTh5] [PE]<br />
<br />
::Desde [https://paraderocultural.com/ El Paradero], Lima [PE], con la colaboración de [https://web.facebook.com/sumaserv/ Suma]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=134 Gabriel Tanta Chavez] [PE]<br />
<br />
<br />
<br />
'''Martes 16 Febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Wed 17) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://www.cholacontravisual.com/la-munay-casa La Munay], Huancayo [PE]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=150 Zorzal] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=153 Paraedolia Espectral] [PE]<br />
:::[https://asimtria.org/transpiksel/?p=156 JoJoss.exe] [PE]<br />
<br />
<br />
<br />
'''Miércoles 17 Febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Thu 18) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://paraderocultural.com/ El Paradero], Lima [PE], con la colaboración de [https://web.facebook.com/sumaserv/ Suma]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=159 Enrique Trelles] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=162 Karen Chalco] [PE]<br />
:::[https://asimtria.org/transpiksel/?p=165 Patricia Saucedo] [PE]<br />
<br />
<br />
<br />
'''Jueves 18 febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Fri 19) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://asimitria.org asimtria.org], Ayacucho [PE]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=273 Brageiki] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=276 Hanuna] [PE]<br />
:::[https://asimtria.org/transpiksel/?p=279 '###'] [PE]<br />
<br />
<br />
<br />
'''Martes 23 Febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Wed 24) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://web.facebook.com/toplap.mx/ Toplap MX], Ciudad de México [MX]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=194 Sonidazo La Verga] [MX] <br />
:::[https://asimtria.org/transpiksel/?p=196 César Ch + Arrehola] [MX]<br />
:::[https://asimtria.org/transpiksel/?p=199 NUT] [MX]<br />
<br />
<br />
<br />
'''Jueves 25 febrero'''<br />
<br />
:'''12h [MX] | 13h [PE] | 19h [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde Madrid [ES], en colaboración con [http://villtank.com/ Villtank] y [https://piksel.no/ Piksel], Bergen [NO]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=287 Agnès Pe] [ES] <br />
:::[https://asimtria.org/transpiksel/?p=187 Guillem Bayo] + [https://asimtria.org/transpiksel/?p=289 Me-Lenna (Luis González)] [ES]<br />
:::[https://asimtria.org/transpiksel/?p=291 Maite Cajaraville] + [https://asimtria.org/transpiksel/?p=293 Gisle Frøysland] [ES/NO]<br />
:::[https://asimtria.org/transpiksel/?p=291 David Brown - Gisle Frøysland + Anders G] [NO]<br />
<br />
==='''''Talleres'''''===<br />
<br />
'''Lunes 15 Febrero'''<br />
<br />
:'''15h [MX] | 16h [PE] | 22h [Es/No]''' <br />
<br />
::Pure Data para la síntesis y procesamiento de audio | [https://asimtria.org/transpiksel/?p=178 Abel Castro] [PE]<br />
<br />
::3 sesiones | 10 participantes | Virtual | Participación sólo a través de becas, aplicaciones hasta el 7 de febrero.<br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=30<br />
<br />
Pure Data es un potente software libre para procesamiento de datos, audio y video. En este curso veremos procesamiento de audio y síntesis. Empezaremos de manera experimental reutilizando, conectando y modificando algoritmos ya producidos. En una segunda parte introduciremos la parte teórica de las síntesis de audio y el flujo de datos.<br />
<br />
:'''17h [MX] | 18h [PE] | 0h (Tue 16) [Es/No]''' <br />
<br />
::Introducción a Hydra – Visuales en vivo con lenguajes de programación | [https://asimtria.org/transpiksel/?p=175 SENSÁFONA] [PE]<br />
<br />
::3 sesiones | 15 participantes | Virtual | Participación sólo a través de becas, aplicaciones hasta el 7 de febrero.<br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=41<br />
<br />
Taller introductorio de Hydra como una herramienta que genera vínculos entre la tecnología libre y las artes para generar visuales en vivo haciendo uso de lenguajes de programación y plataformas colaborativas interdisciplinarias.<br />
<br />
<br />
<br />
'''Miércoles 17 Febrero'''<br />
<br />
:'''13h [MX] | 14h [PE] | 20h [Es/No]''' <br />
<br />
::Diseño y fabricación de circuitos electrónicos | [https://asimtria.org/transpiksel/?p=187 Guillem Bayo] [ES]<br />
<br />
::1 sesión | 10 participantes | Virtual <br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=49<br />
<br />
En el taller se analizarán proyectos de hardware libre de instrumentos autónomos, módulos eurorack y piezas de arte electrónico. Los participantes aprenderán a desarrollar sus propios proyectos e instrumentos partiendo de un núcleo de Arduino y a generar los Gerbers para encargar la fabricación de cualquier proyecto open source.<br />
<br />
El taller está dirigido a cualquier persona interesada en el desarrollo y la fabricación de instrumentos o piezas electrónicas.<br />
<br />
Los asistentes necesitarán un ordenador para seguir el taller y, a ser posible, tener instaladas las versiones gratuitas de KiCAD y EAGLE..<br />
<br />
<br />
<br />
'''Lunes 22 Febrero'''<br />
<br />
:'''15h [MX] | 16h [PE] | 22h [Es/No]''' <br />
<br />
::Supercollider. Introducción a la programación textual para la ejecución musical | [https://asimtria.org/transpiksel/?p=172 Jorge Luis Quispe Córdova] [PE]<br />
<br />
::3 sesiones | 10 participantes | Virtual | Participación sólo a través de becas, aplicaciones hasta el 7 de febrero.<br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=49<br />
<br />
El taller permitirá conocer e interactuar con la plataforma Supercollider como herramienta para la generación de material musical e intervención en vivo.<br />
<br />
:'''17h [MX] | 18h [PE] | 0h (Tue 23) [Es/No]''' <br />
<br />
::Paisaje sonoro: técnicas y usos para contar historias a distancia | [https://asimtria.org/transpiksel/?p=169 Vanessa Valencia y Cinthya Robles] [PE]<br />
<br />
::3 sesiones | 15 participantes | Virtual | Participación sólo a través de becas, aplicaciones hasta el 7 de febrero.<br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=51<br />
<br />
Este taller virtual va dirigido para las todas personas interesadas en introducirse en el paisaje sonoro y poner en práctica su escucha atenta a través dispositivos móviles, la web y en tiempo real. Entendemos que el paisaje sonoro tiene una relación transversal con los seres vivos, las máquinas y el sistema. Por ello, en esta oportunidad, nuestro objetivo es reconocer al paisaje sonoro que nos rodea desde nuestras casas, nuestras ventanas y cómo nos relacionamos con éste. Tendremos sesiones de escucha, exploraremos técnicas de registro del paisaje sonoro, sus tipologías y el cómo contar una historia con este elemento del lenguaje radiofónico, desde las experiencias de lxs participantes. Esta experiencia colectiva brindará herramientas para que sus participantes puedan retratar la sonoridad de sus lugares. Creando una memoria colectiva digital sonora ad portas del Bicentenario. Finalmente, el resultado del taller serán las producciones de estas piezas sonoras con una duración no mayor de 10’ cada una de ellas.<br />
<br />
<br />
<br />
'''Miércoles 24 Febrero'''<br />
<br />
:'''09h [MX] | 10h [PE] | 16h [Es/No]''' <br />
<br />
::HTML SAMIZDAT | [https://asimtria.org/transpiksel/?p=287 Agnès Pe] [ES]<br />
<br />
::1 sesión | 10 participantes | Virtual <br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=352<br />
<br />
El término samizdat fue acuñado como un juego de palabras creado por el poeta ruso Nikolai Glazkov en la década de 1940, que mecanografiaba copias de sus poemas indicando en su primera página самсебяизда́т (samsebiaizdat, “auto-editorial”). HTML SAMIZDAT es una propuesta de creación web directamente desde el navegador, colectiva, abierta y visible al instante. A partir de la web como soporte y lienzo, se propone la realización de una página conjunta, un samizdat, a través de la apropiación del código html y de objetos multimedia. Para ello, trabajaremos a partir de la herramienta Hotglue, desarrollada por Gottfried Haider y Danja Vasiliev, y worm.org.<br />
<br />
Solo necesitas un ordenador con Firefox instalado. No es necesario tener conocimientos de programación ni de código.<br />
<br />
<br />
[['''Powered by:''']] 4bytes.<br />
<br />
[[File:Logo_small.jpg|200px]]</div>Maitehttps://wiki.piksel.org/index.php?title=File:Logo_small.jpg&diff=9506File:Logo small.jpg2021-03-01T13:47:10Z<p>Maite: </p>
<hr />
<div></div>Maitehttps://wiki.piksel.org/index.php?title=TransPiksel_2021&diff=9502TransPiksel 20212021-02-05T13:03:53Z<p>Maite: /* Programa de Conciertos */</p>
<hr />
<div>[[File:Bannerwiki.jpg|1000px]]<br />
<br />
=='''Transpiksel, Laboratorios sobre arte electrónico y cultura digital en Abya Yala | Free Digital Culture Labs in Latinamerica'''==<br />
<br />
[[TransPiksel 2020]]<br />
<br />
[[TransPiksel 2019]]<br />
<br />
[[TransPiksel 2018]]<br />
<br />
[[TransPiksel 2017]]<br />
<br />
[[TransPiksel 2016]]<br />
<br />
== '''Transpiksel 2021, Paray mitapim Transpikselniqa''' ==<br />
<br />
Transpiksel es una red de colectivos en arte y tecnología de España, México, Noruega y Perú, quienes junto a otras organizaciones y colectivos proponen anualmente un festival itinerante, sucedido desde el año 2016 en Colombia, Chile, Ecuador, México, Perú y República Dominicana.<br />
<br />
En el 2021 propone una edición especial durante el verano austral, que presenta transmisiones de conciertos y performances audiovisuales desde Arequipa, Cusco, Huancayo, Lima y Ayacucho en Perú, Madrid en España y Ciudad de México, un programa de talleres virtuales y un espacio que reúne obras en VR y 3D, entre el 8 y el 26 febrero.<br />
<br />
----<br />
<br />
==='''''Esculturas 3D y Espacios VR'''''===<br />
<br />
<br />
'''Lunes 08 Febrero'''<br />
<br />
:'''00h [MX] | 01h [PE] | 07h [Es/No]''' <br />
<br />
::Apertura de recorridos, disponible hasta el 26 de febrero en https://asimtria.org/transpiksel/?page_id=203<br />
<br />
:::Pensamiento Vertical | [https://asimtria.org/transpiksel/?p=202 Analucia Roeder] [PE]<br />
<br />
:::COLINEALES | [https://asimtria.org/transpiksel/?p=207 Eleazar Herrera] [PE]<br />
<br />
:::Ancestros y Futuro | [https://asimtria.org/transpiksel/?p=213 Giovanna Pillaca Morote] [PE]<br />
<br />
:::Hibernación | [https://asimtria.org/transpiksel/?p=218 Jesper Frederiksen (Jesperino)] [PE/DK]<br />
<br />
:::LAYERING CORPUS | [https://asimtria.org/transpiksel/?p=223 Malitzin Cortes CNDSD] [MX]<br />
<br />
:::“Las redes son cromáticas” | [https://asimtria.org/transpiksel/?p=226 Santiago Ramírez Camarena] [PE]<br />
<br />
:::POLLEN GLITCH | [https://asimtria.org/transpiksel/?p=230 Yannet Vilela (N3t4)] [PE]<br />
<br />
:::Entidad Akakor, la experiencia VR | [https://asimtria.org/transpiksel/?p=235 Jennifer Durand - Daniel Escobar - Claudia Garcia - Giovanna Pillaca - Jose Luis Vintimilla] [PE/US/ES/EC]<br />
<br />
:::BIO-CREA | [https://asimtria.org/transpiksel/?p=317 Hamilton Mestizo] [MX]<br />
<br />
:::Luftslott | [https://asimtria.org/transpiksel/?p=321 Alexandra Cárdenas] | [https://asimtria.org/transpiksel/?p=323 Camilla Vatne Barrat-Due] [MX/CO/NO]<br />
<br />
:::And in the future the cracks will also be a home. EcoPoetics. | [https://asimtria.org/transpiksel/?p=3195 Jaime Lobato] [MX]<br />
<br />
==='''''Programa de Conciertos'''''===<br />
<br />
'''Martes 09 Febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Wed 10) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://web.facebook.com/wasicleta/ Wasicleta], Cusco [PE]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=77 Gladys Conde, en compañía de Omar Vargas] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=96 Rosa Naid Cruz Tica] – Electrónica, [https://asimtria.org/transpiksel/?p=96 María Luisa Ochoa Justiniani] – Improvisación Cello [PE]<br />
:::[https://asimtria.org/transpiksel/?p=116 TAKAU] [PE]<br />
<br />
<br />
<br />
'''Jueves 11 febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Fri 12) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde Arequipa [PE], con la colaboración de [http://monopelao.pe/ Monopelao]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=120 r1ffm4nn] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=76 DMTh5] [PE]<br />
<br />
::Desde [https://paraderocultural.com/ El Paradero], Lima [PE], con la colaboración de [https://web.facebook.com/sumaserv/ Suma]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=134 Gabriel Tanta Chavez] [PE]<br />
<br />
<br />
<br />
'''Martes 16 Febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Wed 17) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://www.cholacontravisual.com/la-munay-casa La Munay], Huancayo [PE]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=150 Zorzal] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=153 Paraedolia Espectral] [PE]<br />
:::[https://asimtria.org/transpiksel/?p=156 JoJoss.exe] [PE]<br />
<br />
<br />
<br />
'''Miércoles 17 Febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Thu 18) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://paraderocultural.com/ El Paradero], Lima [PE], con la colaboración de [https://web.facebook.com/sumaserv/ Suma]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=159 Enrique Trelles] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=162 Karen Chalco] [PE]<br />
:::[https://asimtria.org/transpiksel/?p=165 Patricia Saucedo] [PE]<br />
<br />
<br />
<br />
'''Jueves 18 febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Fri 19) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://asimitria.org asimtria.org], Ayacucho [PE]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=273 Brageiki] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=276 Hanuna] [PE]<br />
:::[https://asimtria.org/transpiksel/?p=279 '###'] [PE]<br />
<br />
<br />
<br />
'''Martes 23 Febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Wed 24) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://web.facebook.com/toplap.mx/ Toplap MX], Ciudad de México [MX]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=194 Sonidazo La Verga] [MX] <br />
:::[https://asimtria.org/transpiksel/?p=196 César Ch + Arrehola] [MX]<br />
:::[https://asimtria.org/transpiksel/?p=199 NUT] [MX]<br />
<br />
<br />
<br />
'''Jueves 25 febrero'''<br />
<br />
:'''12h [MX] | 13h [PE] | 19h [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde Madrid [ES], en colaboración con [http://villtank.com/ Villtank] y [https://piksel.no/ Piksel], Bergen [NO]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=287 Agnès Pe] [ES] <br />
:::[https://asimtria.org/transpiksel/?p=187 Guillem Bayo] + [https://asimtria.org/transpiksel/?p=289 Me-Lenna (Luis González)] [ES]<br />
:::[https://asimtria.org/transpiksel/?p=291 Maite Cajaraville] + [https://asimtria.org/transpiksel/?p=293 Gisle Frøysland] [ES/NO]<br />
:::[https://asimtria.org/transpiksel/?p=291 David Brown - Gisle Frøysland + Anders G] [NO]<br />
<br />
==='''''Talleres'''''===<br />
<br />
'''Lunes 15 Febrero'''<br />
<br />
:'''15h [MX] | 16h [PE] | 22h [Es/No]''' <br />
<br />
::Pure Data para la síntesis y procesamiento de audio | [https://asimtria.org/transpiksel/?p=178 Abel Castro] [PE]<br />
<br />
::3 sesiones | 10 participantes | Virtual | Participación sólo a través de becas, aplicaciones hasta el 7 de febrero.<br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=30<br />
<br />
Pure Data es un potente software libre para procesamiento de datos, audio y video. En este curso veremos procesamiento de audio y síntesis. Empezaremos de manera experimental reutilizando, conectando y modificando algoritmos ya producidos. En una segunda parte introduciremos la parte teórica de las síntesis de audio y el flujo de datos.<br />
<br />
:'''17h [MX] | 18h [PE] | 0h (Tue 16) [Es/No]''' <br />
<br />
::Introducción a Hydra – Visuales en vivo con lenguajes de programación | [https://asimtria.org/transpiksel/?p=175 SENSÁFONA] [PE]<br />
<br />
::3 sesiones | 15 participantes | Virtual | Participación sólo a través de becas, aplicaciones hasta el 7 de febrero.<br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=41<br />
<br />
Taller introductorio de Hydra como una herramienta que genera vínculos entre la tecnología libre y las artes para generar visuales en vivo haciendo uso de lenguajes de programación y plataformas colaborativas interdisciplinarias.<br />
<br />
<br />
<br />
'''Miércoles 17 Febrero'''<br />
<br />
:'''13h [MX] | 14h [PE] | 20h [Es/No]''' <br />
<br />
::Diseño y fabricación de circuitos electrónicos | [https://asimtria.org/transpiksel/?p=187 Guillem Bayo] [ES]<br />
<br />
::1 sesión | 10 participantes | Virtual <br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=49<br />
<br />
En el taller se analizarán proyectos de hardware libre de instrumentos autónomos, módulos eurorack y piezas de arte electrónico. Los participantes aprenderán a desarrollar sus propios proyectos e instrumentos partiendo de un núcleo de Arduino y a generar los Gerbers para encargar la fabricación de cualquier proyecto open source.<br />
<br />
El taller está dirigido a cualquier persona interesada en el desarrollo y la fabricación de instrumentos o piezas electrónicas.<br />
<br />
Los asistentes necesitarán un ordenador para seguir el taller y, a ser posible, tener instaladas las versiones gratuitas de KiCAD y EAGLE..<br />
<br />
<br />
<br />
'''Lunes 22 Febrero'''<br />
<br />
:'''15h [MX] | 16h [PE] | 22h [Es/No]''' <br />
<br />
::Supercollider. Introducción a la programación textual para la ejecución musical | [https://asimtria.org/transpiksel/?p=172 Jorge Luis Quispe Córdova] [PE]<br />
<br />
::3 sesiones | 10 participantes | Virtual | Participación sólo a través de becas, aplicaciones hasta el 7 de febrero.<br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=49<br />
<br />
El taller permitirá conocer e interactuar con la plataforma Supercollider como herramienta para la generación de material musical e intervención en vivo.<br />
<br />
:'''17h [MX] | 18h [PE] | 0h (Tue 23) [Es/No]''' <br />
<br />
::Paisaje sonoro: técnicas y usos para contar historias a distancia | [https://asimtria.org/transpiksel/?p=169 Vanessa Valencia y Cinthya Robles] [PE]<br />
<br />
::3 sesiones | 15 participantes | Virtual | Participación sólo a través de becas, aplicaciones hasta el 7 de febrero.<br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=51<br />
<br />
Este taller virtual va dirigido para las todas personas interesadas en introducirse en el paisaje sonoro y poner en práctica su escucha atenta a través dispositivos móviles, la web y en tiempo real. Entendemos que el paisaje sonoro tiene una relación transversal con los seres vivos, las máquinas y el sistema. Por ello, en esta oportunidad, nuestro objetivo es reconocer al paisaje sonoro que nos rodea desde nuestras casas, nuestras ventanas y cómo nos relacionamos con éste. Tendremos sesiones de escucha, exploraremos técnicas de registro del paisaje sonoro, sus tipologías y el cómo contar una historia con este elemento del lenguaje radiofónico, desde las experiencias de lxs participantes. Esta experiencia colectiva brindará herramientas para que sus participantes puedan retratar la sonoridad de sus lugares. Creando una memoria colectiva digital sonora ad portas del Bicentenario. Finalmente, el resultado del taller serán las producciones de estas piezas sonoras con una duración no mayor de 10’ cada una de ellas.<br />
<br />
<br />
<br />
'''Miércoles 24 Febrero'''<br />
<br />
:'''09h [MX] | 10h [PE] | 16h [Es/No]''' <br />
<br />
::HTML SAMIZDAT | [https://asimtria.org/transpiksel/?p=287 Agnès Pe] [ES]<br />
<br />
::1 sesión | 10 participantes | Virtual <br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=352<br />
<br />
El término samizdat fue acuñado como un juego de palabras creado por el poeta ruso Nikolai Glazkov en la década de 1940, que mecanografiaba copias de sus poemas indicando en su primera página самсебяизда́т (samsebiaizdat, “auto-editorial”). HTML SAMIZDAT es una propuesta de creación web directamente desde el navegador, colectiva, abierta y visible al instante. A partir de la web como soporte y lienzo, se propone la realización de una página conjunta, un samizdat, a través de la apropiación del código html y de objetos multimedia. Para ello, trabajaremos a partir de la herramienta Hotglue, desarrollada por Gottfried Haider y Danja Vasiliev, y worm.org.<br />
<br />
Solo necesitas un ordenador con Firefox instalado. No es necesario tener conocimientos de programación ni de código.</div>Maitehttps://wiki.piksel.org/index.php?title=TransPiksel_2021&diff=9501TransPiksel 20212021-02-05T13:03:29Z<p>Maite: /* Programa de Conciertos */</p>
<hr />
<div>[[File:Bannerwiki.jpg|1000px]]<br />
<br />
=='''Transpiksel, Laboratorios sobre arte electrónico y cultura digital en Abya Yala | Free Digital Culture Labs in Latinamerica'''==<br />
<br />
[[TransPiksel 2020]]<br />
<br />
[[TransPiksel 2019]]<br />
<br />
[[TransPiksel 2018]]<br />
<br />
[[TransPiksel 2017]]<br />
<br />
[[TransPiksel 2016]]<br />
<br />
== '''Transpiksel 2021, Paray mitapim Transpikselniqa''' ==<br />
<br />
Transpiksel es una red de colectivos en arte y tecnología de España, México, Noruega y Perú, quienes junto a otras organizaciones y colectivos proponen anualmente un festival itinerante, sucedido desde el año 2016 en Colombia, Chile, Ecuador, México, Perú y República Dominicana.<br />
<br />
En el 2021 propone una edición especial durante el verano austral, que presenta transmisiones de conciertos y performances audiovisuales desde Arequipa, Cusco, Huancayo, Lima y Ayacucho en Perú, Madrid en España y Ciudad de México, un programa de talleres virtuales y un espacio que reúne obras en VR y 3D, entre el 8 y el 26 febrero.<br />
<br />
----<br />
<br />
==='''''Esculturas 3D y Espacios VR'''''===<br />
<br />
<br />
'''Lunes 08 Febrero'''<br />
<br />
:'''00h [MX] | 01h [PE] | 07h [Es/No]''' <br />
<br />
::Apertura de recorridos, disponible hasta el 26 de febrero en https://asimtria.org/transpiksel/?page_id=203<br />
<br />
:::Pensamiento Vertical | [https://asimtria.org/transpiksel/?p=202 Analucia Roeder] [PE]<br />
<br />
:::COLINEALES | [https://asimtria.org/transpiksel/?p=207 Eleazar Herrera] [PE]<br />
<br />
:::Ancestros y Futuro | [https://asimtria.org/transpiksel/?p=213 Giovanna Pillaca Morote] [PE]<br />
<br />
:::Hibernación | [https://asimtria.org/transpiksel/?p=218 Jesper Frederiksen (Jesperino)] [PE/DK]<br />
<br />
:::LAYERING CORPUS | [https://asimtria.org/transpiksel/?p=223 Malitzin Cortes CNDSD] [MX]<br />
<br />
:::“Las redes son cromáticas” | [https://asimtria.org/transpiksel/?p=226 Santiago Ramírez Camarena] [PE]<br />
<br />
:::POLLEN GLITCH | [https://asimtria.org/transpiksel/?p=230 Yannet Vilela (N3t4)] [PE]<br />
<br />
:::Entidad Akakor, la experiencia VR | [https://asimtria.org/transpiksel/?p=235 Jennifer Durand - Daniel Escobar - Claudia Garcia - Giovanna Pillaca - Jose Luis Vintimilla] [PE/US/ES/EC]<br />
<br />
:::BIO-CREA | [https://asimtria.org/transpiksel/?p=317 Hamilton Mestizo] [MX]<br />
<br />
:::Luftslott | [https://asimtria.org/transpiksel/?p=321 Alexandra Cárdenas] | [https://asimtria.org/transpiksel/?p=323 Camilla Vatne Barrat-Due] [MX/CO/NO]<br />
<br />
:::And in the future the cracks will also be a home. EcoPoetics. | [https://asimtria.org/transpiksel/?p=3195 Jaime Lobato] [MX]<br />
<br />
==='''''Programa de Conciertos'''''===<br />
<br />
'''Martes 09 Febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Wed 10) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://web.facebook.com/wasicleta/ Wasicleta], Cusco [PE]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=77 Gladys Conde, en compañía de Omar Vargas] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=96 Rosa Naid Cruz Tica] – Electrónica, [https://asimtria.org/transpiksel/?p=96 María Luisa Ochoa Justiniani] – Improvisación Cello [PE]<br />
:::[https://asimtria.org/transpiksel/?p=116 TAKAU] [PE]<br />
<br />
<br />
<br />
'''Jueves 11 febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Fri 12) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde Arequipa [PE], con la colaboración de [http://monopelao.pe/ Monopelao]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=120 r1ffm4nn] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=76 DMTh5] [PE]<br />
<br />
::Desde [https://paraderocultural.com/ El Paradero], Lima [PE], con la colaboración de [https://web.facebook.com/sumaserv/ Suma]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=134 Gabriel Tanta Chavez] [PE]<br />
<br />
<br />
<br />
'''Martes 16 Febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Wed 17) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://www.cholacontravisual.com/la-munay-casa La Munay], Huancayo [PE]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=150 Zorzal] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=153 Paraedolia Espectral] [PE]<br />
:::[https://asimtria.org/transpiksel/?p=156 JoJoss.exe] [PE]<br />
<br />
<br />
<br />
'''Miércoles 17 Febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Thu 18) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://paraderocultural.com/ El Paradero], Lima [PE], con la colaboración de [https://web.facebook.com/sumaserv/ Suma]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=159 Enrique Trelles] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=162 Karen Chalco] [PE]<br />
:::[https://asimtria.org/transpiksel/?p=165 Patricia Saucedo] [PE]<br />
<br />
<br />
<br />
'''Jueves 18 febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Fri 19) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://asimitria.org asimtria.org], Ayacucho [PE]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=273 Brageiki] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=276 Hanuna] [PE]<br />
:::[https://asimtria.org/transpiksel/?p=279 '###'] [PE]<br />
<br />
<br />
<br />
'''Martes 23 Febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Wed 24) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://web.facebook.com/toplap.mx/ Toplap MX], Ciudad de México [MX]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=194 Sonidazo La Verga] [MX] <br />
:::[https://asimtria.org/transpiksel/?p=196 César Ch + Arrehola] [MX]<br />
:::[https://asimtria.org/transpiksel/?p=199 NUT] [MX]<br />
<br />
<br />
<br />
'''Jueves 25 febrero'''<br />
<br />
:'''12h [MX] | 13h [PE] | 19h [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde Madrid [ES], en colaboración con [http://villtank.com/ Villtank] y [https://piksel.no/ Piksel], Bergen [NO]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=287 Agnès Pe] [ES] <br />
:::[https://asimtria.org/transpiksel/?p=187 Guillem Bayo] + [https://asimtria.org/transpiksel/?p=289 Me-Lenna (Luis González)] [ES]<br />
:::[https://asimtria.org/transpiksel/?p=291 Maite Cajaraville] + [https://asimtria.org/transpiksel/?p=293 Gisle Frøysland] [ES/NO]<br />
:::[https://asimtria.org/transpiksel/?p=291 DAvid Brown - Gisle Frøysland + Anders G] [NO]<br />
<br />
==='''''Talleres'''''===<br />
<br />
'''Lunes 15 Febrero'''<br />
<br />
:'''15h [MX] | 16h [PE] | 22h [Es/No]''' <br />
<br />
::Pure Data para la síntesis y procesamiento de audio | [https://asimtria.org/transpiksel/?p=178 Abel Castro] [PE]<br />
<br />
::3 sesiones | 10 participantes | Virtual | Participación sólo a través de becas, aplicaciones hasta el 7 de febrero.<br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=30<br />
<br />
Pure Data es un potente software libre para procesamiento de datos, audio y video. En este curso veremos procesamiento de audio y síntesis. Empezaremos de manera experimental reutilizando, conectando y modificando algoritmos ya producidos. En una segunda parte introduciremos la parte teórica de las síntesis de audio y el flujo de datos.<br />
<br />
:'''17h [MX] | 18h [PE] | 0h (Tue 16) [Es/No]''' <br />
<br />
::Introducción a Hydra – Visuales en vivo con lenguajes de programación | [https://asimtria.org/transpiksel/?p=175 SENSÁFONA] [PE]<br />
<br />
::3 sesiones | 15 participantes | Virtual | Participación sólo a través de becas, aplicaciones hasta el 7 de febrero.<br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=41<br />
<br />
Taller introductorio de Hydra como una herramienta que genera vínculos entre la tecnología libre y las artes para generar visuales en vivo haciendo uso de lenguajes de programación y plataformas colaborativas interdisciplinarias.<br />
<br />
<br />
<br />
'''Miércoles 17 Febrero'''<br />
<br />
:'''13h [MX] | 14h [PE] | 20h [Es/No]''' <br />
<br />
::Diseño y fabricación de circuitos electrónicos | [https://asimtria.org/transpiksel/?p=187 Guillem Bayo] [ES]<br />
<br />
::1 sesión | 10 participantes | Virtual <br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=49<br />
<br />
En el taller se analizarán proyectos de hardware libre de instrumentos autónomos, módulos eurorack y piezas de arte electrónico. Los participantes aprenderán a desarrollar sus propios proyectos e instrumentos partiendo de un núcleo de Arduino y a generar los Gerbers para encargar la fabricación de cualquier proyecto open source.<br />
<br />
El taller está dirigido a cualquier persona interesada en el desarrollo y la fabricación de instrumentos o piezas electrónicas.<br />
<br />
Los asistentes necesitarán un ordenador para seguir el taller y, a ser posible, tener instaladas las versiones gratuitas de KiCAD y EAGLE..<br />
<br />
<br />
<br />
'''Lunes 22 Febrero'''<br />
<br />
:'''15h [MX] | 16h [PE] | 22h [Es/No]''' <br />
<br />
::Supercollider. Introducción a la programación textual para la ejecución musical | [https://asimtria.org/transpiksel/?p=172 Jorge Luis Quispe Córdova] [PE]<br />
<br />
::3 sesiones | 10 participantes | Virtual | Participación sólo a través de becas, aplicaciones hasta el 7 de febrero.<br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=49<br />
<br />
El taller permitirá conocer e interactuar con la plataforma Supercollider como herramienta para la generación de material musical e intervención en vivo.<br />
<br />
:'''17h [MX] | 18h [PE] | 0h (Tue 23) [Es/No]''' <br />
<br />
::Paisaje sonoro: técnicas y usos para contar historias a distancia | [https://asimtria.org/transpiksel/?p=169 Vanessa Valencia y Cinthya Robles] [PE]<br />
<br />
::3 sesiones | 15 participantes | Virtual | Participación sólo a través de becas, aplicaciones hasta el 7 de febrero.<br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=51<br />
<br />
Este taller virtual va dirigido para las todas personas interesadas en introducirse en el paisaje sonoro y poner en práctica su escucha atenta a través dispositivos móviles, la web y en tiempo real. Entendemos que el paisaje sonoro tiene una relación transversal con los seres vivos, las máquinas y el sistema. Por ello, en esta oportunidad, nuestro objetivo es reconocer al paisaje sonoro que nos rodea desde nuestras casas, nuestras ventanas y cómo nos relacionamos con éste. Tendremos sesiones de escucha, exploraremos técnicas de registro del paisaje sonoro, sus tipologías y el cómo contar una historia con este elemento del lenguaje radiofónico, desde las experiencias de lxs participantes. Esta experiencia colectiva brindará herramientas para que sus participantes puedan retratar la sonoridad de sus lugares. Creando una memoria colectiva digital sonora ad portas del Bicentenario. Finalmente, el resultado del taller serán las producciones de estas piezas sonoras con una duración no mayor de 10’ cada una de ellas.<br />
<br />
<br />
<br />
'''Miércoles 24 Febrero'''<br />
<br />
:'''09h [MX] | 10h [PE] | 16h [Es/No]''' <br />
<br />
::HTML SAMIZDAT | [https://asimtria.org/transpiksel/?p=287 Agnès Pe] [ES]<br />
<br />
::1 sesión | 10 participantes | Virtual <br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=352<br />
<br />
El término samizdat fue acuñado como un juego de palabras creado por el poeta ruso Nikolai Glazkov en la década de 1940, que mecanografiaba copias de sus poemas indicando en su primera página самсебяизда́т (samsebiaizdat, “auto-editorial”). HTML SAMIZDAT es una propuesta de creación web directamente desde el navegador, colectiva, abierta y visible al instante. A partir de la web como soporte y lienzo, se propone la realización de una página conjunta, un samizdat, a través de la apropiación del código html y de objetos multimedia. Para ello, trabajaremos a partir de la herramienta Hotglue, desarrollada por Gottfried Haider y Danja Vasiliev, y worm.org.<br />
<br />
Solo necesitas un ordenador con Firefox instalado. No es necesario tener conocimientos de programación ni de código.</div>Maitehttps://wiki.piksel.org/index.php?title=TransPiksel_2021&diff=9500TransPiksel 20212021-02-05T12:56:05Z<p>Maite: /* Esculturas 3D y Espacios VR */</p>
<hr />
<div>[[File:Bannerwiki.jpg|1000px]]<br />
<br />
=='''Transpiksel, Laboratorios sobre arte electrónico y cultura digital en Abya Yala | Free Digital Culture Labs in Latinamerica'''==<br />
<br />
[[TransPiksel 2020]]<br />
<br />
[[TransPiksel 2019]]<br />
<br />
[[TransPiksel 2018]]<br />
<br />
[[TransPiksel 2017]]<br />
<br />
[[TransPiksel 2016]]<br />
<br />
== '''Transpiksel 2021, Paray mitapim Transpikselniqa''' ==<br />
<br />
Transpiksel es una red de colectivos en arte y tecnología de España, México, Noruega y Perú, quienes junto a otras organizaciones y colectivos proponen anualmente un festival itinerante, sucedido desde el año 2016 en Colombia, Chile, Ecuador, México, Perú y República Dominicana.<br />
<br />
En el 2021 propone una edición especial durante el verano austral, que presenta transmisiones de conciertos y performances audiovisuales desde Arequipa, Cusco, Huancayo, Lima y Ayacucho en Perú, Madrid en España y Ciudad de México, un programa de talleres virtuales y un espacio que reúne obras en VR y 3D, entre el 8 y el 26 febrero.<br />
<br />
----<br />
<br />
==='''''Esculturas 3D y Espacios VR'''''===<br />
<br />
<br />
'''Lunes 08 Febrero'''<br />
<br />
:'''00h [MX] | 01h [PE] | 07h [Es/No]''' <br />
<br />
::Apertura de recorridos, disponible hasta el 26 de febrero en https://asimtria.org/transpiksel/?page_id=203<br />
<br />
:::Pensamiento Vertical | [https://asimtria.org/transpiksel/?p=202 Analucia Roeder] [PE]<br />
<br />
:::COLINEALES | [https://asimtria.org/transpiksel/?p=207 Eleazar Herrera] [PE]<br />
<br />
:::Ancestros y Futuro | [https://asimtria.org/transpiksel/?p=213 Giovanna Pillaca Morote] [PE]<br />
<br />
:::Hibernación | [https://asimtria.org/transpiksel/?p=218 Jesper Frederiksen (Jesperino)] [PE/DK]<br />
<br />
:::LAYERING CORPUS | [https://asimtria.org/transpiksel/?p=223 Malitzin Cortes CNDSD] [MX]<br />
<br />
:::“Las redes son cromáticas” | [https://asimtria.org/transpiksel/?p=226 Santiago Ramírez Camarena] [PE]<br />
<br />
:::POLLEN GLITCH | [https://asimtria.org/transpiksel/?p=230 Yannet Vilela (N3t4)] [PE]<br />
<br />
:::Entidad Akakor, la experiencia VR | [https://asimtria.org/transpiksel/?p=235 Jennifer Durand - Daniel Escobar - Claudia Garcia - Giovanna Pillaca - Jose Luis Vintimilla] [PE/US/ES/EC]<br />
<br />
:::BIO-CREA | [https://asimtria.org/transpiksel/?p=317 Hamilton Mestizo] [MX]<br />
<br />
:::Luftslott | [https://asimtria.org/transpiksel/?p=321 Alexandra Cárdenas] | [https://asimtria.org/transpiksel/?p=323 Camilla Vatne Barrat-Due] [MX/CO/NO]<br />
<br />
:::And in the future the cracks will also be a home. EcoPoetics. | [https://asimtria.org/transpiksel/?p=3195 Jaime Lobato] [MX]<br />
<br />
==='''''Programa de Conciertos'''''===<br />
<br />
'''Martes 09 Febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Wed 10) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://web.facebook.com/wasicleta/ Wasicleta], Cusco [PE]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=77 Gladys Conde, en compañía de Omar Vargas] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=96 Rosa Naid Cruz Tica] – Electrónica, [https://asimtria.org/transpiksel/?p=96 María Luisa Ochoa Justiniani] – Improvisación Cello [PE]<br />
:::[https://asimtria.org/transpiksel/?p=116 TAKAU] [PE]<br />
<br />
<br />
<br />
'''Jueves 11 febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Fri 12) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde Arequipa [PE], con la colaboración de [http://monopelao.pe/ Monopelao]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=120 r1ffm4nn] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=76 DMTh5] [PE]<br />
<br />
::Desde [https://paraderocultural.com/ El Paradero], Lima [PE], con la colaboración de [https://web.facebook.com/sumaserv/ Suma]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=134 Gabriel Tanta Chavez] [PE]<br />
<br />
<br />
<br />
'''Martes 16 Febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Wed 17) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://www.cholacontravisual.com/la-munay-casa La Munay], Huancayo [PE]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=150 Zorzal] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=153 Paraedolia Espectral] [PE]<br />
:::[https://asimtria.org/transpiksel/?p=156 JoJoss.exe] [PE]<br />
<br />
<br />
<br />
'''Miércoles 17 Febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Thu 18) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://paraderocultural.com/ El Paradero], Lima [PE], con la colaboración de [https://web.facebook.com/sumaserv/ Suma]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=159 Enrique Trelles] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=162 Karen Chalco] [PE]<br />
:::[https://asimtria.org/transpiksel/?p=165 Patricia Saucedo] [PE]<br />
<br />
<br />
<br />
'''Jueves 18 febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Fri 19) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://asimitria.org asimtria.org], Ayacucho [PE]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=273 Brageiki] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=276 Hanuna] [PE]<br />
:::[https://asimtria.org/transpiksel/?p=279 '###'] [PE]<br />
<br />
<br />
<br />
'''Martes 23 Febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Wed 24) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://web.facebook.com/toplap.mx/ Toplap MX], Ciudad de México [MX]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=194 Sonidazo La Verga] [MX] <br />
:::[https://asimtria.org/transpiksel/?p=196 César Ch + Arrehola] [MX]<br />
:::[https://asimtria.org/transpiksel/?p=199 NUT] [MX]<br />
<br />
<br />
<br />
'''Jueves 25 febrero'''<br />
<br />
:'''12h [MX] | 13h [PE] | 19h [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde Madrid [ES], en colaboración con [http://villtank.com/ Villtank] y [https://piksel.no/ Piksel], Bergen [NO]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=287 Agnès Pe] [ES] <br />
:::[https://asimtria.org/transpiksel/?p=187 Guillem Bayo] + [https://asimtria.org/transpiksel/?p=289 Me-Lenna (Luis González)] [ES]<br />
:::[https://asimtria.org/transpiksel/?p=291 Maite Cajaraville] + [https://asimtria.org/transpiksel/?p=293 Gisle Frøysland] [ES/NO]<br />
<br />
==='''''Talleres'''''===<br />
<br />
'''Lunes 15 Febrero'''<br />
<br />
:'''15h [MX] | 16h [PE] | 22h [Es/No]''' <br />
<br />
::Pure Data para la síntesis y procesamiento de audio | [https://asimtria.org/transpiksel/?p=178 Abel Castro] [PE]<br />
<br />
::3 sesiones | 10 participantes | Virtual | Participación sólo a través de becas, aplicaciones hasta el 7 de febrero.<br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=30<br />
<br />
Pure Data es un potente software libre para procesamiento de datos, audio y video. En este curso veremos procesamiento de audio y síntesis. Empezaremos de manera experimental reutilizando, conectando y modificando algoritmos ya producidos. En una segunda parte introduciremos la parte teórica de las síntesis de audio y el flujo de datos.<br />
<br />
:'''17h [MX] | 18h [PE] | 0h (Tue 16) [Es/No]''' <br />
<br />
::Introducción a Hydra – Visuales en vivo con lenguajes de programación | [https://asimtria.org/transpiksel/?p=175 SENSÁFONA] [PE]<br />
<br />
::3 sesiones | 15 participantes | Virtual | Participación sólo a través de becas, aplicaciones hasta el 7 de febrero.<br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=41<br />
<br />
Taller introductorio de Hydra como una herramienta que genera vínculos entre la tecnología libre y las artes para generar visuales en vivo haciendo uso de lenguajes de programación y plataformas colaborativas interdisciplinarias.<br />
<br />
<br />
<br />
'''Miércoles 17 Febrero'''<br />
<br />
:'''13h [MX] | 14h [PE] | 20h [Es/No]''' <br />
<br />
::Diseño y fabricación de circuitos electrónicos | [https://asimtria.org/transpiksel/?p=187 Guillem Bayo] [ES]<br />
<br />
::1 sesión | 10 participantes | Virtual <br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=49<br />
<br />
En el taller se analizarán proyectos de hardware libre de instrumentos autónomos, módulos eurorack y piezas de arte electrónico. Los participantes aprenderán a desarrollar sus propios proyectos e instrumentos partiendo de un núcleo de Arduino y a generar los Gerbers para encargar la fabricación de cualquier proyecto open source.<br />
<br />
El taller está dirigido a cualquier persona interesada en el desarrollo y la fabricación de instrumentos o piezas electrónicas.<br />
<br />
Los asistentes necesitarán un ordenador para seguir el taller y, a ser posible, tener instaladas las versiones gratuitas de KiCAD y EAGLE..<br />
<br />
<br />
<br />
'''Lunes 22 Febrero'''<br />
<br />
:'''15h [MX] | 16h [PE] | 22h [Es/No]''' <br />
<br />
::Supercollider. Introducción a la programación textual para la ejecución musical | [https://asimtria.org/transpiksel/?p=172 Jorge Luis Quispe Córdova] [PE]<br />
<br />
::3 sesiones | 10 participantes | Virtual | Participación sólo a través de becas, aplicaciones hasta el 7 de febrero.<br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=49<br />
<br />
El taller permitirá conocer e interactuar con la plataforma Supercollider como herramienta para la generación de material musical e intervención en vivo.<br />
<br />
:'''17h [MX] | 18h [PE] | 0h (Tue 23) [Es/No]''' <br />
<br />
::Paisaje sonoro: técnicas y usos para contar historias a distancia | [https://asimtria.org/transpiksel/?p=169 Vanessa Valencia y Cinthya Robles] [PE]<br />
<br />
::3 sesiones | 15 participantes | Virtual | Participación sólo a través de becas, aplicaciones hasta el 7 de febrero.<br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=51<br />
<br />
Este taller virtual va dirigido para las todas personas interesadas en introducirse en el paisaje sonoro y poner en práctica su escucha atenta a través dispositivos móviles, la web y en tiempo real. Entendemos que el paisaje sonoro tiene una relación transversal con los seres vivos, las máquinas y el sistema. Por ello, en esta oportunidad, nuestro objetivo es reconocer al paisaje sonoro que nos rodea desde nuestras casas, nuestras ventanas y cómo nos relacionamos con éste. Tendremos sesiones de escucha, exploraremos técnicas de registro del paisaje sonoro, sus tipologías y el cómo contar una historia con este elemento del lenguaje radiofónico, desde las experiencias de lxs participantes. Esta experiencia colectiva brindará herramientas para que sus participantes puedan retratar la sonoridad de sus lugares. Creando una memoria colectiva digital sonora ad portas del Bicentenario. Finalmente, el resultado del taller serán las producciones de estas piezas sonoras con una duración no mayor de 10’ cada una de ellas.<br />
<br />
<br />
<br />
'''Miércoles 24 Febrero'''<br />
<br />
:'''09h [MX] | 10h [PE] | 16h [Es/No]''' <br />
<br />
::HTML SAMIZDAT | [https://asimtria.org/transpiksel/?p=287 Agnès Pe] [ES]<br />
<br />
::1 sesión | 10 participantes | Virtual <br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=352<br />
<br />
El término samizdat fue acuñado como un juego de palabras creado por el poeta ruso Nikolai Glazkov en la década de 1940, que mecanografiaba copias de sus poemas indicando en su primera página самсебяизда́т (samsebiaizdat, “auto-editorial”). HTML SAMIZDAT es una propuesta de creación web directamente desde el navegador, colectiva, abierta y visible al instante. A partir de la web como soporte y lienzo, se propone la realización de una página conjunta, un samizdat, a través de la apropiación del código html y de objetos multimedia. Para ello, trabajaremos a partir de la herramienta Hotglue, desarrollada por Gottfried Haider y Danja Vasiliev, y worm.org.<br />
<br />
Solo necesitas un ordenador con Firefox instalado. No es necesario tener conocimientos de programación ni de código.</div>Maitehttps://wiki.piksel.org/index.php?title=TransPiksel_2021&diff=9499TransPiksel 20212021-02-05T12:55:25Z<p>Maite: /* Esculturas 3D y Espacios VR */</p>
<hr />
<div>[[File:Bannerwiki.jpg|1000px]]<br />
<br />
=='''Transpiksel, Laboratorios sobre arte electrónico y cultura digital en Abya Yala | Free Digital Culture Labs in Latinamerica'''==<br />
<br />
[[TransPiksel 2020]]<br />
<br />
[[TransPiksel 2019]]<br />
<br />
[[TransPiksel 2018]]<br />
<br />
[[TransPiksel 2017]]<br />
<br />
[[TransPiksel 2016]]<br />
<br />
== '''Transpiksel 2021, Paray mitapim Transpikselniqa''' ==<br />
<br />
Transpiksel es una red de colectivos en arte y tecnología de España, México, Noruega y Perú, quienes junto a otras organizaciones y colectivos proponen anualmente un festival itinerante, sucedido desde el año 2016 en Colombia, Chile, Ecuador, México, Perú y República Dominicana.<br />
<br />
En el 2021 propone una edición especial durante el verano austral, que presenta transmisiones de conciertos y performances audiovisuales desde Arequipa, Cusco, Huancayo, Lima y Ayacucho en Perú, Madrid en España y Ciudad de México, un programa de talleres virtuales y un espacio que reúne obras en VR y 3D, entre el 8 y el 26 febrero.<br />
<br />
----<br />
<br />
==='''''Esculturas 3D y Espacios VR'''''===<br />
<br />
<br />
'''Lunes 08 Febrero'''<br />
<br />
:'''00h [MX] | 01h [PE] | 07h [Es/No]''' <br />
<br />
::Apertura de recorridos, disponible hasta el 26 de febrero en https://asimtria.org/transpiksel/?page_id=203<br />
<br />
:::Pensamiento Vertical | [https://asimtria.org/transpiksel/?p=202 Analucia Roeder] [PE]<br />
<br />
:::COLINEALES | [https://asimtria.org/transpiksel/?p=207 Eleazar Herrera] [PE]<br />
<br />
:::Ancestros y Futuro | [https://asimtria.org/transpiksel/?p=213 Giovanna Pillaca Morote] [PE]<br />
<br />
:::Hibernación | [https://asimtria.org/transpiksel/?p=218 Jesper Frederiksen (Jesperino)] [PE/DK]<br />
<br />
:::LAYERING CORPUS | [https://asimtria.org/transpiksel/?p=223 Malitzin Cortes CNDSD] [MX]<br />
<br />
:::“Las redes son cromáticas” | [https://asimtria.org/transpiksel/?p=226 Santiago Ramírez Camarena] [PE]<br />
<br />
:::POLLEN GLITCH | [https://asimtria.org/transpiksel/?p=230 Yannet Vilela (N3t4)] [PE]<br />
<br />
:::Entidad Akakor, la experiencia VR | [https://asimtria.org/transpiksel/?p=235 Jennifer Durand - Daniel Escobar - Claudia Garcia - Giovanna Pillaca - Jose Luis Vintimilla] [PE/US/ES/EC]<br />
<br />
:::BIO-CREA | [https://asimtria.org/transpiksel/?p=317 Hamilton Mestizo] [MX]<br />
<br />
:::Luftslott | [https://asimtria.org/transpiksel/?p=321 Alexandra Cárdenas [MX/CO/NO] | [https://asimtria.org/transpiksel/?p=323 Camilla Vatne Barrat-Due]<br />
<br />
:::And in the future the cracks will also be a home. EcoPoetics. | [https://asimtria.org/transpiksel/?p=3195 Jaime Lobato] [MX]<br />
<br />
==='''''Programa de Conciertos'''''===<br />
<br />
'''Martes 09 Febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Wed 10) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://web.facebook.com/wasicleta/ Wasicleta], Cusco [PE]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=77 Gladys Conde, en compañía de Omar Vargas] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=96 Rosa Naid Cruz Tica] – Electrónica, [https://asimtria.org/transpiksel/?p=96 María Luisa Ochoa Justiniani] – Improvisación Cello [PE]<br />
:::[https://asimtria.org/transpiksel/?p=116 TAKAU] [PE]<br />
<br />
<br />
<br />
'''Jueves 11 febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Fri 12) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde Arequipa [PE], con la colaboración de [http://monopelao.pe/ Monopelao]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=120 r1ffm4nn] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=76 DMTh5] [PE]<br />
<br />
::Desde [https://paraderocultural.com/ El Paradero], Lima [PE], con la colaboración de [https://web.facebook.com/sumaserv/ Suma]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=134 Gabriel Tanta Chavez] [PE]<br />
<br />
<br />
<br />
'''Martes 16 Febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Wed 17) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://www.cholacontravisual.com/la-munay-casa La Munay], Huancayo [PE]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=150 Zorzal] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=153 Paraedolia Espectral] [PE]<br />
:::[https://asimtria.org/transpiksel/?p=156 JoJoss.exe] [PE]<br />
<br />
<br />
<br />
'''Miércoles 17 Febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Thu 18) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://paraderocultural.com/ El Paradero], Lima [PE], con la colaboración de [https://web.facebook.com/sumaserv/ Suma]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=159 Enrique Trelles] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=162 Karen Chalco] [PE]<br />
:::[https://asimtria.org/transpiksel/?p=165 Patricia Saucedo] [PE]<br />
<br />
<br />
<br />
'''Jueves 18 febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Fri 19) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://asimitria.org asimtria.org], Ayacucho [PE]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=273 Brageiki] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=276 Hanuna] [PE]<br />
:::[https://asimtria.org/transpiksel/?p=279 '###'] [PE]<br />
<br />
<br />
<br />
'''Martes 23 Febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Wed 24) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://web.facebook.com/toplap.mx/ Toplap MX], Ciudad de México [MX]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=194 Sonidazo La Verga] [MX] <br />
:::[https://asimtria.org/transpiksel/?p=196 César Ch + Arrehola] [MX]<br />
:::[https://asimtria.org/transpiksel/?p=199 NUT] [MX]<br />
<br />
<br />
<br />
'''Jueves 25 febrero'''<br />
<br />
:'''12h [MX] | 13h [PE] | 19h [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde Madrid [ES], en colaboración con [http://villtank.com/ Villtank] y [https://piksel.no/ Piksel], Bergen [NO]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=287 Agnès Pe] [ES] <br />
:::[https://asimtria.org/transpiksel/?p=187 Guillem Bayo] + [https://asimtria.org/transpiksel/?p=289 Me-Lenna (Luis González)] [ES]<br />
:::[https://asimtria.org/transpiksel/?p=291 Maite Cajaraville] + [https://asimtria.org/transpiksel/?p=293 Gisle Frøysland] [ES/NO]<br />
<br />
==='''''Talleres'''''===<br />
<br />
'''Lunes 15 Febrero'''<br />
<br />
:'''15h [MX] | 16h [PE] | 22h [Es/No]''' <br />
<br />
::Pure Data para la síntesis y procesamiento de audio | [https://asimtria.org/transpiksel/?p=178 Abel Castro] [PE]<br />
<br />
::3 sesiones | 10 participantes | Virtual | Participación sólo a través de becas, aplicaciones hasta el 7 de febrero.<br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=30<br />
<br />
Pure Data es un potente software libre para procesamiento de datos, audio y video. En este curso veremos procesamiento de audio y síntesis. Empezaremos de manera experimental reutilizando, conectando y modificando algoritmos ya producidos. En una segunda parte introduciremos la parte teórica de las síntesis de audio y el flujo de datos.<br />
<br />
:'''17h [MX] | 18h [PE] | 0h (Tue 16) [Es/No]''' <br />
<br />
::Introducción a Hydra – Visuales en vivo con lenguajes de programación | [https://asimtria.org/transpiksel/?p=175 SENSÁFONA] [PE]<br />
<br />
::3 sesiones | 15 participantes | Virtual | Participación sólo a través de becas, aplicaciones hasta el 7 de febrero.<br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=41<br />
<br />
Taller introductorio de Hydra como una herramienta que genera vínculos entre la tecnología libre y las artes para generar visuales en vivo haciendo uso de lenguajes de programación y plataformas colaborativas interdisciplinarias.<br />
<br />
<br />
<br />
'''Miércoles 17 Febrero'''<br />
<br />
:'''13h [MX] | 14h [PE] | 20h [Es/No]''' <br />
<br />
::Diseño y fabricación de circuitos electrónicos | [https://asimtria.org/transpiksel/?p=187 Guillem Bayo] [ES]<br />
<br />
::1 sesión | 10 participantes | Virtual <br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=49<br />
<br />
En el taller se analizarán proyectos de hardware libre de instrumentos autónomos, módulos eurorack y piezas de arte electrónico. Los participantes aprenderán a desarrollar sus propios proyectos e instrumentos partiendo de un núcleo de Arduino y a generar los Gerbers para encargar la fabricación de cualquier proyecto open source.<br />
<br />
El taller está dirigido a cualquier persona interesada en el desarrollo y la fabricación de instrumentos o piezas electrónicas.<br />
<br />
Los asistentes necesitarán un ordenador para seguir el taller y, a ser posible, tener instaladas las versiones gratuitas de KiCAD y EAGLE..<br />
<br />
<br />
<br />
'''Lunes 22 Febrero'''<br />
<br />
:'''15h [MX] | 16h [PE] | 22h [Es/No]''' <br />
<br />
::Supercollider. Introducción a la programación textual para la ejecución musical | [https://asimtria.org/transpiksel/?p=172 Jorge Luis Quispe Córdova] [PE]<br />
<br />
::3 sesiones | 10 participantes | Virtual | Participación sólo a través de becas, aplicaciones hasta el 7 de febrero.<br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=49<br />
<br />
El taller permitirá conocer e interactuar con la plataforma Supercollider como herramienta para la generación de material musical e intervención en vivo.<br />
<br />
:'''17h [MX] | 18h [PE] | 0h (Tue 23) [Es/No]''' <br />
<br />
::Paisaje sonoro: técnicas y usos para contar historias a distancia | [https://asimtria.org/transpiksel/?p=169 Vanessa Valencia y Cinthya Robles] [PE]<br />
<br />
::3 sesiones | 15 participantes | Virtual | Participación sólo a través de becas, aplicaciones hasta el 7 de febrero.<br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=51<br />
<br />
Este taller virtual va dirigido para las todas personas interesadas en introducirse en el paisaje sonoro y poner en práctica su escucha atenta a través dispositivos móviles, la web y en tiempo real. Entendemos que el paisaje sonoro tiene una relación transversal con los seres vivos, las máquinas y el sistema. Por ello, en esta oportunidad, nuestro objetivo es reconocer al paisaje sonoro que nos rodea desde nuestras casas, nuestras ventanas y cómo nos relacionamos con éste. Tendremos sesiones de escucha, exploraremos técnicas de registro del paisaje sonoro, sus tipologías y el cómo contar una historia con este elemento del lenguaje radiofónico, desde las experiencias de lxs participantes. Esta experiencia colectiva brindará herramientas para que sus participantes puedan retratar la sonoridad de sus lugares. Creando una memoria colectiva digital sonora ad portas del Bicentenario. Finalmente, el resultado del taller serán las producciones de estas piezas sonoras con una duración no mayor de 10’ cada una de ellas.<br />
<br />
<br />
<br />
'''Miércoles 24 Febrero'''<br />
<br />
:'''09h [MX] | 10h [PE] | 16h [Es/No]''' <br />
<br />
::HTML SAMIZDAT | [https://asimtria.org/transpiksel/?p=287 Agnès Pe] [ES]<br />
<br />
::1 sesión | 10 participantes | Virtual <br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=352<br />
<br />
El término samizdat fue acuñado como un juego de palabras creado por el poeta ruso Nikolai Glazkov en la década de 1940, que mecanografiaba copias de sus poemas indicando en su primera página самсебяизда́т (samsebiaizdat, “auto-editorial”). HTML SAMIZDAT es una propuesta de creación web directamente desde el navegador, colectiva, abierta y visible al instante. A partir de la web como soporte y lienzo, se propone la realización de una página conjunta, un samizdat, a través de la apropiación del código html y de objetos multimedia. Para ello, trabajaremos a partir de la herramienta Hotglue, desarrollada por Gottfried Haider y Danja Vasiliev, y worm.org.<br />
<br />
Solo necesitas un ordenador con Firefox instalado. No es necesario tener conocimientos de programación ni de código.</div>Maitehttps://wiki.piksel.org/index.php?title=TransPiksel_2021&diff=9498TransPiksel 20212021-02-05T12:54:03Z<p>Maite: /* Esculturas 3D y Espacios VR */</p>
<hr />
<div>[[File:Bannerwiki.jpg|1000px]]<br />
<br />
=='''Transpiksel, Laboratorios sobre arte electrónico y cultura digital en Abya Yala | Free Digital Culture Labs in Latinamerica'''==<br />
<br />
[[TransPiksel 2020]]<br />
<br />
[[TransPiksel 2019]]<br />
<br />
[[TransPiksel 2018]]<br />
<br />
[[TransPiksel 2017]]<br />
<br />
[[TransPiksel 2016]]<br />
<br />
== '''Transpiksel 2021, Paray mitapim Transpikselniqa''' ==<br />
<br />
Transpiksel es una red de colectivos en arte y tecnología de España, México, Noruega y Perú, quienes junto a otras organizaciones y colectivos proponen anualmente un festival itinerante, sucedido desde el año 2016 en Colombia, Chile, Ecuador, México, Perú y República Dominicana.<br />
<br />
En el 2021 propone una edición especial durante el verano austral, que presenta transmisiones de conciertos y performances audiovisuales desde Arequipa, Cusco, Huancayo, Lima y Ayacucho en Perú, Madrid en España y Ciudad de México, un programa de talleres virtuales y un espacio que reúne obras en VR y 3D, entre el 8 y el 26 febrero.<br />
<br />
----<br />
<br />
==='''''Esculturas 3D y Espacios VR'''''===<br />
<br />
<br />
'''Lunes 08 Febrero'''<br />
<br />
:'''00h [MX] | 01h [PE] | 07h [Es/No]''' <br />
<br />
::Apertura de recorridos, disponible hasta el 26 de febrero en https://asimtria.org/transpiksel/?page_id=203<br />
<br />
:::Pensamiento Vertical | [https://asimtria.org/transpiksel/?p=202 Analucia Roeder] [PE]<br />
<br />
:::COLINEALES | [https://asimtria.org/transpiksel/?p=207 Eleazar Herrera] [PE]<br />
<br />
:::Ancestros y Futuro | [https://asimtria.org/transpiksel/?p=213 Giovanna Pillaca Morote] [PE]<br />
<br />
:::Hibernación | [https://asimtria.org/transpiksel/?p=218 Jesper Frederiksen (Jesperino)] [PE/DK]<br />
<br />
:::LAYERING CORPUS | [https://asimtria.org/transpiksel/?p=223 Malitzin Cortes CNDSD] [MX]<br />
<br />
:::“Las redes son cromáticas” | [https://asimtria.org/transpiksel/?p=226 Santiago Ramírez Camarena] [PE]<br />
<br />
:::POLLEN GLITCH | [https://asimtria.org/transpiksel/?p=230 Yannet Vilela (N3t4)] [PE]<br />
<br />
:::Entidad Akakor, la experiencia VR | [https://asimtria.org/transpiksel/?p=235 Jennifer Durand - Daniel Escobar - Claudia Garcia - Giovanna Pillaca - Jose Luis Vintimilla] [PE/US/ES/EC]<br />
<br />
:::BIO-CREA | [https://asimtria.org/transpiksel/?p=317 Hamilton Mestizo [MX]<br />
<br />
:::Luftslott | [https://asimtria.org/transpiksel/?p=321 Alexandra Cárdenas [MX/CO/NO | https://asimtria.org/transpiksel/?p=323 Camilla Vatne Barrat-Due]<br />
<br />
:::And in the future the cracks will also be a home. EcoPoetics. | [https://asimtria.org/transpiksel/?p=3195 Jaime Lobato [MX]<br />
<br />
==='''''Programa de Conciertos'''''===<br />
<br />
'''Martes 09 Febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Wed 10) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://web.facebook.com/wasicleta/ Wasicleta], Cusco [PE]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=77 Gladys Conde, en compañía de Omar Vargas] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=96 Rosa Naid Cruz Tica] – Electrónica, [https://asimtria.org/transpiksel/?p=96 María Luisa Ochoa Justiniani] – Improvisación Cello [PE]<br />
:::[https://asimtria.org/transpiksel/?p=116 TAKAU] [PE]<br />
<br />
<br />
<br />
'''Jueves 11 febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Fri 12) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde Arequipa [PE], con la colaboración de [http://monopelao.pe/ Monopelao]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=120 r1ffm4nn] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=76 DMTh5] [PE]<br />
<br />
::Desde [https://paraderocultural.com/ El Paradero], Lima [PE], con la colaboración de [https://web.facebook.com/sumaserv/ Suma]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=134 Gabriel Tanta Chavez] [PE]<br />
<br />
<br />
<br />
'''Martes 16 Febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Wed 17) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://www.cholacontravisual.com/la-munay-casa La Munay], Huancayo [PE]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=150 Zorzal] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=153 Paraedolia Espectral] [PE]<br />
:::[https://asimtria.org/transpiksel/?p=156 JoJoss.exe] [PE]<br />
<br />
<br />
<br />
'''Miércoles 17 Febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Thu 18) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://paraderocultural.com/ El Paradero], Lima [PE], con la colaboración de [https://web.facebook.com/sumaserv/ Suma]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=159 Enrique Trelles] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=162 Karen Chalco] [PE]<br />
:::[https://asimtria.org/transpiksel/?p=165 Patricia Saucedo] [PE]<br />
<br />
<br />
<br />
'''Jueves 18 febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Fri 19) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://asimitria.org asimtria.org], Ayacucho [PE]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=273 Brageiki] [PE] <br />
:::[https://asimtria.org/transpiksel/?p=276 Hanuna] [PE]<br />
:::[https://asimtria.org/transpiksel/?p=279 '###'] [PE]<br />
<br />
<br />
<br />
'''Martes 23 Febrero'''<br />
<br />
:'''19h [MX] | 20h [PE] | 02h (Wed 24) [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde [https://web.facebook.com/toplap.mx/ Toplap MX], Ciudad de México [MX]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=194 Sonidazo La Verga] [MX] <br />
:::[https://asimtria.org/transpiksel/?p=196 César Ch + Arrehola] [MX]<br />
:::[https://asimtria.org/transpiksel/?p=199 NUT] [MX]<br />
<br />
<br />
<br />
'''Jueves 25 febrero'''<br />
<br />
:'''12h [MX] | 13h [PE] | 19h [Es/No]''' <br />
<br />
::'''''AV Performances'''''<br />
<br />
::Desde Madrid [ES], en colaboración con [http://villtank.com/ Villtank] y [https://piksel.no/ Piksel], Bergen [NO]<br />
<br />
:::[https://asimtria.org/transpiksel/?p=287 Agnès Pe] [ES] <br />
:::[https://asimtria.org/transpiksel/?p=187 Guillem Bayo] + [https://asimtria.org/transpiksel/?p=289 Me-Lenna (Luis González)] [ES]<br />
:::[https://asimtria.org/transpiksel/?p=291 Maite Cajaraville] + [https://asimtria.org/transpiksel/?p=293 Gisle Frøysland] [ES/NO]<br />
<br />
==='''''Talleres'''''===<br />
<br />
'''Lunes 15 Febrero'''<br />
<br />
:'''15h [MX] | 16h [PE] | 22h [Es/No]''' <br />
<br />
::Pure Data para la síntesis y procesamiento de audio | [https://asimtria.org/transpiksel/?p=178 Abel Castro] [PE]<br />
<br />
::3 sesiones | 10 participantes | Virtual | Participación sólo a través de becas, aplicaciones hasta el 7 de febrero.<br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=30<br />
<br />
Pure Data es un potente software libre para procesamiento de datos, audio y video. En este curso veremos procesamiento de audio y síntesis. Empezaremos de manera experimental reutilizando, conectando y modificando algoritmos ya producidos. En una segunda parte introduciremos la parte teórica de las síntesis de audio y el flujo de datos.<br />
<br />
:'''17h [MX] | 18h [PE] | 0h (Tue 16) [Es/No]''' <br />
<br />
::Introducción a Hydra – Visuales en vivo con lenguajes de programación | [https://asimtria.org/transpiksel/?p=175 SENSÁFONA] [PE]<br />
<br />
::3 sesiones | 15 participantes | Virtual | Participación sólo a través de becas, aplicaciones hasta el 7 de febrero.<br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=41<br />
<br />
Taller introductorio de Hydra como una herramienta que genera vínculos entre la tecnología libre y las artes para generar visuales en vivo haciendo uso de lenguajes de programación y plataformas colaborativas interdisciplinarias.<br />
<br />
<br />
<br />
'''Miércoles 17 Febrero'''<br />
<br />
:'''13h [MX] | 14h [PE] | 20h [Es/No]''' <br />
<br />
::Diseño y fabricación de circuitos electrónicos | [https://asimtria.org/transpiksel/?p=187 Guillem Bayo] [ES]<br />
<br />
::1 sesión | 10 participantes | Virtual <br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=49<br />
<br />
En el taller se analizarán proyectos de hardware libre de instrumentos autónomos, módulos eurorack y piezas de arte electrónico. Los participantes aprenderán a desarrollar sus propios proyectos e instrumentos partiendo de un núcleo de Arduino y a generar los Gerbers para encargar la fabricación de cualquier proyecto open source.<br />
<br />
El taller está dirigido a cualquier persona interesada en el desarrollo y la fabricación de instrumentos o piezas electrónicas.<br />
<br />
Los asistentes necesitarán un ordenador para seguir el taller y, a ser posible, tener instaladas las versiones gratuitas de KiCAD y EAGLE..<br />
<br />
<br />
<br />
'''Lunes 22 Febrero'''<br />
<br />
:'''15h [MX] | 16h [PE] | 22h [Es/No]''' <br />
<br />
::Supercollider. Introducción a la programación textual para la ejecución musical | [https://asimtria.org/transpiksel/?p=172 Jorge Luis Quispe Córdova] [PE]<br />
<br />
::3 sesiones | 10 participantes | Virtual | Participación sólo a través de becas, aplicaciones hasta el 7 de febrero.<br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=49<br />
<br />
El taller permitirá conocer e interactuar con la plataforma Supercollider como herramienta para la generación de material musical e intervención en vivo.<br />
<br />
:'''17h [MX] | 18h [PE] | 0h (Tue 23) [Es/No]''' <br />
<br />
::Paisaje sonoro: técnicas y usos para contar historias a distancia | [https://asimtria.org/transpiksel/?p=169 Vanessa Valencia y Cinthya Robles] [PE]<br />
<br />
::3 sesiones | 15 participantes | Virtual | Participación sólo a través de becas, aplicaciones hasta el 7 de febrero.<br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=51<br />
<br />
Este taller virtual va dirigido para las todas personas interesadas en introducirse en el paisaje sonoro y poner en práctica su escucha atenta a través dispositivos móviles, la web y en tiempo real. Entendemos que el paisaje sonoro tiene una relación transversal con los seres vivos, las máquinas y el sistema. Por ello, en esta oportunidad, nuestro objetivo es reconocer al paisaje sonoro que nos rodea desde nuestras casas, nuestras ventanas y cómo nos relacionamos con éste. Tendremos sesiones de escucha, exploraremos técnicas de registro del paisaje sonoro, sus tipologías y el cómo contar una historia con este elemento del lenguaje radiofónico, desde las experiencias de lxs participantes. Esta experiencia colectiva brindará herramientas para que sus participantes puedan retratar la sonoridad de sus lugares. Creando una memoria colectiva digital sonora ad portas del Bicentenario. Finalmente, el resultado del taller serán las producciones de estas piezas sonoras con una duración no mayor de 10’ cada una de ellas.<br />
<br />
<br />
<br />
'''Miércoles 24 Febrero'''<br />
<br />
:'''09h [MX] | 10h [PE] | 16h [Es/No]''' <br />
<br />
::HTML SAMIZDAT | [https://asimtria.org/transpiksel/?p=287 Agnès Pe] [ES]<br />
<br />
::1 sesión | 10 participantes | Virtual <br />
<br />
::Más información y aplicaciones en https://asimtria.org/transpiksel/?p=352<br />
<br />
El término samizdat fue acuñado como un juego de palabras creado por el poeta ruso Nikolai Glazkov en la década de 1940, que mecanografiaba copias de sus poemas indicando en su primera página самсебяизда́т (samsebiaizdat, “auto-editorial”). HTML SAMIZDAT es una propuesta de creación web directamente desde el navegador, colectiva, abierta y visible al instante. A partir de la web como soporte y lienzo, se propone la realización de una página conjunta, un samizdat, a través de la apropiación del código html y de objetos multimedia. Para ello, trabajaremos a partir de la herramienta Hotglue, desarrollada por Gottfried Haider y Danja Vasiliev, y worm.org.<br />
<br />
Solo necesitas un ordenador con Firefox instalado. No es necesario tener conocimientos de programación ni de código.</div>Maitehttps://wiki.piksel.org/index.php?title=TransPiksel_2020&diff=9497TransPiksel 20202021-02-05T12:44:32Z<p>Maite: </p>
<hr />
<div>[[File:Facebook-banner-30102020-TP20.jpeg|600px]]<br />
<br />
[[Media:PIKSEL20_TransPikselDossier.pdf | Download TransPiksel artists dossier PDF]]<br />
<br />
=='''Transpiksel, Laboratorios sobre arte electrónico y cultura digital en Abya Yala | Free Digital Culture Labs in Latinamerica'''==<br />
<br />
[[TransPiksel 2019]]<br />
<br />
[[TransPiksel_2018]]<br />
<br />
[[TransPiksel 2017]]<br />
<br />
[[TransPiksel 2016]]<br />
<br />
== '''Transpiksel 2020, Festival Piksel''' ==<br />
<br />
TransPiksel – nettverksprosjekt i Sør-Amerika - 2020<br />
<br />
In 2016, Piksel carried out the pilot project TransPiksel which consisted of a tour to 3 countries in South America: Mexico, Peru and Colombia. The project was continued in 2017 with a tour to Colombia, Peru and Chile, in 2018 to Mexico, Peru and Ecuador and in 2019 we focused on 3 countries: Peru, Mexico and the Dominican Republic. Our partners are festivals for electronic art, independent media labs and local cultural institutions. The project was very successful and a number of new contacts were established. TransPiksel toured with an international group of artists in experimental electronic art and music who work with DIY tools and free technology. In addition to exhibitions and concerts, they held workshops and collaborated with local artists and musicians to establish long-term relationships to strengthen the international network Piksel is part of.<br />
In 2020, and due to the impossibility to travel in its usual dates and modes, the Transpiksel festival becomes virtual joining the effort of each international node. The TransPiksel festival is hosted on November 21th - 23rd. <br />
About the project:<br />
Piksel is organizing TransPiksel, a Central and South American tour comprising 3 countries: Mexico, Peru and Dominican Republic. Our partners are museums, artist-run organisations and other non-profit cultural institutions.<br />
<br />
Four days of innovative and technological based audiovisual workshops, exhibitions, concerts and a BioART Lab with international and local artists focused on biology and environmental sciences and Do-It-Yourself electronics held in each city.<br />
<br />
The Piksel curatorial team (Maite Cajaraville & Gisle Frøysland) have chosen a representative group of artists and works from Piksel Festival participants in order to present the most innovative artistic research on new and emerging technologies based on openness and free cultural practice.<br />
<br />
Throughout the workshops Piksel wants to research the Latin American artistic scene and promote the creation of new works that can be the base of future exchange. Piksel intends to show the resulting art pieces in November at the Piksel Festival in Norway.<br />
<br />
The works range from sound art, sound installation, video research, interactive video, video performance, interactive installation, stand alone video loops (Pikselsavers), DIY BioHacking, visual programming and live coding.<br />
<br />
In each city/country, a group of local artists will be selected from an open call using Piksel festival management software, which includes artists automatically at the growing artists database. Curatorial tasks will be shared with local curators and directors.<br />
<br />
TransPiksel events, acting as a pilot project, aim to establish a long lasting collaborative network of interconnected nodes to work with in the next years.<br />
<br />
Mer info:<br />
http://transpiksel.net/<br />
<br />
----</div>Maitehttps://wiki.piksel.org/index.php?title=TransPiksel_2020&diff=9496TransPiksel 20202021-02-05T12:44:15Z<p>Maite: </p>
<hr />
<div>[[File:Facebook-banner-30102020-TP20.jpeg|1000px]]<br />
<br />
[[Media:PIKSEL20_TransPikselDossier.pdf | Download TransPiksel artists dossier PDF]]<br />
<br />
=='''Transpiksel, Laboratorios sobre arte electrónico y cultura digital en Abya Yala | Free Digital Culture Labs in Latinamerica'''==<br />
<br />
[[TransPiksel 2019]]<br />
<br />
[[TransPiksel_2018]]<br />
<br />
[[TransPiksel 2017]]<br />
<br />
[[TransPiksel 2016]]<br />
<br />
== '''Transpiksel 2020, Festival Piksel''' ==<br />
<br />
TransPiksel – nettverksprosjekt i Sør-Amerika - 2020<br />
<br />
In 2016, Piksel carried out the pilot project TransPiksel which consisted of a tour to 3 countries in South America: Mexico, Peru and Colombia. The project was continued in 2017 with a tour to Colombia, Peru and Chile, in 2018 to Mexico, Peru and Ecuador and in 2019 we focused on 3 countries: Peru, Mexico and the Dominican Republic. Our partners are festivals for electronic art, independent media labs and local cultural institutions. The project was very successful and a number of new contacts were established. TransPiksel toured with an international group of artists in experimental electronic art and music who work with DIY tools and free technology. In addition to exhibitions and concerts, they held workshops and collaborated with local artists and musicians to establish long-term relationships to strengthen the international network Piksel is part of.<br />
In 2020, and due to the impossibility to travel in its usual dates and modes, the Transpiksel festival becomes virtual joining the effort of each international node. The TransPiksel festival is hosted on November 21th - 23rd. <br />
About the project:<br />
Piksel is organizing TransPiksel, a Central and South American tour comprising 3 countries: Mexico, Peru and Dominican Republic. Our partners are museums, artist-run organisations and other non-profit cultural institutions.<br />
<br />
Four days of innovative and technological based audiovisual workshops, exhibitions, concerts and a BioART Lab with international and local artists focused on biology and environmental sciences and Do-It-Yourself electronics held in each city.<br />
<br />
The Piksel curatorial team (Maite Cajaraville & Gisle Frøysland) have chosen a representative group of artists and works from Piksel Festival participants in order to present the most innovative artistic research on new and emerging technologies based on openness and free cultural practice.<br />
<br />
Throughout the workshops Piksel wants to research the Latin American artistic scene and promote the creation of new works that can be the base of future exchange. Piksel intends to show the resulting art pieces in November at the Piksel Festival in Norway.<br />
<br />
The works range from sound art, sound installation, video research, interactive video, video performance, interactive installation, stand alone video loops (Pikselsavers), DIY BioHacking, visual programming and live coding.<br />
<br />
In each city/country, a group of local artists will be selected from an open call using Piksel festival management software, which includes artists automatically at the growing artists database. Curatorial tasks will be shared with local curators and directors.<br />
<br />
TransPiksel events, acting as a pilot project, aim to establish a long lasting collaborative network of interconnected nodes to work with in the next years.<br />
<br />
Mer info:<br />
http://transpiksel.net/<br />
<br />
----</div>Maitehttps://wiki.piksel.org/index.php?title=File:Facebook-banner-30102020-TP20.jpeg&diff=9495File:Facebook-banner-30102020-TP20.jpeg2021-02-05T12:43:59Z<p>Maite: </p>
<hr />
<div></div>Maitehttps://wiki.piksel.org/index.php?title=TransPiksel_2020&diff=9494TransPiksel 20202021-02-05T12:38:38Z<p>Maite: </p>
<hr />
<div>[[File:Bannerwiki.jpg|1000px]]<br />
<br />
[[Media:PIKSEL20_TransPikselDossier.pdf | Download TransPiksel artists dossier PDF]]<br />
<br />
=='''Transpiksel, Laboratorios sobre arte electrónico y cultura digital en Abya Yala | Free Digital Culture Labs in Latinamerica'''==<br />
<br />
[[TransPiksel 2019]]<br />
<br />
[[TransPiksel_2018]]<br />
<br />
[[TransPiksel 2017]]<br />
<br />
[[TransPiksel 2016]]<br />
<br />
== '''Transpiksel 2020, Festival Piksel''' ==<br />
<br />
TransPiksel – nettverksprosjekt i Sør-Amerika - 2020<br />
<br />
In 2016, Piksel carried out the pilot project TransPiksel which consisted of a tour to 3 countries in South America: Mexico, Peru and Colombia. The project was continued in 2017 with a tour to Colombia, Peru and Chile, in 2018 to Mexico, Peru and Ecuador and in 2019 we focused on 3 countries: Peru, Mexico and the Dominican Republic. Our partners are festivals for electronic art, independent media labs and local cultural institutions. The project was very successful and a number of new contacts were established. TransPiksel toured with an international group of artists in experimental electronic art and music who work with DIY tools and free technology. In addition to exhibitions and concerts, they held workshops and collaborated with local artists and musicians to establish long-term relationships to strengthen the international network Piksel is part of.<br />
In 2020, and due to the impossibility to travel in its usual dates and modes, the Transpiksel festival becomes virtual joining the effort of each international node. The TransPiksel festival is hosted on November 21th - 23rd. <br />
About the project:<br />
Piksel is organizing TransPiksel, a Central and South American tour comprising 3 countries: Mexico, Peru and Dominican Republic. Our partners are museums, artist-run organisations and other non-profit cultural institutions.<br />
<br />
Four days of innovative and technological based audiovisual workshops, exhibitions, concerts and a BioART Lab with international and local artists focused on biology and environmental sciences and Do-It-Yourself electronics held in each city.<br />
<br />
The Piksel curatorial team (Maite Cajaraville & Gisle Frøysland) have chosen a representative group of artists and works from Piksel Festival participants in order to present the most innovative artistic research on new and emerging technologies based on openness and free cultural practice.<br />
<br />
Throughout the workshops Piksel wants to research the Latin American artistic scene and promote the creation of new works that can be the base of future exchange. Piksel intends to show the resulting art pieces in November at the Piksel Festival in Norway.<br />
<br />
The works range from sound art, sound installation, video research, interactive video, video performance, interactive installation, stand alone video loops (Pikselsavers), DIY BioHacking, visual programming and live coding.<br />
<br />
In each city/country, a group of local artists will be selected from an open call using Piksel festival management software, which includes artists automatically at the growing artists database. Curatorial tasks will be shared with local curators and directors.<br />
<br />
TransPiksel events, acting as a pilot project, aim to establish a long lasting collaborative network of interconnected nodes to work with in the next years.<br />
<br />
Mer info:<br />
http://transpiksel.net/<br />
<br />
----</div>Maitehttps://wiki.piksel.org/index.php?title=TransPiksel_2020&diff=9493TransPiksel 20202021-02-05T12:37:46Z<p>Maite: </p>
<hr />
<div>[[File:Bannerwiki.jpg|1000px]]<br />
<br />
[[Media:PIKSEL20_TransPikselDossier.pdf | Download TransPiksel artists dossier PDF]]<br />
<br />
=='''Transpiksel, Laboratorios sobre arte electrónico y cultura digital en Abya Yala | Free Digital Culture Labs in Latinamerica'''==<br />
<br />
[http://piksel.no/mediawiki/index.php?title=TransPiksel_2019 TransPiksel 2019]<br />
<br />
[[TransPiksel_2018]]<br />
<br />
[http://piksel.no/mediawiki/index.php?title=TransPiksel_2017 TransPiksel 2017]<br />
<br />
[http://piksel.no/mediawiki/index.php?title=TransPiksel_2016 TransPiksel 2016]<br />
<br />
== '''Transpiksel 2020, Festival Piksel''' ==<br />
<br />
TransPiksel – nettverksprosjekt i Sør-Amerika - 2020<br />
<br />
In 2016, Piksel carried out the pilot project TransPiksel which consisted of a tour to 3 countries in South America: Mexico, Peru and Colombia. The project was continued in 2017 with a tour to Colombia, Peru and Chile, in 2018 to Mexico, Peru and Ecuador and in 2019 we focused on 3 countries: Peru, Mexico and the Dominican Republic. Our partners are festivals for electronic art, independent media labs and local cultural institutions. The project was very successful and a number of new contacts were established. TransPiksel toured with an international group of artists in experimental electronic art and music who work with DIY tools and free technology. In addition to exhibitions and concerts, they held workshops and collaborated with local artists and musicians to establish long-term relationships to strengthen the international network Piksel is part of.<br />
In 2020, and due to the impossibility to travel in its usual dates and modes, the Transpiksel festival becomes virtual joining the effort of each international node. The TransPiksel festival is hosted on November 21th - 23rd. <br />
About the project:<br />
Piksel is organizing TransPiksel, a Central and South American tour comprising 3 countries: Mexico, Peru and Dominican Republic. Our partners are museums, artist-run organisations and other non-profit cultural institutions.<br />
<br />
Four days of innovative and technological based audiovisual workshops, exhibitions, concerts and a BioART Lab with international and local artists focused on biology and environmental sciences and Do-It-Yourself electronics held in each city.<br />
<br />
The Piksel curatorial team (Maite Cajaraville & Gisle Frøysland) have chosen a representative group of artists and works from Piksel Festival participants in order to present the most innovative artistic research on new and emerging technologies based on openness and free cultural practice.<br />
<br />
Throughout the workshops Piksel wants to research the Latin American artistic scene and promote the creation of new works that can be the base of future exchange. Piksel intends to show the resulting art pieces in November at the Piksel Festival in Norway.<br />
<br />
The works range from sound art, sound installation, video research, interactive video, video performance, interactive installation, stand alone video loops (Pikselsavers), DIY BioHacking, visual programming and live coding.<br />
<br />
In each city/country, a group of local artists will be selected from an open call using Piksel festival management software, which includes artists automatically at the growing artists database. Curatorial tasks will be shared with local curators and directors.<br />
<br />
TransPiksel events, acting as a pilot project, aim to establish a long lasting collaborative network of interconnected nodes to work with in the next years.<br />
<br />
Mer info:<br />
http://transpiksel.net/<br />
<br />
----</div>Maitehttps://wiki.piksel.org/index.php?title=TransPiksel_2020&diff=9492TransPiksel 20202021-02-05T12:35:35Z<p>Maite: </p>
<hr />
<div>[[File:Bannerwiki.jpg|1000px]]<br />
<br />
[[Media:PIKSEL20_TransPikselDossier.pdf | Download TransPiksel artists dossier PDF]]<br />
<br />
=='''Transpiksel, Laboratorios sobre arte electrónico y cultura digital en Abya Yala | Free Digital Culture Labs in Latinamerica'''==<br />
<br />
[http://piksel.no/mediawiki/index.php?title=TransPiksel_2019 TransPiksel 2019]<br />
<br />
[TransPiksel_2018]<br />
<br />
[http://piksel.no/mediawiki/index.php?title=TransPiksel_2017 TransPiksel 2017]<br />
<br />
[http://piksel.no/mediawiki/index.php?title=TransPiksel_2016 TransPiksel 2016]<br />
<br />
== '''Transpiksel 2020, Festival Piksel''' ==<br />
<br />
TransPiksel – nettverksprosjekt i Sør-Amerika - 2020<br />
<br />
In 2016, Piksel carried out the pilot project TransPiksel which consisted of a tour to 3 countries in South America: Mexico, Peru and Colombia. The project was continued in 2017 with a tour to Colombia, Peru and Chile, in 2018 to Mexico, Peru and Ecuador and in 2019 we focused on 3 countries: Peru, Mexico and the Dominican Republic. Our partners are festivals for electronic art, independent media labs and local cultural institutions. The project was very successful and a number of new contacts were established. TransPiksel toured with an international group of artists in experimental electronic art and music who work with DIY tools and free technology. In addition to exhibitions and concerts, they held workshops and collaborated with local artists and musicians to establish long-term relationships to strengthen the international network Piksel is part of.<br />
In 2020, and due to the impossibility to travel in its usual dates and modes, the Transpiksel festival becomes virtual joining the effort of each international node. The TransPiksel festival is hosted on November 21th - 23rd. <br />
About the project:<br />
Piksel is organizing TransPiksel, a Central and South American tour comprising 3 countries: Mexico, Peru and Dominican Republic. Our partners are museums, artist-run organisations and other non-profit cultural institutions.<br />
<br />
Four days of innovative and technological based audiovisual workshops, exhibitions, concerts and a BioART Lab with international and local artists focused on biology and environmental sciences and Do-It-Yourself electronics held in each city.<br />
<br />
The Piksel curatorial team (Maite Cajaraville & Gisle Frøysland) have chosen a representative group of artists and works from Piksel Festival participants in order to present the most innovative artistic research on new and emerging technologies based on openness and free cultural practice.<br />
<br />
Throughout the workshops Piksel wants to research the Latin American artistic scene and promote the creation of new works that can be the base of future exchange. Piksel intends to show the resulting art pieces in November at the Piksel Festival in Norway.<br />
<br />
The works range from sound art, sound installation, video research, interactive video, video performance, interactive installation, stand alone video loops (Pikselsavers), DIY BioHacking, visual programming and live coding.<br />
<br />
In each city/country, a group of local artists will be selected from an open call using Piksel festival management software, which includes artists automatically at the growing artists database. Curatorial tasks will be shared with local curators and directors.<br />
<br />
TransPiksel events, acting as a pilot project, aim to establish a long lasting collaborative network of interconnected nodes to work with in the next years.<br />
<br />
Mer info:<br />
http://transpiksel.net/<br />
<br />
----</div>Maitehttps://wiki.piksel.org/index.php?title=TransPiksel_2020&diff=9491TransPiksel 20202021-02-05T12:30:26Z<p>Maite: </p>
<hr />
<div>[[File:Bannerwiki.jpg|1000px]]<br />
<br />
[[Download TransPiksel artists dossier PDF | PIKSEL20_TransPikselDossier.pdf]]<br />
<br />
=='''Transpiksel, Laboratorios sobre arte electrónico y cultura digital en Abya Yala | Free Digital Culture Labs in Latinamerica'''==<br />
<br />
[http://piksel.no/mediawiki/index.php?title=TransPiksel_2019 TransPiksel 2019]<br />
<br />
[TransPiksel_2018 TransPiksel 2018]<br />
<br />
[http://piksel.no/mediawiki/index.php?title=TransPiksel_2017 TransPiksel 2017]<br />
<br />
[http://piksel.no/mediawiki/index.php?title=TransPiksel_2016 TransPiksel 2016]<br />
<br />
== '''Transpiksel 2020, Festival Piksel''' ==<br />
<br />
TransPiksel – nettverksprosjekt i Sør-Amerika - 2020<br />
<br />
In 2016, Piksel carried out the pilot project TransPiksel which consisted of a tour to 3 countries in South America: Mexico, Peru and Colombia. The project was continued in 2017 with a tour to Colombia, Peru and Chile, in 2018 to Mexico, Peru and Ecuador and in 2019 we focused on 3 countries: Peru, Mexico and the Dominican Republic. Our partners are festivals for electronic art, independent media labs and local cultural institutions. The project was very successful and a number of new contacts were established. TransPiksel toured with an international group of artists in experimental electronic art and music who work with DIY tools and free technology. In addition to exhibitions and concerts, they held workshops and collaborated with local artists and musicians to establish long-term relationships to strengthen the international network Piksel is part of.<br />
In 2020, and due to the impossibility to travel in its usual dates and modes, the Transpiksel festival becomes virtual joining the effort of each international node. The TransPiksel festival is hosted on November 21th - 23rd. <br />
About the project:<br />
Piksel is organizing TransPiksel, a Central and South American tour comprising 3 countries: Mexico, Peru and Dominican Republic. Our partners are museums, artist-run organisations and other non-profit cultural institutions.<br />
<br />
Four days of innovative and technological based audiovisual workshops, exhibitions, concerts and a BioART Lab with international and local artists focused on biology and environmental sciences and Do-It-Yourself electronics held in each city.<br />
<br />
The Piksel curatorial team (Maite Cajaraville & Gisle Frøysland) have chosen a representative group of artists and works from Piksel Festival participants in order to present the most innovative artistic research on new and emerging technologies based on openness and free cultural practice.<br />
<br />
Throughout the workshops Piksel wants to research the Latin American artistic scene and promote the creation of new works that can be the base of future exchange. Piksel intends to show the resulting art pieces in November at the Piksel Festival in Norway.<br />
<br />
The works range from sound art, sound installation, video research, interactive video, video performance, interactive installation, stand alone video loops (Pikselsavers), DIY BioHacking, visual programming and live coding.<br />
<br />
In each city/country, a group of local artists will be selected from an open call using Piksel festival management software, which includes artists automatically at the growing artists database. Curatorial tasks will be shared with local curators and directors.<br />
<br />
TransPiksel events, acting as a pilot project, aim to establish a long lasting collaborative network of interconnected nodes to work with in the next years.<br />
<br />
Mer info:<br />
http://transpiksel.net/<br />
<br />
----</div>Maitehttps://wiki.piksel.org/index.php?title=TransPiksel_2020&diff=9490TransPiksel 20202021-02-05T12:29:12Z<p>Maite: </p>
<hr />
<div>[[File:Bannerwiki.jpg|1000px]]<br />
<br />
[[File: PIKSEL20_TransPikselDossier.pdf | Download TransPiksel artists dossier PDF]]<br />
<br />
=='''Transpiksel, Laboratorios sobre arte electrónico y cultura digital en Abya Yala | Free Digital Culture Labs in Latinamerica'''==<br />
<br />
[http://piksel.no/mediawiki/index.php?title=TransPiksel_2019 TransPiksel 2019]<br />
<br />
[http://piksel.no/mediawiki/index.php?title=TransPiksel_2018 TransPiksel 2018]<br />
<br />
[http://piksel.no/mediawiki/index.php?title=TransPiksel_2017 TransPiksel 2017]<br />
<br />
[http://piksel.no/mediawiki/index.php?title=TransPiksel_2016 TransPiksel 2016]<br />
<br />
== '''Transpiksel 2020, Festival Piksel''' ==<br />
<br />
TransPiksel – nettverksprosjekt i Sør-Amerika - 2020<br />
<br />
In 2016, Piksel carried out the pilot project TransPiksel which consisted of a tour to 3 countries in South America: Mexico, Peru and Colombia. The project was continued in 2017 with a tour to Colombia, Peru and Chile, in 2018 to Mexico, Peru and Ecuador and in 2019 we focused on 3 countries: Peru, Mexico and the Dominican Republic. Our partners are festivals for electronic art, independent media labs and local cultural institutions. The project was very successful and a number of new contacts were established. TransPiksel toured with an international group of artists in experimental electronic art and music who work with DIY tools and free technology. In addition to exhibitions and concerts, they held workshops and collaborated with local artists and musicians to establish long-term relationships to strengthen the international network Piksel is part of.<br />
In 2020, and due to the impossibility to travel in its usual dates and modes, the Transpiksel festival becomes virtual joining the effort of each international node. The TransPiksel festival is hosted on November 21th - 23rd. <br />
About the project:<br />
Piksel is organizing TransPiksel, a Central and South American tour comprising 3 countries: Mexico, Peru and Dominican Republic. Our partners are museums, artist-run organisations and other non-profit cultural institutions.<br />
<br />
Four days of innovative and technological based audiovisual workshops, exhibitions, concerts and a BioART Lab with international and local artists focused on biology and environmental sciences and Do-It-Yourself electronics held in each city.<br />
<br />
The Piksel curatorial team (Maite Cajaraville & Gisle Frøysland) have chosen a representative group of artists and works from Piksel Festival participants in order to present the most innovative artistic research on new and emerging technologies based on openness and free cultural practice.<br />
<br />
Throughout the workshops Piksel wants to research the Latin American artistic scene and promote the creation of new works that can be the base of future exchange. Piksel intends to show the resulting art pieces in November at the Piksel Festival in Norway.<br />
<br />
The works range from sound art, sound installation, video research, interactive video, video performance, interactive installation, stand alone video loops (Pikselsavers), DIY BioHacking, visual programming and live coding.<br />
<br />
In each city/country, a group of local artists will be selected from an open call using Piksel festival management software, which includes artists automatically at the growing artists database. Curatorial tasks will be shared with local curators and directors.<br />
<br />
TransPiksel events, acting as a pilot project, aim to establish a long lasting collaborative network of interconnected nodes to work with in the next years.<br />
<br />
Mer info:<br />
http://transpiksel.net/<br />
<br />
----</div>Maitehttps://wiki.piksel.org/index.php?title=File:PIKSEL20_TransPikselDossier.pdf&diff=9489File:PIKSEL20 TransPikselDossier.pdf2021-02-05T12:25:03Z<p>Maite: TransPiksel artists dossier</p>
<hr />
<div>== Summary ==<br />
TransPiksel artists dossier</div>Maitehttps://wiki.piksel.org/index.php?title=MediaWiki:Sidebar&diff=9485MediaWiki:Sidebar2021-02-04T14:18:08Z<p>Maite: </p>
<hr />
<div>* navigation<br />
** TransPiksel_2021|TransPiksel.net<br />
** mainpage|Piksel_WIKI Projects<br />
** BAS_Digital_Challenge_Program|Bas Digital Challenge Program<br />
** currentevents-url|currentevents<br />
** recentchanges-url|recentchanges<br />
** randompage-url|randompage<br />
** http://www.piksel.no| Piksel home</div>Maitehttps://wiki.piksel.org/index.php?title=Main_Page&diff=7367Main Page2020-04-20T13:55:04Z<p>Maite: /* Feedback, questions and contact */</p>
<hr />
<div><small style="font-size:300%;"> Welcome to BAS Projects 2020.</small><br />
<br />
Here you can create a new wiki page for your project. It will be automatically listed. <br />
<br />
<br />
1.- Edit THIS page to make a new link with the name of your project and your name or team partners name.<br />
<br />
2.- Once you have saved, click in the red link of your project and the page will be created. Now you can share the link with your team and start working on your own project/page. <br />
<br />
<br />
[[Name of my project, My name]] ---- Don't delete this line, it serves as an example. Copy this link and write it in the next line, you will see your project in red as a link when saved.<br />
<br />
<br />
== Student Projects ==<br />
<br />
* [[Tales of Water, Wu-Lung Lu]]<br />
* [[Kindergarten, Tilla Bønes]]<br />
* [[Library Prototype, Veronika Sløk Tvedt]]<br />
* [[Leaving urbanity, Mats Edal]]<br />
* [[liminal landscapes, Karoline Haukjem and Emilie Van de walle]]<br />
* [[Make Use, Axel Högberg]]<br />
* [[Disruptive Space, Tanguy Danis]]<br />
* [[Kjær-Leik, Hulda-Maja Konttinen]] <br />
* [[The radical futures club for the reorganization of matter, Julia R. Morrissey, Julie Barfod, Linda V. Figueiredo]]<br />
* [[Holocaust Recollections, Lior Israel]]<br />
* [[Converging spaces, Stein-Atle Juvik]]<br />
<br />
<br />
== BAS Digital Challenge program - Documentation and updated links ==<br />
* [[BAS Digital Challenge Program]] Updated video links and documentation<br />
* [[Threejs, Andreas]]<br />
* [[Piksel, Piksel Team]]<br />
<br />
<br />
== Feedback, questions and contact ==<br />
<br />
We have created a CIRCLE in NextCloud named: '''BAS Digital Challenge''', under it you will find 2 spread sheets to contact us. Look for it under circles or follow the links below.<br />
<br />
- How to contact us to solve your questions? We have prepared this spread sheet with your project info and your contact info. Write down which tool you have questions about, your question and any comments or the link to your project. Feel free to insert rows below your project name if you have more questions. Password: BAStech<br />
While answering your questions, we will be writing a collaboratively FAQ list to help others!<br />
https://emma.cloud.tabdigital.eu/s/XL4RgpQiQq8zg8p<br />
<br />
- To understand how to help you better, we would appreciate some feedback. Here is a short questionnaire, thanks for your input. Below is the link. Password: BAStech.<br />
https://emma.cloud.tabdigital.eu/s/ZWdZqdk3nqNWHzq<br />
<br />
- To contact us directly please send us an email to: info(at)piksel(dot)no</div>Maitehttps://wiki.piksel.org/index.php?title=Main_Page&diff=7366Main Page2020-04-20T13:54:13Z<p>Maite: </p>
<hr />
<div><small style="font-size:300%;"> Welcome to BAS Projects 2020.</small><br />
<br />
Here you can create a new wiki page for your project. It will be automatically listed. <br />
<br />
<br />
1.- Edit THIS page to make a new link with the name of your project and your name or team partners name.<br />
<br />
2.- Once you have saved, click in the red link of your project and the page will be created. Now you can share the link with your team and start working on your own project/page. <br />
<br />
<br />
[[Name of my project, My name]] ---- Don't delete this line, it serves as an example. Copy this link and write it in the next line, you will see your project in red as a link when saved.<br />
<br />
<br />
== Student Projects ==<br />
<br />
* [[Tales of Water, Wu-Lung Lu]]<br />
* [[Kindergarten, Tilla Bønes]]<br />
* [[Library Prototype, Veronika Sløk Tvedt]]<br />
* [[Leaving urbanity, Mats Edal]]<br />
* [[liminal landscapes, Karoline Haukjem and Emilie Van de walle]]<br />
* [[Make Use, Axel Högberg]]<br />
* [[Disruptive Space, Tanguy Danis]]<br />
* [[Kjær-Leik, Hulda-Maja Konttinen]] <br />
* [[The radical futures club for the reorganization of matter, Julia R. Morrissey, Julie Barfod, Linda V. Figueiredo]]<br />
* [[Holocaust Recollections, Lior Israel]]<br />
* [[Converging spaces, Stein-Atle Juvik]]<br />
<br />
<br />
== BAS Digital Challenge program - Documentation and updated links ==<br />
* [[BAS Digital Challenge Program]] Updated video links and documentation<br />
* [[Threejs, Andreas]]<br />
* [[Piksel, Piksel Team]]<br />
<br />
<br />
== Feedback, questions and contact ==<br />
<br />
We have created a CIRCLE in NextCloud named: BAS Digital Challenge, under it you will find 2 spread sheets to contact us. Look for it under circles or follow the links below.<br />
<br />
- How to contact us to solve your questions? We have prepared this spread sheet with your project info and your contact info. Write down which tool you have questions about, your question and any comments or the link to your project. Feel free to insert rows below your project name if you have more questions. Password: BAStech<br />
While answering your questions, we will be writing a collaboratively FAQ list to help others!<br />
https://emma.cloud.tabdigital.eu/s/XL4RgpQiQq8zg8p<br />
<br />
- To understand how to help you better, we would appreciate some feedback. Here is a short questionnaire, thanks for your input. Below is the link. Password: BAStech.<br />
https://emma.cloud.tabdigital.eu/s/ZWdZqdk3nqNWHzq<br />
<br />
- To contact us directly please send us an email to: info(at)piksel(dot)no</div>Maitehttps://wiki.piksel.org/index.php?title=Piksel_WIKI_-_Projects&diff=7363Piksel WIKI - Projects2020-04-20T13:07:26Z<p>Maite: /* Projects */</p>
<hr />
<div><br />
This will be the home for collaborative and participatory projects connected to [http://piksel.no/pulse Piksel Pulse] and [http://piksel.no/festival Piksel Festival] events. The old [http://piksel.no/pwiki Piksel wiki] is still maintained, but will gradually be merged into this one.<br />
<br />
== Projects ==<br />
<br />
* [https://wiki.piksel.org/index.php/Main_Page| BAS Projects 2020]<br />
* [[My sandbox page]]<br />
* [[Sushi Roulette: Novel plastic pollutants - byproducts of novel & emerging technologies explored using novel DIY science techniques]]<br />
* [[TransPiksel]]<br />
* [[TransPiksel 2017]]<br />
* [[TransPiksel 2016]]<br />
* [[PIKSEL15 - Get A-Life!]]<br />
* [[Pikslo deep diving / underwater interception of the nordic sea]]<br />
* [[OpenSound Bergen]]<br />
* [[Piksel SummerCamp 2010]]<br />
* [[Regnskog]]<br />
* [[Piksel Plenum]]<br />
<br />
----</div>Maitehttps://wiki.piksel.org/index.php?title=Piksel_WIKI_-_Projects&diff=7362Piksel WIKI - Projects2020-04-20T13:07:14Z<p>Maite: /* Projects */</p>
<hr />
<div><br />
This will be the home for collaborative and participatory projects connected to [http://piksel.no/pulse Piksel Pulse] and [http://piksel.no/festival Piksel Festival] events. The old [http://piksel.no/pwiki Piksel wiki] is still maintained, but will gradually be merged into this one.<br />
<br />
== Projects ==<br />
<br />
* [https://wiki.piksel.org/index.php/Main_Page|BAS Projects 2020]<br />
* [[My sandbox page]]<br />
* [[Sushi Roulette: Novel plastic pollutants - byproducts of novel & emerging technologies explored using novel DIY science techniques]]<br />
* [[TransPiksel]]<br />
* [[TransPiksel 2017]]<br />
* [[TransPiksel 2016]]<br />
* [[PIKSEL15 - Get A-Life!]]<br />
* [[Pikslo deep diving / underwater interception of the nordic sea]]<br />
* [[OpenSound Bergen]]<br />
* [[Piksel SummerCamp 2010]]<br />
* [[Regnskog]]<br />
* [[Piksel Plenum]]<br />
<br />
----</div>Maitehttps://wiki.piksel.org/index.php?title=Piksel_WIKI_-_Projects&diff=7361Piksel WIKI - Projects2020-04-20T13:06:51Z<p>Maite: /* Projects */</p>
<hr />
<div><br />
This will be the home for collaborative and participatory projects connected to [http://piksel.no/pulse Piksel Pulse] and [http://piksel.no/festival Piksel Festival] events. The old [http://piksel.no/pwiki Piksel wiki] is still maintained, but will gradually be merged into this one.<br />
<br />
== Projects ==<br />
<br />
* [[https://wiki.piksel.org/index.php/Main_Page|BAS Projects 2020]]<br />
* [[My sandbox page]]<br />
* [[Sushi Roulette: Novel plastic pollutants - byproducts of novel & emerging technologies explored using novel DIY science techniques]]<br />
* [[TransPiksel]]<br />
* [[TransPiksel 2017]]<br />
* [[TransPiksel 2016]]<br />
* [[PIKSEL15 - Get A-Life!]]<br />
* [[Pikslo deep diving / underwater interception of the nordic sea]]<br />
* [[OpenSound Bergen]]<br />
* [[Piksel SummerCamp 2010]]<br />
* [[Regnskog]]<br />
* [[Piksel Plenum]]<br />
<br />
----</div>Maitehttps://wiki.piksel.org/index.php?title=Piksel_WIKI_-_Projects&diff=7360Piksel WIKI - Projects2020-04-20T13:05:13Z<p>Maite: /* Projects */</p>
<hr />
<div><br />
This will be the home for collaborative and participatory projects connected to [http://piksel.no/pulse Piksel Pulse] and [http://piksel.no/festival Piksel Festival] events. The old [http://piksel.no/pwiki Piksel wiki] is still maintained, but will gradually be merged into this one.<br />
<br />
== Projects ==<br />
<br />
* [[https://wiki.piksel.org/index.php/Main_Page | BAS Projects 2020]]<br />
* [[My sandbox page]]<br />
* [[Sushi Roulette: Novel plastic pollutants - byproducts of novel & emerging technologies explored using novel DIY science techniques]]<br />
* [[TransPiksel]]<br />
* [[TransPiksel 2017]]<br />
* [[TransPiksel 2016]]<br />
* [[PIKSEL15 - Get A-Life!]]<br />
* [[Pikslo deep diving / underwater interception of the nordic sea]]<br />
* [[OpenSound Bergen]]<br />
* [[Piksel SummerCamp 2010]]<br />
* [[Regnskog]]<br />
* [[Piksel Plenum]]<br />
<br />
----</div>Maitehttps://wiki.piksel.org/index.php?title=Piksel_WIKI_-_Projects&diff=7359Piksel WIKI - Projects2020-04-20T13:04:31Z<p>Maite: /* Projects */</p>
<hr />
<div><br />
This will be the home for collaborative and participatory projects connected to [http://piksel.no/pulse Piksel Pulse] and [http://piksel.no/festival Piksel Festival] events. The old [http://piksel.no/pwiki Piksel wiki] is still maintained, but will gradually be merged into this one.<br />
<br />
== Projects ==<br />
<br />
* [[mainpage | BAS Projects 2020]]<br />
* [[My sandbox page]]<br />
* [[Sushi Roulette: Novel plastic pollutants - byproducts of novel & emerging technologies explored using novel DIY science techniques]]<br />
* [[TransPiksel]]<br />
* [[TransPiksel 2017]]<br />
* [[TransPiksel 2016]]<br />
* [[PIKSEL15 - Get A-Life!]]<br />
* [[Pikslo deep diving / underwater interception of the nordic sea]]<br />
* [[OpenSound Bergen]]<br />
* [[Piksel SummerCamp 2010]]<br />
* [[Regnskog]]<br />
* [[Piksel Plenum]]<br />
<br />
----</div>Maitehttps://wiki.piksel.org/index.php?title=Piksel_WIKI_-_Projects&diff=7358Piksel WIKI - Projects2020-04-20T13:03:35Z<p>Maite: /* Projects */</p>
<hr />
<div><br />
This will be the home for collaborative and participatory projects connected to [http://piksel.no/pulse Piksel Pulse] and [http://piksel.no/festival Piksel Festival] events. The old [http://piksel.no/pwiki Piksel wiki] is still maintained, but will gradually be merged into this one.<br />
<br />
== Projects ==<br />
<br />
* [[BAS Projects 2020]]<br />
* [[My sandbox page]]<br />
* [[Sushi Roulette: Novel plastic pollutants - byproducts of novel & emerging technologies explored using novel DIY science techniques]]<br />
* [[TransPiksel]]<br />
* [[TransPiksel 2017]]<br />
* [[TransPiksel 2016]]<br />
* [[PIKSEL15 - Get A-Life!]]<br />
* [[Pikslo deep diving / underwater interception of the nordic sea]]<br />
* [[OpenSound Bergen]]<br />
* [[Piksel SummerCamp 2010]]<br />
* [[Regnskog]]<br />
* [[Piksel Plenum]]<br />
<br />
----</div>Maitehttps://wiki.piksel.org/index.php?title=MediaWiki:Sidebar&diff=7357MediaWiki:Sidebar2020-04-20T13:02:29Z<p>Maite: </p>
<hr />
<div>* navigation<br />
** mainpage|BAS Projects 2020<br />
** BAS_Digital_Challenge_Program|Bas Digital Challenge Program<br />
** mainpage|mainpage<br />
** currentevents-url|currentevents<br />
** recentchanges-url|recentchanges<br />
** randompage-url|randompage<br />
** http://www.piksel.no| Piksel home<br />
** Piksel_WIKI_-_Projects | Piksel_WIKI Projects</div>Maitehttps://wiki.piksel.org/index.php?title=BAS_Digital_Challenge_Program&diff=7356BAS Digital Challenge Program2020-04-20T12:52:00Z<p>Maite: /* Tools */</p>
<hr />
<div>== '''Introduction to BAS Digital Challenge program''' ==<br />
<br />
'''''With the new Coronavirus situation we all find that we need to do a digital leap forward and we need to find artistic and explorative ways to work and display and share our work.'''''<br />
<br />
BAS is presenting BAS Digital Challenge, an ONLINE program of one lecture and different workshops introducing digital tools based on Free/Libre Open Source Software, to present your work in a digital world.<br />
How to structure your documentation and work collaboratively with your mates, how to present your results in an online web 3D environment, how to communicate with your team and record your videos as they are happening, how to do streaming into the main platforms (youtube, twitch), how to share website content, animations, pictures, videos in an online meeting, these are some of the solutions that the program intends to answer.<br />
<br />
Starting on Tuesday next week, we invite you to join our online activities. All activities will happen online! We will send you an email with instructions on how to join the platform. <br />
Collaborators: Piksel Festival: Andreas Zingerle, Maite Cajaraville, Gisle Froysland.<br />
<br />
Piksel is an international network and annual event for electronic art and technological freedom. Part workshop, part festival, it is organised in Bergen, Norway, and involves participants from more than a dozen countries exchanging ideas, coding, presenting art and software projects, doing workshops, performances and discussions on the aesthetics and politics of free technologies.<br />
<br />
Piksel statement: The development, and therefore use, of digital technology today is mainly controlled by multinational corporations. Despite the prospects of technology expanding the means of artistic expression, the commercial demands of the software industries severely limit them instead. Piksel is focusing on the Free/Libre and Open Source movement as a strategy for regaining artistic control of the technology, but also a means to bring attention to the close connections between art, politics, technology and economy.<br />
<br />
[https://piksel.no/ | Piksel.no ]<br />
<br />
== '''Tools''' ==<br />
<br />
<br />
Piksel proposes to transfer the values of using Free/Libre technologies and the “how to” use a group of digital tools based on free/libre software/hardware, as well as to help BAS (students and teachers) to do the digital change.<br />
<br />
To do that Piksel has chosen a group of recommended tools and will assist the students and teachers in their technical implementation by following up the development of the projects.<br />
<br />
[[File:Bas-program2.png|1153px|Diagram digital tools]]<br />
<br />
'''1. To do professional remote lectures''':<br />
<br />
OBS, Open Broadcaster Software<br />
https://obsproject.com/<br />
Streaming video to different platforms (Youtube, others) where the lecturer can integrate slides, documents, webpages, different cameras, webcam, ...<br />
High performance real time video/audio capturing and mixing. Create scenes made up of multiple sources including window captures, images, text, browser windows, webcams, capture cards and more.<br />
<br />
'''2. To video chat, students meeting with the professor, it can also be streamed and recorded if needed for farther consultation.'''<br />
Jitsi Meet<br />
https://jitsi.org/<br />
Multi-platform, open-source video conferencing<br />
Share your desktop, presentations, and more<br />
Invite users to a conference via a simple, custom URL<br />
Edit documents together using Etherpad<br />
Pick fun meeting URLs for every meeting<br />
<br />
https://bigbluebutton.org<br />
<br />
https://matrix.org/<br />
<br />
'''3. To do a 3D virtual world exhibition'''<br />
https://hubs.mozilla.com/<br />
<br />
'''4. Showing architectural projects online, there are some environments on WEBGL very interesting to explore too:'''<br />
three.js<br />
https://threejs.org/<br />
https://sketchfab.com/<br />
3D Alloy: https://www.mediawiki.org/wiki/Extension:3DAlloy<br />
Hubs Mozilla SPOKE: https://hubs.mozilla.com/spoke/<br />
<br />
'''5. An unique/common place where to order and index all the info/documentation, work in progress'''<br />
WIKI<br />
https://en.wikipedia.org/wiki/Wiki<br />
We use it in many projects:<br />
http://piksel.no/mediawiki/index.php?title=Pikslo_deep_diving_/_underwater_interception_of_the_nordic_sea<br />
It is possible to use a WIKI for each project/group that serves as an index of the development, each student has an user so all of the group members can update it, the index is conforming as they include information. You can insert videos, pictures, links, etc.<br />
<br />
'''6. A collaborative platform to share files in the cloud and to work together with your mates'''<br />
https://nextcloud.com/athome/<br />
<br />
== '''Calendar ''' ==<br />
<br />
'''31st March. 13:00 - 14:30: Lecture - Andreas Zingerle / Piksel |'''<br />
'''How open is the future? Intro to using Free Libre Open Source Technologies'''<br />
<br />
* ~1 hour, with Q&A from students <br />
* https://youtu.be/YdUsbWra8HY<br />
* [[:File:Vortraege-open_source.pdf|Lecture PDF]] <br />
<br />
<br />
'''1st April 13:00 - 15:00: Wiki / Jitsi - Maite Cajaraville / Piksel |'''<br />
'''How to use a Wiki to structure and publish the info, and how to use a video chat with Jitsi to work with the team.'''<br />
<br />
*~2 hours, with Q&A from students <br />
* https://youtu.be/vNpK3flDMXc<br />
* [[:File:Wiki__WP_presentation.pdf |WIKI presentation PDF]] <br />
<br />
<br />
'''2nd April 13:00 - 15:00: Hubs by Mozilla - Andreas Zingerle / Piksel |''' <br />
'''How to use "hubs by Mozilla". Share a virtual room with friends. Watch videos, play with 3D objects, or do an exhibition opening.'''<br />
<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/dIsk4qQNleM<br />
* [[:File:Hubs.pdf |Hubs by Mozilla presentation PDF]]<br />
<br />
<br />
'''3rd April 13:00 - 15:00: OBS Studio Maite Cajaraville / Piksel |'''<br />
'''How to use Open Broadcaster Software to do a lecture integrating video, text, cameras, etc.'''<br />
Updated video with pop ups.<br />
* ~2 hours, with Q&A from students<br />
* https://youtu.be/mZrIUklh_jU<br />
* [[:File:OBS-Presentation.pdf |OBS Studio presentation PDF]]<br />
<br />
<br />
''' 13th April 13:00 - 15:00: Email to the students to know which tools they would like to use for their exhibition project'''<br />
* Analysis of the needs<br />
<br />
<br />
''' 15th April 12:00 - 14:00: Integrating 3D models in a Mediawiki and 3D Editor Spoke- Andreas Zingerle / Piksel | '''<br />
'''Showing architecture projects online, WEBGL environments base in three.js.'''<br />
<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/4fayqPeCnuI<br />
<br />
<br />
'''16th April 13:00 - 15:00: Nextcloud - Maite Cajaraville / Piksel |'''<br />
'''How to use collaborative tools to work online and to share your files in the cloud.'''<br />
<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/hONNJDjpFcs<br />
<br />
<br />
'''17th April 13:00 - 14:00: How to use Jitsi, video chat and streaming tool - Maite Cajaraville / Piksel | '''<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/xrQ9m4pvcgI<br />
<br />
== '''Team''' ==<br />
<br />
Andreas Zingerle, research and teacher.<br />
http://www.andreaszingerle.com/<br />
<br />
Maite Cajaraville Coordination, research, teacher<br />
https://piksel.no/<br />
http://maitecajaraville.org/<br />
<br />
Gisle Froysland Servers and research<br />
https://piksel.no/<br />
https://piksel.org/~gif/<br />
<br />
== '''Technical equipment provided by Piksel''' ==<br />
<br />
Jitsi server (as a backup server)<br />
<br />
Wiki server + login for each group/project<br />
<br />
== '''Links and resources''' ==<br />
<br />
* [https://etherpad.wikimedia.org/p/online-tools-for-the-pandemic Open source / FLOSS online tools for communicating during the pandemic]<br />
* [https://beyond-social.org/wiki/index.php/Social_Practices_COVID-19_Teaching_Resources?fbclid=IwAR3-afbFm1-nRKJgEX4P8EGUlYX7Xx--mAWAE4BRwJ5tSWZ7pQ9nMuxF_Ww Social Practices COVID-19 Teaching Resources]<br />
* [https://github.com/ahihi/daw-loopback-guide How to get desktop sound into Jitsi (and similar software)]<br />
* [https://www.musikkhjemmekontoret.no/ Musikkhjemmekontoret (BRAK)]</div>Maitehttps://wiki.piksel.org/index.php?title=BAS_Digital_Challenge_Program&diff=7355BAS Digital Challenge Program2020-04-20T12:50:33Z<p>Maite: /* Calendar */</p>
<hr />
<div>== '''Introduction to BAS Digital Challenge program''' ==<br />
<br />
'''''With the new Coronavirus situation we all find that we need to do a digital leap forward and we need to find artistic and explorative ways to work and display and share our work.'''''<br />
<br />
BAS is presenting BAS Digital Challenge, an ONLINE program of one lecture and different workshops introducing digital tools based on Free/Libre Open Source Software, to present your work in a digital world.<br />
How to structure your documentation and work collaboratively with your mates, how to present your results in an online web 3D environment, how to communicate with your team and record your videos as they are happening, how to do streaming into the main platforms (youtube, twitch), how to share website content, animations, pictures, videos in an online meeting, these are some of the solutions that the program intends to answer.<br />
<br />
Starting on Tuesday next week, we invite you to join our online activities. All activities will happen online! We will send you an email with instructions on how to join the platform. <br />
Collaborators: Piksel Festival: Andreas Zingerle, Maite Cajaraville, Gisle Froysland.<br />
<br />
Piksel is an international network and annual event for electronic art and technological freedom. Part workshop, part festival, it is organised in Bergen, Norway, and involves participants from more than a dozen countries exchanging ideas, coding, presenting art and software projects, doing workshops, performances and discussions on the aesthetics and politics of free technologies.<br />
<br />
Piksel statement: The development, and therefore use, of digital technology today is mainly controlled by multinational corporations. Despite the prospects of technology expanding the means of artistic expression, the commercial demands of the software industries severely limit them instead. Piksel is focusing on the Free/Libre and Open Source movement as a strategy for regaining artistic control of the technology, but also a means to bring attention to the close connections between art, politics, technology and economy.<br />
<br />
[https://piksel.no/ | Piksel.no ]<br />
<br />
== '''Tools''' ==<br />
<br />
<br />
Piksel proposes to transfer the values of using Free/Libre technologies and the “how to” use a group of digital tools based on free/libre software/hardware, as well as to help BAS (students and teachers) to do the digital change.<br />
<br />
To do that Piksel has chosen a group of recommended tools and will assist the students and teachers in their technical implementation by following up the development of the projects.<br />
<br />
[[File:Bas-program2.png|1153px|Diagram digital tools]]<br />
<br />
The initial recommended tools:<br />
<br />
'''1. To do professional remote lectures''':<br />
<br />
OBS, Open Broadcaster Software<br />
https://obsproject.com/<br />
Streaming video to different platforms (Youtube, others) where the lecturer can integrate slides, documents, webpages, different cameras, webcam, ...<br />
High performance real time video/audio capturing and mixing. Create scenes made up of multiple sources including window captures, images, text, browser windows, webcams, capture cards and more.<br />
<br />
'''2. To video chat, students meeting with the professor, it can also be streamed and recorded if needed for farther consultation.'''<br />
Jitsi Meet<br />
https://jitsi.org/<br />
Multi-platform, open-source video conferencing<br />
Share your desktop, presentations, and more<br />
Invite users to a conference via a simple, custom URL<br />
Edit documents together using Etherpad<br />
Pick fun meeting URLs for every meeting<br />
<br />
https://bigbluebutton.org<br />
<br />
https://matrix.org/<br />
<br />
'''3. To do a 3D virtual world exhibition'''<br />
https://hubs.mozilla.com/<br />
<br />
'''4. Showing architectural projects online, there are some environments on WEBGL very interesting to explore too:'''<br />
three.js<br />
https://threejs.org/<br />
https://sketchfab.com/<br />
3D Alloy: https://www.mediawiki.org/wiki/Extension:3DAlloy<br />
Hubs Mozilla SPOKE: https://hubs.mozilla.com/spoke/<br />
<br />
'''5. An unique/common place where to order and index all the info/documentation, work in progress'''<br />
WIKI<br />
https://en.wikipedia.org/wiki/Wiki<br />
We use it in many projects:<br />
http://piksel.no/mediawiki/index.php?title=Pikslo_deep_diving_/_underwater_interception_of_the_nordic_sea<br />
It is possible to use a WIKI for each project/group that serves as an index of the development, each student has an user so all of the group members can update it, the index is conforming as they include information. You can insert videos, pictures, links, etc.<br />
<br />
'''6. A collaborative platform to share files in the cloud and to work together with your mates'''<br />
https://nextcloud.com/athome/<br />
<br />
== '''Calendar ''' ==<br />
<br />
'''31st March. 13:00 - 14:30: Lecture - Andreas Zingerle / Piksel |'''<br />
'''How open is the future? Intro to using Free Libre Open Source Technologies'''<br />
<br />
* ~1 hour, with Q&A from students <br />
* https://youtu.be/YdUsbWra8HY<br />
* [[:File:Vortraege-open_source.pdf|Lecture PDF]] <br />
<br />
<br />
'''1st April 13:00 - 15:00: Wiki / Jitsi - Maite Cajaraville / Piksel |'''<br />
'''How to use a Wiki to structure and publish the info, and how to use a video chat with Jitsi to work with the team.'''<br />
<br />
*~2 hours, with Q&A from students <br />
* https://youtu.be/vNpK3flDMXc<br />
* [[:File:Wiki__WP_presentation.pdf |WIKI presentation PDF]] <br />
<br />
<br />
'''2nd April 13:00 - 15:00: Hubs by Mozilla - Andreas Zingerle / Piksel |''' <br />
'''How to use "hubs by Mozilla". Share a virtual room with friends. Watch videos, play with 3D objects, or do an exhibition opening.'''<br />
<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/dIsk4qQNleM<br />
* [[:File:Hubs.pdf |Hubs by Mozilla presentation PDF]]<br />
<br />
<br />
'''3rd April 13:00 - 15:00: OBS Studio Maite Cajaraville / Piksel |'''<br />
'''How to use Open Broadcaster Software to do a lecture integrating video, text, cameras, etc.'''<br />
Updated video with pop ups.<br />
* ~2 hours, with Q&A from students<br />
* https://youtu.be/mZrIUklh_jU<br />
* [[:File:OBS-Presentation.pdf |OBS Studio presentation PDF]]<br />
<br />
<br />
''' 13th April 13:00 - 15:00: Email to the students to know which tools they would like to use for their exhibition project'''<br />
* Analysis of the needs<br />
<br />
<br />
''' 15th April 12:00 - 14:00: Integrating 3D models in a Mediawiki and 3D Editor Spoke- Andreas Zingerle / Piksel | '''<br />
'''Showing architecture projects online, WEBGL environments base in three.js.'''<br />
<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/4fayqPeCnuI<br />
<br />
<br />
'''16th April 13:00 - 15:00: Nextcloud - Maite Cajaraville / Piksel |'''<br />
'''How to use collaborative tools to work online and to share your files in the cloud.'''<br />
<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/hONNJDjpFcs<br />
<br />
<br />
'''17th April 13:00 - 14:00: How to use Jitsi, video chat and streaming tool - Maite Cajaraville / Piksel | '''<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/xrQ9m4pvcgI<br />
<br />
== '''Team''' ==<br />
<br />
Andreas Zingerle, research and teacher.<br />
http://www.andreaszingerle.com/<br />
<br />
Maite Cajaraville Coordination, research, teacher<br />
https://piksel.no/<br />
http://maitecajaraville.org/<br />
<br />
Gisle Froysland Servers and research<br />
https://piksel.no/<br />
https://piksel.org/~gif/<br />
<br />
== '''Technical equipment provided by Piksel''' ==<br />
<br />
Jitsi server (as a backup server)<br />
<br />
Wiki server + login for each group/project<br />
<br />
== '''Links and resources''' ==<br />
<br />
* [https://etherpad.wikimedia.org/p/online-tools-for-the-pandemic Open source / FLOSS online tools for communicating during the pandemic]<br />
* [https://beyond-social.org/wiki/index.php/Social_Practices_COVID-19_Teaching_Resources?fbclid=IwAR3-afbFm1-nRKJgEX4P8EGUlYX7Xx--mAWAE4BRwJ5tSWZ7pQ9nMuxF_Ww Social Practices COVID-19 Teaching Resources]<br />
* [https://github.com/ahihi/daw-loopback-guide How to get desktop sound into Jitsi (and similar software)]<br />
* [https://www.musikkhjemmekontoret.no/ Musikkhjemmekontoret (BRAK)]</div>Maitehttps://wiki.piksel.org/index.php?title=BAS_Digital_Challenge_Program&diff=7354BAS Digital Challenge Program2020-04-20T12:48:40Z<p>Maite: /* Tools */</p>
<hr />
<div>== '''Introduction to BAS Digital Challenge program''' ==<br />
<br />
'''''With the new Coronavirus situation we all find that we need to do a digital leap forward and we need to find artistic and explorative ways to work and display and share our work.'''''<br />
<br />
BAS is presenting BAS Digital Challenge, an ONLINE program of one lecture and different workshops introducing digital tools based on Free/Libre Open Source Software, to present your work in a digital world.<br />
How to structure your documentation and work collaboratively with your mates, how to present your results in an online web 3D environment, how to communicate with your team and record your videos as they are happening, how to do streaming into the main platforms (youtube, twitch), how to share website content, animations, pictures, videos in an online meeting, these are some of the solutions that the program intends to answer.<br />
<br />
Starting on Tuesday next week, we invite you to join our online activities. All activities will happen online! We will send you an email with instructions on how to join the platform. <br />
Collaborators: Piksel Festival: Andreas Zingerle, Maite Cajaraville, Gisle Froysland.<br />
<br />
Piksel is an international network and annual event for electronic art and technological freedom. Part workshop, part festival, it is organised in Bergen, Norway, and involves participants from more than a dozen countries exchanging ideas, coding, presenting art and software projects, doing workshops, performances and discussions on the aesthetics and politics of free technologies.<br />
<br />
Piksel statement: The development, and therefore use, of digital technology today is mainly controlled by multinational corporations. Despite the prospects of technology expanding the means of artistic expression, the commercial demands of the software industries severely limit them instead. Piksel is focusing on the Free/Libre and Open Source movement as a strategy for regaining artistic control of the technology, but also a means to bring attention to the close connections between art, politics, technology and economy.<br />
<br />
[https://piksel.no/ | Piksel.no ]<br />
<br />
== '''Tools''' ==<br />
<br />
<br />
Piksel proposes to transfer the values of using Free/Libre technologies and the “how to” use a group of digital tools based on free/libre software/hardware, as well as to help BAS (students and teachers) to do the digital change.<br />
<br />
To do that Piksel has chosen a group of recommended tools and will assist the students and teachers in their technical implementation by following up the development of the projects.<br />
<br />
[[File:Bas-program2.png|1153px|Diagram digital tools]]<br />
<br />
The initial recommended tools:<br />
<br />
'''1. To do professional remote lectures''':<br />
<br />
OBS, Open Broadcaster Software<br />
https://obsproject.com/<br />
Streaming video to different platforms (Youtube, others) where the lecturer can integrate slides, documents, webpages, different cameras, webcam, ...<br />
High performance real time video/audio capturing and mixing. Create scenes made up of multiple sources including window captures, images, text, browser windows, webcams, capture cards and more.<br />
<br />
'''2. To video chat, students meeting with the professor, it can also be streamed and recorded if needed for farther consultation.'''<br />
Jitsi Meet<br />
https://jitsi.org/<br />
Multi-platform, open-source video conferencing<br />
Share your desktop, presentations, and more<br />
Invite users to a conference via a simple, custom URL<br />
Edit documents together using Etherpad<br />
Pick fun meeting URLs for every meeting<br />
<br />
https://bigbluebutton.org<br />
<br />
https://matrix.org/<br />
<br />
'''3. To do a 3D virtual world exhibition'''<br />
https://hubs.mozilla.com/<br />
<br />
'''4. Showing architectural projects online, there are some environments on WEBGL very interesting to explore too:'''<br />
three.js<br />
https://threejs.org/<br />
https://sketchfab.com/<br />
3D Alloy: https://www.mediawiki.org/wiki/Extension:3DAlloy<br />
Hubs Mozilla SPOKE: https://hubs.mozilla.com/spoke/<br />
<br />
'''5. An unique/common place where to order and index all the info/documentation, work in progress'''<br />
WIKI<br />
https://en.wikipedia.org/wiki/Wiki<br />
We use it in many projects:<br />
http://piksel.no/mediawiki/index.php?title=Pikslo_deep_diving_/_underwater_interception_of_the_nordic_sea<br />
It is possible to use a WIKI for each project/group that serves as an index of the development, each student has an user so all of the group members can update it, the index is conforming as they include information. You can insert videos, pictures, links, etc.<br />
<br />
'''6. A collaborative platform to share files in the cloud and to work together with your mates'''<br />
https://nextcloud.com/athome/<br />
<br />
== '''Calendar ''' ==<br />
<br />
'''31st March. 13:00 - 14:30: Lecture - Andreas Zingerle / Piksel |'''<br />
'''How open is the future? Intro to using Free Libre Open Source Technologies'''<br />
<br />
* ~1 hour, with Q&A from students <br />
* https://youtu.be/YdUsbWra8HY<br />
* [[:File:Vortraege-open_source.pdf|Lecture PDF]] <br />
<br />
<br />
[[ BAS_Digital_Challenge#1st_April:_Wiki_.2F_Jitsi_-_Maite_Cajaraville | '''1st April 13:00 - 15:00: Wiki / Jitsi - Maite Cajaraville / Piksel |''']]<br />
'''How to use a Wiki to structure and publish the info, and how to use a video chat with Jitsi to work with the team.'''<br />
<br />
*~2 hours, with Q&A from students <br />
* https://youtu.be/vNpK3flDMXc<br />
* [[:File:Wiki__WP_presentation.pdf |WIKI presentation PDF]] <br />
<br />
<br />
'''2nd April 13:00 - 15:00: Hubs by Mozilla - Andreas Zingerle / Piksel |''' <br />
'''How to use "hubs by Mozilla". Share a virtual room with friends. Watch videos, play with 3D objects, or do an exhibition opening.'''<br />
<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/dIsk4qQNleM<br />
* [[:File:Hubs.pdf |Hubs by Mozilla presentation PDF]]<br />
<br />
<br />
'''3rd April 13:00 - 15:00: OBS Studio Maite Cajaraville / Piksel |'''<br />
'''How to use Open Broadcaster Software to do a lecture integrating video, text, cameras, etc.'''<br />
Updated video with pop ups.<br />
* ~2 hours, with Q&A from students<br />
* https://youtu.be/mZrIUklh_jU<br />
* [[:File:OBS-Presentation.pdf |OBS Studio presentation PDF]]<br />
<br />
<br />
''' 13th April 13:00 - 15:00: Email to the students to know which tools they would like to use for their exhibition project'''<br />
* Analysis of the needs<br />
<br />
<br />
''' 15th April 12:00 - 14:00: Integrating 3D models in a Mediawiki and 3D Editor Spoke- Andreas Zingerle / Piksel | '''<br />
'''Showing architecture projects online, WEBGL environments base in three.js.'''<br />
<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/4fayqPeCnuI<br />
<br />
<br />
'''16th April 13:00 - 15:00: Nextcloud - Maite Cajaraville / Piksel |'''<br />
'''How to use collaborative tools to work online and to share your files in the cloud.'''<br />
<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/hONNJDjpFcs<br />
<br />
<br />
'''17th April 13:00 - 14:00: How to use Jitsi, video chat and streaming tool - Maite Cajaraville / Piksel | '''<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/xrQ9m4pvcgI<br />
<br />
<br />
<br />
== '''Team''' ==<br />
<br />
Andreas Zingerle, research and teacher.<br />
http://www.andreaszingerle.com/<br />
<br />
Maite Cajaraville Coordination, research, teacher<br />
https://piksel.no/<br />
http://maitecajaraville.org/<br />
<br />
Gisle Froysland Servers and research<br />
https://piksel.no/<br />
https://piksel.org/~gif/<br />
<br />
== '''Technical equipment provided by Piksel''' ==<br />
<br />
Jitsi server (as a backup server)<br />
<br />
Wiki server + login for each group/project<br />
<br />
== '''Links and resources''' ==<br />
<br />
* [https://etherpad.wikimedia.org/p/online-tools-for-the-pandemic Open source / FLOSS online tools for communicating during the pandemic]<br />
* [https://beyond-social.org/wiki/index.php/Social_Practices_COVID-19_Teaching_Resources?fbclid=IwAR3-afbFm1-nRKJgEX4P8EGUlYX7Xx--mAWAE4BRwJ5tSWZ7pQ9nMuxF_Ww Social Practices COVID-19 Teaching Resources]<br />
* [https://github.com/ahihi/daw-loopback-guide How to get desktop sound into Jitsi (and similar software)]<br />
* [https://www.musikkhjemmekontoret.no/ Musikkhjemmekontoret (BRAK)]</div>Maitehttps://wiki.piksel.org/index.php?title=BAS_Digital_Challenge_Program&diff=7353BAS Digital Challenge Program2020-04-20T12:47:28Z<p>Maite: </p>
<hr />
<div>== '''Introduction to BAS Digital Challenge program''' ==<br />
<br />
'''''With the new Coronavirus situation we all find that we need to do a digital leap forward and we need to find artistic and explorative ways to work and display and share our work.'''''<br />
<br />
BAS is presenting BAS Digital Challenge, an ONLINE program of one lecture and different workshops introducing digital tools based on Free/Libre Open Source Software, to present your work in a digital world.<br />
How to structure your documentation and work collaboratively with your mates, how to present your results in an online web 3D environment, how to communicate with your team and record your videos as they are happening, how to do streaming into the main platforms (youtube, twitch), how to share website content, animations, pictures, videos in an online meeting, these are some of the solutions that the program intends to answer.<br />
<br />
Starting on Tuesday next week, we invite you to join our online activities. All activities will happen online! We will send you an email with instructions on how to join the platform. <br />
Collaborators: Piksel Festival: Andreas Zingerle, Maite Cajaraville, Gisle Froysland.<br />
<br />
Piksel is an international network and annual event for electronic art and technological freedom. Part workshop, part festival, it is organised in Bergen, Norway, and involves participants from more than a dozen countries exchanging ideas, coding, presenting art and software projects, doing workshops, performances and discussions on the aesthetics and politics of free technologies.<br />
<br />
Piksel statement: The development, and therefore use, of digital technology today is mainly controlled by multinational corporations. Despite the prospects of technology expanding the means of artistic expression, the commercial demands of the software industries severely limit them instead. Piksel is focusing on the Free/Libre and Open Source movement as a strategy for regaining artistic control of the technology, but also a means to bring attention to the close connections between art, politics, technology and economy.<br />
<br />
[https://piksel.no/ | Piksel.no ]<br />
<br />
== '''Tools''' ==<br />
<br />
<br />
Piksel proposes to transfer the values of using Free/Libre technologies and the “how to” use a group of digital tools based on free/libre software/hardware, as well as to help BAS (students and teachers) to do the digital change.<br />
<br />
To do that Piksel has chosen a group of recommended tools and will assist the students and teachers in their technical implementation by following up the development of the projects.<br />
<br />
[[File:Bas-program2.png|800px|Diagram digital tools]]<br />
<br />
The initial recommended tools:<br />
<br />
'''1. To do professional remote lectures''':<br />
<br />
OBS, Open Broadcaster Software<br />
https://obsproject.com/<br />
Streaming video to different platforms (Youtube, others) where the lecturer can integrate slides, documents, webpages, different cameras, webcam, ...<br />
High performance real time video/audio capturing and mixing. Create scenes made up of multiple sources including window captures, images, text, browser windows, webcams, capture cards and more.<br />
<br />
'''2. To video chat, students meeting with the professor, it can also be streamed and recorded if needed for farther consultation.'''<br />
Jitsi Meet<br />
https://jitsi.org/<br />
Multi-platform, open-source video conferencing<br />
Share your desktop, presentations, and more<br />
Invite users to a conference via a simple, custom URL<br />
Edit documents together using Etherpad<br />
Pick fun meeting URLs for every meeting<br />
<br />
https://bigbluebutton.org<br />
<br />
https://matrix.org/<br />
<br />
'''3. To do a 3D virtual world exhibition'''<br />
https://hubs.mozilla.com/<br />
<br />
'''4. Showing architectural projects online, there are some environments on WEBGL very interesting to explore too:'''<br />
three.js<br />
https://threejs.org/<br />
https://sketchfab.com/<br />
3D Alloy: https://www.mediawiki.org/wiki/Extension:3DAlloy<br />
Hubs Mozilla SPOKE: https://hubs.mozilla.com/spoke/<br />
<br />
'''5. An unique/common place where to order and index all the info/documentation, work in progress'''<br />
WIKI<br />
https://en.wikipedia.org/wiki/Wiki<br />
We use it in many projects:<br />
http://piksel.no/mediawiki/index.php?title=Pikslo_deep_diving_/_underwater_interception_of_the_nordic_sea<br />
It is possible to use a WIKI for each project/group that serves as an index of the development, each student has an user so all of the group members can update it, the index is conforming as they include information. You can insert videos, pictures, links, etc.<br />
<br />
'''6. A collaborative platform to share files in the cloud and to work together with your mates'''<br />
https://nextcloud.com/athome/<br />
<br />
== '''Calendar ''' ==<br />
<br />
'''31st March. 13:00 - 14:30: Lecture - Andreas Zingerle / Piksel |'''<br />
'''How open is the future? Intro to using Free Libre Open Source Technologies'''<br />
<br />
* ~1 hour, with Q&A from students <br />
* https://youtu.be/YdUsbWra8HY<br />
* [[:File:Vortraege-open_source.pdf|Lecture PDF]] <br />
<br />
<br />
[[ BAS_Digital_Challenge#1st_April:_Wiki_.2F_Jitsi_-_Maite_Cajaraville | '''1st April 13:00 - 15:00: Wiki / Jitsi - Maite Cajaraville / Piksel |''']]<br />
'''How to use a Wiki to structure and publish the info, and how to use a video chat with Jitsi to work with the team.'''<br />
<br />
*~2 hours, with Q&A from students <br />
* https://youtu.be/vNpK3flDMXc<br />
* [[:File:Wiki__WP_presentation.pdf |WIKI presentation PDF]] <br />
<br />
<br />
'''2nd April 13:00 - 15:00: Hubs by Mozilla - Andreas Zingerle / Piksel |''' <br />
'''How to use "hubs by Mozilla". Share a virtual room with friends. Watch videos, play with 3D objects, or do an exhibition opening.'''<br />
<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/dIsk4qQNleM<br />
* [[:File:Hubs.pdf |Hubs by Mozilla presentation PDF]]<br />
<br />
<br />
'''3rd April 13:00 - 15:00: OBS Studio Maite Cajaraville / Piksel |'''<br />
'''How to use Open Broadcaster Software to do a lecture integrating video, text, cameras, etc.'''<br />
Updated video with pop ups.<br />
* ~2 hours, with Q&A from students<br />
* https://youtu.be/mZrIUklh_jU<br />
* [[:File:OBS-Presentation.pdf |OBS Studio presentation PDF]]<br />
<br />
<br />
''' 13th April 13:00 - 15:00: Email to the students to know which tools they would like to use for their exhibition project'''<br />
* Analysis of the needs<br />
<br />
<br />
''' 15th April 12:00 - 14:00: Integrating 3D models in a Mediawiki and 3D Editor Spoke- Andreas Zingerle / Piksel | '''<br />
'''Showing architecture projects online, WEBGL environments base in three.js.'''<br />
<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/4fayqPeCnuI<br />
<br />
<br />
'''16th April 13:00 - 15:00: Nextcloud - Maite Cajaraville / Piksel |'''<br />
'''How to use collaborative tools to work online and to share your files in the cloud.'''<br />
<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/hONNJDjpFcs<br />
<br />
<br />
'''17th April 13:00 - 14:00: How to use Jitsi, video chat and streaming tool - Maite Cajaraville / Piksel | '''<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/xrQ9m4pvcgI<br />
<br />
<br />
<br />
== '''Team''' ==<br />
<br />
Andreas Zingerle, research and teacher.<br />
http://www.andreaszingerle.com/<br />
<br />
Maite Cajaraville Coordination, research, teacher<br />
https://piksel.no/<br />
http://maitecajaraville.org/<br />
<br />
Gisle Froysland Servers and research<br />
https://piksel.no/<br />
https://piksel.org/~gif/<br />
<br />
== '''Technical equipment provided by Piksel''' ==<br />
<br />
Jitsi server (as a backup server)<br />
<br />
Wiki server + login for each group/project<br />
<br />
== '''Links and resources''' ==<br />
<br />
* [https://etherpad.wikimedia.org/p/online-tools-for-the-pandemic Open source / FLOSS online tools for communicating during the pandemic]<br />
* [https://beyond-social.org/wiki/index.php/Social_Practices_COVID-19_Teaching_Resources?fbclid=IwAR3-afbFm1-nRKJgEX4P8EGUlYX7Xx--mAWAE4BRwJ5tSWZ7pQ9nMuxF_Ww Social Practices COVID-19 Teaching Resources]<br />
* [https://github.com/ahihi/daw-loopback-guide How to get desktop sound into Jitsi (and similar software)]<br />
* [https://www.musikkhjemmekontoret.no/ Musikkhjemmekontoret (BRAK)]</div>Maitehttps://wiki.piksel.org/index.php?title=BAS_Digital_Challenge_Program&diff=7352BAS Digital Challenge Program2020-04-20T12:45:39Z<p>Maite: /* Introduction to BAS Digital Challenge program */</p>
<hr />
<div>== '''Introduction to BAS Digital Challenge program''' ==<br />
<br />
'''''With the new Coronavirus situation we all find that we need to do a digital leap forward and we need to find artistic and explorative ways to work and display and share our work.'''''<br />
<br />
BAS is presenting BAS Digital Challenge, an ONLINE program of one lecture and different workshops introducing digital tools based on Free/Libre Open Source Software, to present your work in a digital world.<br />
How to structure your documentation and work collaboratively with your mates, how to present your results in an online web 3D environment, how to communicate with your team and record your videos as they are happening, how to do streaming into the main platforms (youtube, twitch), how to share website content, animations, pictures, videos in an online meeting, these are some of the solutions that the program intends to answer.<br />
<br />
Starting on Tuesday next week, we invite you to join our online activities. All activities will happen online! We will send you an email with instructions on how to join the platform. <br />
Collaborators: Piksel Festival: Andreas Zingerle, Maite Cajaraville, Gisle Froysland.<br />
<br />
Piksel is an international network and annual event for electronic art and technological freedom. Part workshop, part festival, it is organised in Bergen, Norway, and involves participants from more than a dozen countries exchanging ideas, coding, presenting art and software projects, doing workshops, performances and discussions on the aesthetics and politics of free technologies.<br />
<br />
Piksel statement: The development, and therefore use, of digital technology today is mainly controlled by multinational corporations. Despite the prospects of technology expanding the means of artistic expression, the commercial demands of the software industries severely limit them instead. Piksel is focusing on the Free/Libre and Open Source movement as a strategy for regaining artistic control of the technology, but also a means to bring attention to the close connections between art, politics, technology and economy.<br />
<br />
[https://piksel.no/ | Piksel.no ]<br />
<br />
== '''Tools''' ==<br />
<br />
<br />
Piksel proposes to transfer the values of using Free/Libre technologies and the “how to” use a group of digital tools based on free/libre software/hardware, as well as to help BAS (students and teachers) to do the digital change.<br />
<br />
To do that Piksel has chosen a group of recommended tools and will assist the students and teachers in their technical implementation by following up the development of the projects.<br />
<br />
[[File:Bas-program2.png|800px|Diagram digital tools]]<br />
<br />
The initial recommended tools:<br />
<br />
'''1. To do professional remote lectures''':<br />
<br />
OBS, Open Broadcaster Software<br />
https://obsproject.com/<br />
Streaming video to different platforms (Youtube, others) where the lecturer can integrate slides, documents, webpages, different cameras, webcam, ...<br />
High performance real time video/audio capturing and mixing. Create scenes made up of multiple sources including window captures, images, text, browser windows, webcams, capture cards and more.<br />
<br />
'''2. To video chat, students meeting with the professor, it can also be streamed and recorded if needed for farther consultation.'''<br />
Jitsi Meet<br />
https://jitsi.org/<br />
Multi-platform, open-source video conferencing<br />
Share your desktop, presentations, and more<br />
Invite users to a conference via a simple, custom URL<br />
Edit documents together using Etherpad<br />
Pick fun meeting URLs for every meeting<br />
<br />
https://bigbluebutton.org<br />
<br />
https://matrix.org/<br />
<br />
'''3. To do a 3D virtual world exhibition'''<br />
https://hubs.mozilla.com/<br />
<br />
'''4. Showing architectural projects online, there are some environments on WEBGL very interesting to explore too:'''<br />
three.js<br />
https://threejs.org/<br />
https://sketchfab.com/<br />
3D Alloy: https://www.mediawiki.org/wiki/Extension:3DAlloy<br />
Hubs Mozilla SPOKE: https://hubs.mozilla.com/spoke/<br />
<br />
'''5. An unique/common place where to order and index all the info/documentation, work in progress'''<br />
WIKI<br />
https://en.wikipedia.org/wiki/Wiki<br />
We use it in many projects:<br />
http://piksel.no/mediawiki/index.php?title=Pikslo_deep_diving_/_underwater_interception_of_the_nordic_sea<br />
It is possible to use a WIKI for each project/group that serves as an index of the development, each student has an user so all of the group members can update it, the index is conforming as they include information. You can insert videos, pictures, links, etc.<br />
<br />
'''6. A collaborative platform to share files in the cloud and to work together with your mates'''<br />
https://nextcloud.com/athome/<br />
<br />
== '''Calendar ''' ==<br />
<br />
'''31st March. 13:00 - 14:30: Lecture - Andreas Zingerle / Piksel |'''<br />
'''How open is the future? Intro to using Free Libre Open Source Technologies'''<br />
<br />
* ~1 hour, with Q&A from students <br />
* https://youtu.be/YdUsbWra8HY<br />
* [[:File:Vortraege-open_source.pdf|Lecture PDF]] <br />
<br />
<br />
[[ BAS_Digital_Challenge#1st_April:_Wiki_.2F_Jitsi_-_Maite_Cajaraville | '''1st April 13:00 - 15:00: Wiki / Jitsi - Maite Cajaraville / Piksel |''']]<br />
'''How to use a Wiki to structure and publish the info, and how to use a video chat with Jitsi to work with the team.'''<br />
<br />
*~2 hours, with Q&A from students <br />
* https://youtu.be/vNpK3flDMXc<br />
* [[:File:Wiki__WP_presentation.pdf |WIKI presentation PDF]] <br />
<br />
<br />
<br />
'''2nd April 13:00 - 15:00: Hubs by Mozilla - Andreas Zingerle / Piksel |''' <br />
'''How to use "hubs by Mozilla". Share a virtual room with friends. Watch videos, play with 3D objects, or do an exhibition opening.'''<br />
<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/dIsk4qQNleM<br />
* [[:File:Hubs.pdf |Hubs by Mozilla presentation PDF]]<br />
<br />
<br />
<br />
'''3rd April 13:00 - 15:00: OBS Studio Maite Cajaraville / Piksel |'''<br />
'''How to use Open Broadcaster Software to do a lecture integrating video, text, cameras, etc.'''<br />
Updated video with pop ups.<br />
* ~2 hours, with Q&A from students<br />
* https://youtu.be/mZrIUklh_jU<br />
* [[:File:OBS-Presentation.pdf |OBS Studio presentation PDF]]<br />
<br />
<br />
<br />
''' 13th April 13:00 - 15:00: Email to the students to know which tools they would like to use for their exhibition project'''<br />
* Analysis of the needs<br />
<br />
<br />
<br />
''' 15th April 12:00 - 14:00: Integrating 3D models in a Mediawiki and 3D Editor Spoke- Andreas Zingerle / Piksel | '''<br />
'''Showing architecture projects online, WEBGL environments base in three.js.'''<br />
<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/4fayqPeCnuI<br />
<br />
<br />
<br />
'''16th April 13:00 - 15:00: Nextcloud - Maite Cajaraville / Piksel |'''<br />
'''How to use collaborative tools to work online and to share your files in the cloud.'''<br />
<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/hONNJDjpFcs<br />
<br />
<br />
'''17th April 13:00 - 14:00: How to use Jitsi, video chat and streaming tool - Maite Cajaraville / Piksel | '''<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/xrQ9m4pvcgI<br />
<br />
<br />
From here we can be doing a follow up to projects/students.<br />
<br />
== '''Preparation. Possible index and content''' ==<br />
<br />
=== '''31st March: Lecture: How open is the future? Intro to using Free Libre Open Source Technologies''' ===<br />
<br />
Platform: https://www.youtube.com/watch?v=YdUsbWra8HY<br />
<br />
In my lecture "How open is the future?" I will provide an overview to Free Libre Open Source Technologies. Besides answering questions such as: What is this Open Source? Free? Libre? How can I start with it? What are the benefits for using it in education? these questions I will show several examples from art, activism, urban design and architecture simulation. I will conclude with an outlook to the different software packages that Piksel and BAS provide in the Digital Challenge and talk about our upcoming workshops so that you are able to present your projects using Free Libre Open Source Technologies.<br />
<br />
<br />
''As Piksel statement is: The development, and therefore use, of digital technology today is mainly controlled by multinational corporations. Despite the prospects of technology expanding the means of artistic expression, the commercial demands of the software industries severely limit them instead. Piksel is focusing on the Free/Libre and Open Source movement as a strategy for regaining artistic control of the technology, but also a means to bring attention to the close connections between art, politics, technology and economy.''<br />
<br />
<br />
=== '''1st April: Wiki / Jitsi - Maite Cajaraville'''===<br />
*To do all users/pwd - To assign a project page to each.<br />
*What for, why this format<br />
*Commands<br />
**Text<br />
**Links<br />
**Pictures<br />
**videos<br />
*Starting a wiki.Tests<br />
<br />
=== '''2nd April: https://hubs.mozilla.com/ - Andreas''' ===<br />
<br />
=== '''3rd April: OBS/IoT Maite''' ===<br />
<br />
=== ''' 13th April: Email to students to know what do they like more, maybe a form online''' ===<br />
<br />
=== ''' 15th April: Three.js - Andreas ''' ===<br />
<br />
=== '''16th April: https://cryptpad.fr/ - Maite''' ===<br />
<br />
== '''Team''' ==<br />
<br />
<br />
Andreas Zingerle, research and teacher.<br />
http://www.andreaszingerle.com/<br />
<br />
Maite Cajaraville Coordination, research, teacher<br />
https://piksel.no/<br />
http://maitecajaraville.org/<br />
<br />
Gisle Froysland Servers and research<br />
https://piksel.no/<br />
https://piksel.org/~gif/<br />
<br />
== '''Technical equipment provided by Piksel''' ==<br />
<br />
Jitsi server (as a backup server)<br />
<br />
Wiki server + login for each group/project<br />
<br />
== '''Links and resources''' ==<br />
<br />
* [https://etherpad.wikimedia.org/p/online-tools-for-the-pandemic Open source / FLOSS online tools for communicating during the pandemic]<br />
* [https://beyond-social.org/wiki/index.php/Social_Practices_COVID-19_Teaching_Resources?fbclid=IwAR3-afbFm1-nRKJgEX4P8EGUlYX7Xx--mAWAE4BRwJ5tSWZ7pQ9nMuxF_Ww Social Practices COVID-19 Teaching Resources]<br />
* [https://github.com/ahihi/daw-loopback-guide How to get desktop sound into Jitsi (and similar software)]<br />
* [https://www.musikkhjemmekontoret.no/ Musikkhjemmekontoret (BRAK)]</div>Maitehttps://wiki.piksel.org/index.php?title=BAS_Digital_Challenge_Program&diff=7351BAS Digital Challenge Program2020-04-20T12:44:52Z<p>Maite: /* Tools */</p>
<hr />
<div>== '''Introduction to BAS Digital Challenge program''' ==<br />
<br />
'''''With the new Coronavirus situation we all find that we need to do a digital leap forward and we need to find artistic and explorative ways to work and display and share our work.'''''<br />
<br />
BAS is presenting BAS Digital Challenge, an ONLINE program of one lecture and different workshops introducing digital tools based on Free/Libre Open Source Software, to present your work in a digital world.<br />
How to structure your documentation and work collaboratively with your mates, how to present your results in an online web 3D environment, how to communicate with your team and record your videos as they are happening, how to do streaming into the main platforms (youtube, twitch), how to share website content, animations, pictures, videos in an online meeting, these are some of the solutions that the program intends to answer.<br />
<br />
<br />
Starting on Tuesday next week, we invite you to join our online activities. All activities will happen online! We will send you an email with instructions on how to join the platform. <br />
Collaborators: Piksel Festival: Andreas Zingerle, Maite Cajaraville, Gisle Froysland.<br />
<br />
<br />
Piksel is an international network and annual event for electronic art and technological freedom. Part workshop, part festival, it is organised in Bergen, Norway, and involves participants from more than a dozen countries exchanging ideas, coding, presenting art and software projects, doing workshops, performances and discussions on the aesthetics and politics of free technologies.<br />
<br />
<br />
Piksel statement: The development, and therefore use, of digital technology today is mainly controlled by multinational corporations. Despite the prospects of technology expanding the means of artistic expression, the commercial demands of the software industries severely limit them instead. Piksel is focusing on the Free/Libre and Open Source movement as a strategy for regaining artistic control of the technology, but also a means to bring attention to the close connections between art, politics, technology and economy.<br />
<br />
[https://piksel.no/ | Piksel.no ]<br />
<br />
== '''Tools''' ==<br />
<br />
<br />
Piksel proposes to transfer the values of using Free/Libre technologies and the “how to” use a group of digital tools based on free/libre software/hardware, as well as to help BAS (students and teachers) to do the digital change.<br />
<br />
To do that Piksel has chosen a group of recommended tools and will assist the students and teachers in their technical implementation by following up the development of the projects.<br />
<br />
[[File:Bas-program2.png|800px|Diagram digital tools]]<br />
<br />
The initial recommended tools:<br />
<br />
'''1. To do professional remote lectures''':<br />
<br />
OBS, Open Broadcaster Software<br />
https://obsproject.com/<br />
Streaming video to different platforms (Youtube, others) where the lecturer can integrate slides, documents, webpages, different cameras, webcam, ...<br />
High performance real time video/audio capturing and mixing. Create scenes made up of multiple sources including window captures, images, text, browser windows, webcams, capture cards and more.<br />
<br />
'''2. To video chat, students meeting with the professor, it can also be streamed and recorded if needed for farther consultation.'''<br />
Jitsi Meet<br />
https://jitsi.org/<br />
Multi-platform, open-source video conferencing<br />
Share your desktop, presentations, and more<br />
Invite users to a conference via a simple, custom URL<br />
Edit documents together using Etherpad<br />
Pick fun meeting URLs for every meeting<br />
<br />
https://bigbluebutton.org<br />
<br />
https://matrix.org/<br />
<br />
'''3. To do a 3D virtual world exhibition'''<br />
https://hubs.mozilla.com/<br />
<br />
'''4. Showing architectural projects online, there are some environments on WEBGL very interesting to explore too:'''<br />
three.js<br />
https://threejs.org/<br />
https://sketchfab.com/<br />
3D Alloy: https://www.mediawiki.org/wiki/Extension:3DAlloy<br />
Hubs Mozilla SPOKE: https://hubs.mozilla.com/spoke/<br />
<br />
'''5. An unique/common place where to order and index all the info/documentation, work in progress'''<br />
WIKI<br />
https://en.wikipedia.org/wiki/Wiki<br />
We use it in many projects:<br />
http://piksel.no/mediawiki/index.php?title=Pikslo_deep_diving_/_underwater_interception_of_the_nordic_sea<br />
It is possible to use a WIKI for each project/group that serves as an index of the development, each student has an user so all of the group members can update it, the index is conforming as they include information. You can insert videos, pictures, links, etc.<br />
<br />
'''6. A collaborative platform to share files in the cloud and to work together with your mates'''<br />
https://nextcloud.com/athome/<br />
<br />
== '''Calendar ''' ==<br />
<br />
'''31st March. 13:00 - 14:30: Lecture - Andreas Zingerle / Piksel |'''<br />
'''How open is the future? Intro to using Free Libre Open Source Technologies'''<br />
<br />
* ~1 hour, with Q&A from students <br />
* https://youtu.be/YdUsbWra8HY<br />
* [[:File:Vortraege-open_source.pdf|Lecture PDF]] <br />
<br />
<br />
[[ BAS_Digital_Challenge#1st_April:_Wiki_.2F_Jitsi_-_Maite_Cajaraville | '''1st April 13:00 - 15:00: Wiki / Jitsi - Maite Cajaraville / Piksel |''']]<br />
'''How to use a Wiki to structure and publish the info, and how to use a video chat with Jitsi to work with the team.'''<br />
<br />
*~2 hours, with Q&A from students <br />
* https://youtu.be/vNpK3flDMXc<br />
* [[:File:Wiki__WP_presentation.pdf |WIKI presentation PDF]] <br />
<br />
<br />
<br />
'''2nd April 13:00 - 15:00: Hubs by Mozilla - Andreas Zingerle / Piksel |''' <br />
'''How to use "hubs by Mozilla". Share a virtual room with friends. Watch videos, play with 3D objects, or do an exhibition opening.'''<br />
<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/dIsk4qQNleM<br />
* [[:File:Hubs.pdf |Hubs by Mozilla presentation PDF]]<br />
<br />
<br />
<br />
'''3rd April 13:00 - 15:00: OBS Studio Maite Cajaraville / Piksel |'''<br />
'''How to use Open Broadcaster Software to do a lecture integrating video, text, cameras, etc.'''<br />
Updated video with pop ups.<br />
* ~2 hours, with Q&A from students<br />
* https://youtu.be/mZrIUklh_jU<br />
* [[:File:OBS-Presentation.pdf |OBS Studio presentation PDF]]<br />
<br />
<br />
<br />
''' 13th April 13:00 - 15:00: Email to the students to know which tools they would like to use for their exhibition project'''<br />
* Analysis of the needs<br />
<br />
<br />
<br />
''' 15th April 12:00 - 14:00: Integrating 3D models in a Mediawiki and 3D Editor Spoke- Andreas Zingerle / Piksel | '''<br />
'''Showing architecture projects online, WEBGL environments base in three.js.'''<br />
<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/4fayqPeCnuI<br />
<br />
<br />
<br />
'''16th April 13:00 - 15:00: Nextcloud - Maite Cajaraville / Piksel |'''<br />
'''How to use collaborative tools to work online and to share your files in the cloud.'''<br />
<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/hONNJDjpFcs<br />
<br />
<br />
'''17th April 13:00 - 14:00: How to use Jitsi, video chat and streaming tool - Maite Cajaraville / Piksel | '''<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/xrQ9m4pvcgI<br />
<br />
<br />
From here we can be doing a follow up to projects/students.<br />
<br />
== '''Preparation. Possible index and content''' ==<br />
<br />
=== '''31st March: Lecture: How open is the future? Intro to using Free Libre Open Source Technologies''' ===<br />
<br />
Platform: https://www.youtube.com/watch?v=YdUsbWra8HY<br />
<br />
In my lecture "How open is the future?" I will provide an overview to Free Libre Open Source Technologies. Besides answering questions such as: What is this Open Source? Free? Libre? How can I start with it? What are the benefits for using it in education? these questions I will show several examples from art, activism, urban design and architecture simulation. I will conclude with an outlook to the different software packages that Piksel and BAS provide in the Digital Challenge and talk about our upcoming workshops so that you are able to present your projects using Free Libre Open Source Technologies.<br />
<br />
<br />
''As Piksel statement is: The development, and therefore use, of digital technology today is mainly controlled by multinational corporations. Despite the prospects of technology expanding the means of artistic expression, the commercial demands of the software industries severely limit them instead. Piksel is focusing on the Free/Libre and Open Source movement as a strategy for regaining artistic control of the technology, but also a means to bring attention to the close connections between art, politics, technology and economy.''<br />
<br />
<br />
=== '''1st April: Wiki / Jitsi - Maite Cajaraville'''===<br />
*To do all users/pwd - To assign a project page to each.<br />
*What for, why this format<br />
*Commands<br />
**Text<br />
**Links<br />
**Pictures<br />
**videos<br />
*Starting a wiki.Tests<br />
<br />
=== '''2nd April: https://hubs.mozilla.com/ - Andreas''' ===<br />
<br />
=== '''3rd April: OBS/IoT Maite''' ===<br />
<br />
=== ''' 13th April: Email to students to know what do they like more, maybe a form online''' ===<br />
<br />
=== ''' 15th April: Three.js - Andreas ''' ===<br />
<br />
=== '''16th April: https://cryptpad.fr/ - Maite''' ===<br />
<br />
== '''Team''' ==<br />
<br />
<br />
Andreas Zingerle, research and teacher.<br />
http://www.andreaszingerle.com/<br />
<br />
Maite Cajaraville Coordination, research, teacher<br />
https://piksel.no/<br />
http://maitecajaraville.org/<br />
<br />
Gisle Froysland Servers and research<br />
https://piksel.no/<br />
https://piksel.org/~gif/<br />
<br />
== '''Technical equipment provided by Piksel''' ==<br />
<br />
Jitsi server (as a backup server)<br />
<br />
Wiki server + login for each group/project<br />
<br />
== '''Links and resources''' ==<br />
<br />
* [https://etherpad.wikimedia.org/p/online-tools-for-the-pandemic Open source / FLOSS online tools for communicating during the pandemic]<br />
* [https://beyond-social.org/wiki/index.php/Social_Practices_COVID-19_Teaching_Resources?fbclid=IwAR3-afbFm1-nRKJgEX4P8EGUlYX7Xx--mAWAE4BRwJ5tSWZ7pQ9nMuxF_Ww Social Practices COVID-19 Teaching Resources]<br />
* [https://github.com/ahihi/daw-loopback-guide How to get desktop sound into Jitsi (and similar software)]<br />
* [https://www.musikkhjemmekontoret.no/ Musikkhjemmekontoret (BRAK)]</div>Maitehttps://wiki.piksel.org/index.php?title=BAS_Digital_Challenge_Program&diff=7350BAS Digital Challenge Program2020-04-20T12:44:33Z<p>Maite: /* Tools */</p>
<hr />
<div>== '''Introduction to BAS Digital Challenge program''' ==<br />
<br />
'''''With the new Coronavirus situation we all find that we need to do a digital leap forward and we need to find artistic and explorative ways to work and display and share our work.'''''<br />
<br />
BAS is presenting BAS Digital Challenge, an ONLINE program of one lecture and different workshops introducing digital tools based on Free/Libre Open Source Software, to present your work in a digital world.<br />
How to structure your documentation and work collaboratively with your mates, how to present your results in an online web 3D environment, how to communicate with your team and record your videos as they are happening, how to do streaming into the main platforms (youtube, twitch), how to share website content, animations, pictures, videos in an online meeting, these are some of the solutions that the program intends to answer.<br />
<br />
<br />
Starting on Tuesday next week, we invite you to join our online activities. All activities will happen online! We will send you an email with instructions on how to join the platform. <br />
Collaborators: Piksel Festival: Andreas Zingerle, Maite Cajaraville, Gisle Froysland.<br />
<br />
<br />
Piksel is an international network and annual event for electronic art and technological freedom. Part workshop, part festival, it is organised in Bergen, Norway, and involves participants from more than a dozen countries exchanging ideas, coding, presenting art and software projects, doing workshops, performances and discussions on the aesthetics and politics of free technologies.<br />
<br />
<br />
Piksel statement: The development, and therefore use, of digital technology today is mainly controlled by multinational corporations. Despite the prospects of technology expanding the means of artistic expression, the commercial demands of the software industries severely limit them instead. Piksel is focusing on the Free/Libre and Open Source movement as a strategy for regaining artistic control of the technology, but also a means to bring attention to the close connections between art, politics, technology and economy.<br />
<br />
[https://piksel.no/ | Piksel.no ]<br />
<br />
== '''Tools''' ==<br />
<br />
<br />
Piksel proposes to transfer the values of using Free/Libre technologies and the “how to” use a group of digital tools based on free/libre software/hardware, as well as to help BAS (students and teachers) to do the digital change.<br />
<br />
To do that Piksel has chosen a group of recommended tools and will assist the students and teachers in their technical implementation by following up the development of the projects.<br />
<br />
[[File:Bas-program2.png|500px|Diagram digital tools]]<br />
<br />
The initial recommended tools:<br />
<br />
'''1. To do professional remote lectures''':<br />
<br />
OBS, Open Broadcaster Software<br />
https://obsproject.com/<br />
Streaming video to different platforms (Youtube, others) where the lecturer can integrate slides, documents, webpages, different cameras, webcam, ...<br />
High performance real time video/audio capturing and mixing. Create scenes made up of multiple sources including window captures, images, text, browser windows, webcams, capture cards and more.<br />
<br />
'''2. To video chat, students meeting with the professor, it can also be streamed and recorded if needed for farther consultation.'''<br />
Jitsi Meet<br />
https://jitsi.org/<br />
Multi-platform, open-source video conferencing<br />
Share your desktop, presentations, and more<br />
Invite users to a conference via a simple, custom URL<br />
Edit documents together using Etherpad<br />
Pick fun meeting URLs for every meeting<br />
<br />
https://bigbluebutton.org<br />
<br />
https://matrix.org/<br />
<br />
'''3. To do a 3D virtual world exhibition'''<br />
https://hubs.mozilla.com/<br />
<br />
'''4. Showing architectural projects online, there are some environments on WEBGL very interesting to explore too:'''<br />
three.js<br />
https://threejs.org/<br />
https://sketchfab.com/<br />
3D Alloy: https://www.mediawiki.org/wiki/Extension:3DAlloy<br />
Hubs Mozilla SPOKE: https://hubs.mozilla.com/spoke/<br />
<br />
'''5. An unique/common place where to order and index all the info/documentation, work in progress'''<br />
WIKI<br />
https://en.wikipedia.org/wiki/Wiki<br />
We use it in many projects:<br />
http://piksel.no/mediawiki/index.php?title=Pikslo_deep_diving_/_underwater_interception_of_the_nordic_sea<br />
It is possible to use a WIKI for each project/group that serves as an index of the development, each student has an user so all of the group members can update it, the index is conforming as they include information. You can insert videos, pictures, links, etc.<br />
<br />
'''6. A collaborative platform to share files in the cloud and to work together with your mates'''<br />
https://nextcloud.com/athome/<br />
<br />
== '''Calendar ''' ==<br />
<br />
'''31st March. 13:00 - 14:30: Lecture - Andreas Zingerle / Piksel |'''<br />
'''How open is the future? Intro to using Free Libre Open Source Technologies'''<br />
<br />
* ~1 hour, with Q&A from students <br />
* https://youtu.be/YdUsbWra8HY<br />
* [[:File:Vortraege-open_source.pdf|Lecture PDF]] <br />
<br />
<br />
[[ BAS_Digital_Challenge#1st_April:_Wiki_.2F_Jitsi_-_Maite_Cajaraville | '''1st April 13:00 - 15:00: Wiki / Jitsi - Maite Cajaraville / Piksel |''']]<br />
'''How to use a Wiki to structure and publish the info, and how to use a video chat with Jitsi to work with the team.'''<br />
<br />
*~2 hours, with Q&A from students <br />
* https://youtu.be/vNpK3flDMXc<br />
* [[:File:Wiki__WP_presentation.pdf |WIKI presentation PDF]] <br />
<br />
<br />
<br />
'''2nd April 13:00 - 15:00: Hubs by Mozilla - Andreas Zingerle / Piksel |''' <br />
'''How to use "hubs by Mozilla". Share a virtual room with friends. Watch videos, play with 3D objects, or do an exhibition opening.'''<br />
<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/dIsk4qQNleM<br />
* [[:File:Hubs.pdf |Hubs by Mozilla presentation PDF]]<br />
<br />
<br />
<br />
'''3rd April 13:00 - 15:00: OBS Studio Maite Cajaraville / Piksel |'''<br />
'''How to use Open Broadcaster Software to do a lecture integrating video, text, cameras, etc.'''<br />
Updated video with pop ups.<br />
* ~2 hours, with Q&A from students<br />
* https://youtu.be/mZrIUklh_jU<br />
* [[:File:OBS-Presentation.pdf |OBS Studio presentation PDF]]<br />
<br />
<br />
<br />
''' 13th April 13:00 - 15:00: Email to the students to know which tools they would like to use for their exhibition project'''<br />
* Analysis of the needs<br />
<br />
<br />
<br />
''' 15th April 12:00 - 14:00: Integrating 3D models in a Mediawiki and 3D Editor Spoke- Andreas Zingerle / Piksel | '''<br />
'''Showing architecture projects online, WEBGL environments base in three.js.'''<br />
<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/4fayqPeCnuI<br />
<br />
<br />
<br />
'''16th April 13:00 - 15:00: Nextcloud - Maite Cajaraville / Piksel |'''<br />
'''How to use collaborative tools to work online and to share your files in the cloud.'''<br />
<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/hONNJDjpFcs<br />
<br />
<br />
'''17th April 13:00 - 14:00: How to use Jitsi, video chat and streaming tool - Maite Cajaraville / Piksel | '''<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/xrQ9m4pvcgI<br />
<br />
<br />
From here we can be doing a follow up to projects/students.<br />
<br />
== '''Preparation. Possible index and content''' ==<br />
<br />
=== '''31st March: Lecture: How open is the future? Intro to using Free Libre Open Source Technologies''' ===<br />
<br />
Platform: https://www.youtube.com/watch?v=YdUsbWra8HY<br />
<br />
In my lecture "How open is the future?" I will provide an overview to Free Libre Open Source Technologies. Besides answering questions such as: What is this Open Source? Free? Libre? How can I start with it? What are the benefits for using it in education? these questions I will show several examples from art, activism, urban design and architecture simulation. I will conclude with an outlook to the different software packages that Piksel and BAS provide in the Digital Challenge and talk about our upcoming workshops so that you are able to present your projects using Free Libre Open Source Technologies.<br />
<br />
<br />
''As Piksel statement is: The development, and therefore use, of digital technology today is mainly controlled by multinational corporations. Despite the prospects of technology expanding the means of artistic expression, the commercial demands of the software industries severely limit them instead. Piksel is focusing on the Free/Libre and Open Source movement as a strategy for regaining artistic control of the technology, but also a means to bring attention to the close connections between art, politics, technology and economy.''<br />
<br />
<br />
=== '''1st April: Wiki / Jitsi - Maite Cajaraville'''===<br />
*To do all users/pwd - To assign a project page to each.<br />
*What for, why this format<br />
*Commands<br />
**Text<br />
**Links<br />
**Pictures<br />
**videos<br />
*Starting a wiki.Tests<br />
<br />
=== '''2nd April: https://hubs.mozilla.com/ - Andreas''' ===<br />
<br />
=== '''3rd April: OBS/IoT Maite''' ===<br />
<br />
=== ''' 13th April: Email to students to know what do they like more, maybe a form online''' ===<br />
<br />
=== ''' 15th April: Three.js - Andreas ''' ===<br />
<br />
=== '''16th April: https://cryptpad.fr/ - Maite''' ===<br />
<br />
== '''Team''' ==<br />
<br />
<br />
Andreas Zingerle, research and teacher.<br />
http://www.andreaszingerle.com/<br />
<br />
Maite Cajaraville Coordination, research, teacher<br />
https://piksel.no/<br />
http://maitecajaraville.org/<br />
<br />
Gisle Froysland Servers and research<br />
https://piksel.no/<br />
https://piksel.org/~gif/<br />
<br />
== '''Technical equipment provided by Piksel''' ==<br />
<br />
Jitsi server (as a backup server)<br />
<br />
Wiki server + login for each group/project<br />
<br />
== '''Links and resources''' ==<br />
<br />
* [https://etherpad.wikimedia.org/p/online-tools-for-the-pandemic Open source / FLOSS online tools for communicating during the pandemic]<br />
* [https://beyond-social.org/wiki/index.php/Social_Practices_COVID-19_Teaching_Resources?fbclid=IwAR3-afbFm1-nRKJgEX4P8EGUlYX7Xx--mAWAE4BRwJ5tSWZ7pQ9nMuxF_Ww Social Practices COVID-19 Teaching Resources]<br />
* [https://github.com/ahihi/daw-loopback-guide How to get desktop sound into Jitsi (and similar software)]<br />
* [https://www.musikkhjemmekontoret.no/ Musikkhjemmekontoret (BRAK)]</div>Maitehttps://wiki.piksel.org/index.php?title=File:Bas-program2.png&diff=7349File:Bas-program2.png2020-04-20T12:42:45Z<p>Maite: </p>
<hr />
<div></div>Maitehttps://wiki.piksel.org/index.php?title=BAS_Digital_Challenge_Program&diff=7348BAS Digital Challenge Program2020-04-20T12:41:05Z<p>Maite: /* Tools */</p>
<hr />
<div>== '''Introduction to BAS Digital Challenge program''' ==<br />
<br />
'''''With the new Coronavirus situation we all find that we need to do a digital leap forward and we need to find artistic and explorative ways to work and display and share our work.'''''<br />
<br />
BAS is presenting BAS Digital Challenge, an ONLINE program of one lecture and different workshops introducing digital tools based on Free/Libre Open Source Software, to present your work in a digital world.<br />
How to structure your documentation and work collaboratively with your mates, how to present your results in an online web 3D environment, how to communicate with your team and record your videos as they are happening, how to do streaming into the main platforms (youtube, twitch), how to share website content, animations, pictures, videos in an online meeting, these are some of the solutions that the program intends to answer.<br />
<br />
<br />
Starting on Tuesday next week, we invite you to join our online activities. All activities will happen online! We will send you an email with instructions on how to join the platform. <br />
Collaborators: Piksel Festival: Andreas Zingerle, Maite Cajaraville, Gisle Froysland.<br />
<br />
<br />
Piksel is an international network and annual event for electronic art and technological freedom. Part workshop, part festival, it is organised in Bergen, Norway, and involves participants from more than a dozen countries exchanging ideas, coding, presenting art and software projects, doing workshops, performances and discussions on the aesthetics and politics of free technologies.<br />
<br />
<br />
Piksel statement: The development, and therefore use, of digital technology today is mainly controlled by multinational corporations. Despite the prospects of technology expanding the means of artistic expression, the commercial demands of the software industries severely limit them instead. Piksel is focusing on the Free/Libre and Open Source movement as a strategy for regaining artistic control of the technology, but also a means to bring attention to the close connections between art, politics, technology and economy.<br />
<br />
[https://piksel.no/ | Piksel.no ]<br />
<br />
== '''Tools''' ==<br />
<br />
<br />
Piksel proposes to transfer the values of using Free/Libre technologies and the “how to” use a group of digital tools based on free/libre software/hardware, as well as to help BAS (students and teachers) to do the digital change.<br />
<br />
To do that Piksel has chosen a group of recommended tools and will assist the students and teachers in their technical implementation by following up the development of the projects.<br />
<br />
The initial recommended tools:<br />
<br />
'''1. To do professional remote lectures''':<br />
<br />
OBS, Open Broadcaster Software<br />
https://obsproject.com/<br />
Streaming video to different platforms (Youtube, others) where the lecturer can integrate slides, documents, webpages, different cameras, webcam, ...<br />
High performance real time video/audio capturing and mixing. Create scenes made up of multiple sources including window captures, images, text, browser windows, webcams, capture cards and more.<br />
<br />
'''2. To video chat, students meeting with the professor, it can also be streamed and recorded if needed for farther consultation.'''<br />
Jitsi Meet<br />
https://jitsi.org/<br />
Multi-platform, open-source video conferencing<br />
Share your desktop, presentations, and more<br />
Invite users to a conference via a simple, custom URL<br />
Edit documents together using Etherpad<br />
Pick fun meeting URLs for every meeting<br />
<br />
https://bigbluebutton.org<br />
<br />
https://matrix.org/<br />
<br />
'''3. To do a 3D virtual world exhibition'''<br />
https://hubs.mozilla.com/<br />
<br />
'''4. Showing architectural projects online, there are some environments on WEBGL very interesting to explore too:'''<br />
three.js<br />
https://threejs.org/<br />
https://sketchfab.com/<br />
3D Alloy: https://www.mediawiki.org/wiki/Extension:3DAlloy<br />
Hubs Mozilla SPOKE: https://hubs.mozilla.com/spoke/<br />
<br />
'''5. An unique/common place where to order and index all the info/documentation, work in progress'''<br />
WIKI<br />
https://en.wikipedia.org/wiki/Wiki<br />
We use it in many projects:<br />
http://piksel.no/mediawiki/index.php?title=Pikslo_deep_diving_/_underwater_interception_of_the_nordic_sea<br />
It is possible to use a WIKI for each project/group that serves as an index of the development, each student has an user so all of the group members can update it, the index is conforming as they include information. You can insert videos, pictures, links, etc.<br />
<br />
'''6. A collaborative platform to share files in the cloud and to work together with your mates'''<br />
https://nextcloud.com/athome/<br />
<br />
== '''Calendar ''' ==<br />
<br />
'''31st March. 13:00 - 14:30: Lecture - Andreas Zingerle / Piksel |'''<br />
'''How open is the future? Intro to using Free Libre Open Source Technologies'''<br />
<br />
* ~1 hour, with Q&A from students <br />
* https://youtu.be/YdUsbWra8HY<br />
* [[:File:Vortraege-open_source.pdf|Lecture PDF]] <br />
<br />
<br />
[[ BAS_Digital_Challenge#1st_April:_Wiki_.2F_Jitsi_-_Maite_Cajaraville | '''1st April 13:00 - 15:00: Wiki / Jitsi - Maite Cajaraville / Piksel |''']]<br />
'''How to use a Wiki to structure and publish the info, and how to use a video chat with Jitsi to work with the team.'''<br />
<br />
*~2 hours, with Q&A from students <br />
* https://youtu.be/vNpK3flDMXc<br />
* [[:File:Wiki__WP_presentation.pdf |WIKI presentation PDF]] <br />
<br />
<br />
<br />
'''2nd April 13:00 - 15:00: Hubs by Mozilla - Andreas Zingerle / Piksel |''' <br />
'''How to use "hubs by Mozilla". Share a virtual room with friends. Watch videos, play with 3D objects, or do an exhibition opening.'''<br />
<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/dIsk4qQNleM<br />
* [[:File:Hubs.pdf |Hubs by Mozilla presentation PDF]]<br />
<br />
<br />
<br />
'''3rd April 13:00 - 15:00: OBS Studio Maite Cajaraville / Piksel |'''<br />
'''How to use Open Broadcaster Software to do a lecture integrating video, text, cameras, etc.'''<br />
Updated video with pop ups.<br />
* ~2 hours, with Q&A from students<br />
* https://youtu.be/mZrIUklh_jU<br />
* [[:File:OBS-Presentation.pdf |OBS Studio presentation PDF]]<br />
<br />
<br />
<br />
''' 13th April 13:00 - 15:00: Email to the students to know which tools they would like to use for their exhibition project'''<br />
* Analysis of the needs<br />
<br />
<br />
<br />
''' 15th April 12:00 - 14:00: Integrating 3D models in a Mediawiki and 3D Editor Spoke- Andreas Zingerle / Piksel | '''<br />
'''Showing architecture projects online, WEBGL environments base in three.js.'''<br />
<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/4fayqPeCnuI<br />
<br />
<br />
<br />
'''16th April 13:00 - 15:00: Nextcloud - Maite Cajaraville / Piksel |'''<br />
'''How to use collaborative tools to work online and to share your files in the cloud.'''<br />
<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/hONNJDjpFcs<br />
<br />
<br />
'''17th April 13:00 - 14:00: How to use Jitsi, video chat and streaming tool - Maite Cajaraville / Piksel | '''<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/xrQ9m4pvcgI<br />
<br />
<br />
From here we can be doing a follow up to projects/students.<br />
<br />
== '''Preparation. Possible index and content''' ==<br />
<br />
=== '''31st March: Lecture: How open is the future? Intro to using Free Libre Open Source Technologies''' ===<br />
<br />
Platform: https://www.youtube.com/watch?v=YdUsbWra8HY<br />
<br />
In my lecture "How open is the future?" I will provide an overview to Free Libre Open Source Technologies. Besides answering questions such as: What is this Open Source? Free? Libre? How can I start with it? What are the benefits for using it in education? these questions I will show several examples from art, activism, urban design and architecture simulation. I will conclude with an outlook to the different software packages that Piksel and BAS provide in the Digital Challenge and talk about our upcoming workshops so that you are able to present your projects using Free Libre Open Source Technologies.<br />
<br />
<br />
''As Piksel statement is: The development, and therefore use, of digital technology today is mainly controlled by multinational corporations. Despite the prospects of technology expanding the means of artistic expression, the commercial demands of the software industries severely limit them instead. Piksel is focusing on the Free/Libre and Open Source movement as a strategy for regaining artistic control of the technology, but also a means to bring attention to the close connections between art, politics, technology and economy.''<br />
<br />
<br />
=== '''1st April: Wiki / Jitsi - Maite Cajaraville'''===<br />
*To do all users/pwd - To assign a project page to each.<br />
*What for, why this format<br />
*Commands<br />
**Text<br />
**Links<br />
**Pictures<br />
**videos<br />
*Starting a wiki.Tests<br />
<br />
=== '''2nd April: https://hubs.mozilla.com/ - Andreas''' ===<br />
<br />
=== '''3rd April: OBS/IoT Maite''' ===<br />
<br />
=== ''' 13th April: Email to students to know what do they like more, maybe a form online''' ===<br />
<br />
=== ''' 15th April: Three.js - Andreas ''' ===<br />
<br />
=== '''16th April: https://cryptpad.fr/ - Maite''' ===<br />
<br />
== '''Team''' ==<br />
<br />
<br />
Andreas Zingerle, research and teacher.<br />
http://www.andreaszingerle.com/<br />
<br />
Maite Cajaraville Coordination, research, teacher<br />
https://piksel.no/<br />
http://maitecajaraville.org/<br />
<br />
Gisle Froysland Servers and research<br />
https://piksel.no/<br />
https://piksel.org/~gif/<br />
<br />
== '''Technical equipment provided by Piksel''' ==<br />
<br />
Jitsi server (as a backup server)<br />
<br />
Wiki server + login for each group/project<br />
<br />
== '''Links and resources''' ==<br />
<br />
* [https://etherpad.wikimedia.org/p/online-tools-for-the-pandemic Open source / FLOSS online tools for communicating during the pandemic]<br />
* [https://beyond-social.org/wiki/index.php/Social_Practices_COVID-19_Teaching_Resources?fbclid=IwAR3-afbFm1-nRKJgEX4P8EGUlYX7Xx--mAWAE4BRwJ5tSWZ7pQ9nMuxF_Ww Social Practices COVID-19 Teaching Resources]<br />
* [https://github.com/ahihi/daw-loopback-guide How to get desktop sound into Jitsi (and similar software)]<br />
* [https://www.musikkhjemmekontoret.no/ Musikkhjemmekontoret (BRAK)]</div>Maitehttps://wiki.piksel.org/index.php?title=BAS_Digital_Challenge_Program&diff=7347BAS Digital Challenge Program2020-04-20T12:40:39Z<p>Maite: /* Tools */</p>
<hr />
<div>== '''Introduction to BAS Digital Challenge program''' ==<br />
<br />
'''''With the new Coronavirus situation we all find that we need to do a digital leap forward and we need to find artistic and explorative ways to work and display and share our work.'''''<br />
<br />
BAS is presenting BAS Digital Challenge, an ONLINE program of one lecture and different workshops introducing digital tools based on Free/Libre Open Source Software, to present your work in a digital world.<br />
How to structure your documentation and work collaboratively with your mates, how to present your results in an online web 3D environment, how to communicate with your team and record your videos as they are happening, how to do streaming into the main platforms (youtube, twitch), how to share website content, animations, pictures, videos in an online meeting, these are some of the solutions that the program intends to answer.<br />
<br />
<br />
Starting on Tuesday next week, we invite you to join our online activities. All activities will happen online! We will send you an email with instructions on how to join the platform. <br />
Collaborators: Piksel Festival: Andreas Zingerle, Maite Cajaraville, Gisle Froysland.<br />
<br />
<br />
Piksel is an international network and annual event for electronic art and technological freedom. Part workshop, part festival, it is organised in Bergen, Norway, and involves participants from more than a dozen countries exchanging ideas, coding, presenting art and software projects, doing workshops, performances and discussions on the aesthetics and politics of free technologies.<br />
<br />
<br />
Piksel statement: The development, and therefore use, of digital technology today is mainly controlled by multinational corporations. Despite the prospects of technology expanding the means of artistic expression, the commercial demands of the software industries severely limit them instead. Piksel is focusing on the Free/Libre and Open Source movement as a strategy for regaining artistic control of the technology, but also a means to bring attention to the close connections between art, politics, technology and economy.<br />
<br />
[https://piksel.no/ | Piksel.no ]<br />
<br />
== '''Tools''' ==<br />
<br />
<br />
Piksel proposes to transfer the values of using Free/Libre technologies and the “how to” use a group of digital tools based on free/libre software/hardware, as well as to help BAS (students and teachers) to do the digital change.<br />
<br />
To do that Piksel has chosen a group of recommended tools and will assist the students and teachers in their technical implementation by following up the development of the projects.<br />
<br />
The initial recommended tools:<br />
<br />
'''1. To do professional remote lectures''':<br />
<br />
OBS, Open Broadcaster Software<br />
https://obsproject.com/<br />
Streaming video to different platforms (Youtube, others) where the lecturer can integrate slides, documents, webpages, different cameras, webcam, ...<br />
High performance real time video/audio capturing and mixing. Create scenes made up of multiple sources including window captures, images, text, browser windows, webcams, capture cards and more.<br />
<br />
'''2. To video chat, students meeting with the professor, it can also be streamed and recorded if needed for farther consultation.'''<br />
Jitsi Meet<br />
https://jitsi.org/<br />
Multi-platform, open-source video conferencing<br />
Share your desktop, presentations, and more<br />
Invite users to a conference via a simple, custom URL<br />
Edit documents together using Etherpad<br />
Pick fun meeting URLs for every meeting<br />
<br />
https://bigbluebutton.org<br />
<br />
https://matrix.org/<br />
<br />
<br />
'''3. To do a 3D virtual world exhibition'''<br />
https://hubs.mozilla.com/<br />
<br />
'''4. Showing architectural projects online, there are some environments on WEBGL very interesting to explore too:'''<br />
three.js<br />
https://threejs.org/<br />
https://sketchfab.com/<br />
3D Alloy: https://www.mediawiki.org/wiki/Extension:3DAlloy<br />
Hubs Mozilla SPOKE: https://hubs.mozilla.com/spoke/<br />
<br />
'''5. An unique/common place where to order and index all the info/documentation, work in progress'''<br />
WIKI<br />
https://en.wikipedia.org/wiki/Wiki<br />
We use it in many projects:<br />
http://piksel.no/mediawiki/index.php?title=Pikslo_deep_diving_/_underwater_interception_of_the_nordic_sea<br />
It is possible to use a WIKI for each project/group that serves as an index of the development, each student has an user so all of the group members can update it, the index is conforming as they include information. You can insert videos, pictures, links, etc.<br />
<br />
'''6. A collaborative platform to share files in the cloud and to work together with your mates'''<br />
https://nextcloud.com/athome/<br />
<br />
== '''Calendar ''' ==<br />
<br />
'''31st March. 13:00 - 14:30: Lecture - Andreas Zingerle / Piksel |'''<br />
'''How open is the future? Intro to using Free Libre Open Source Technologies'''<br />
<br />
* ~1 hour, with Q&A from students <br />
* https://youtu.be/YdUsbWra8HY<br />
* [[:File:Vortraege-open_source.pdf|Lecture PDF]] <br />
<br />
<br />
[[ BAS_Digital_Challenge#1st_April:_Wiki_.2F_Jitsi_-_Maite_Cajaraville | '''1st April 13:00 - 15:00: Wiki / Jitsi - Maite Cajaraville / Piksel |''']]<br />
'''How to use a Wiki to structure and publish the info, and how to use a video chat with Jitsi to work with the team.'''<br />
<br />
*~2 hours, with Q&A from students <br />
* https://youtu.be/vNpK3flDMXc<br />
* [[:File:Wiki__WP_presentation.pdf |WIKI presentation PDF]] <br />
<br />
<br />
<br />
'''2nd April 13:00 - 15:00: Hubs by Mozilla - Andreas Zingerle / Piksel |''' <br />
'''How to use "hubs by Mozilla". Share a virtual room with friends. Watch videos, play with 3D objects, or do an exhibition opening.'''<br />
<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/dIsk4qQNleM<br />
* [[:File:Hubs.pdf |Hubs by Mozilla presentation PDF]]<br />
<br />
<br />
<br />
'''3rd April 13:00 - 15:00: OBS Studio Maite Cajaraville / Piksel |'''<br />
'''How to use Open Broadcaster Software to do a lecture integrating video, text, cameras, etc.'''<br />
Updated video with pop ups.<br />
* ~2 hours, with Q&A from students<br />
* https://youtu.be/mZrIUklh_jU<br />
* [[:File:OBS-Presentation.pdf |OBS Studio presentation PDF]]<br />
<br />
<br />
<br />
''' 13th April 13:00 - 15:00: Email to the students to know which tools they would like to use for their exhibition project'''<br />
* Analysis of the needs<br />
<br />
<br />
<br />
''' 15th April 12:00 - 14:00: Integrating 3D models in a Mediawiki and 3D Editor Spoke- Andreas Zingerle / Piksel | '''<br />
'''Showing architecture projects online, WEBGL environments base in three.js.'''<br />
<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/4fayqPeCnuI<br />
<br />
<br />
<br />
'''16th April 13:00 - 15:00: Nextcloud - Maite Cajaraville / Piksel |'''<br />
'''How to use collaborative tools to work online and to share your files in the cloud.'''<br />
<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/hONNJDjpFcs<br />
<br />
<br />
'''17th April 13:00 - 14:00: How to use Jitsi, video chat and streaming tool - Maite Cajaraville / Piksel | '''<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/xrQ9m4pvcgI<br />
<br />
<br />
From here we can be doing a follow up to projects/students.<br />
<br />
== '''Preparation. Possible index and content''' ==<br />
<br />
=== '''31st March: Lecture: How open is the future? Intro to using Free Libre Open Source Technologies''' ===<br />
<br />
Platform: https://www.youtube.com/watch?v=YdUsbWra8HY<br />
<br />
In my lecture "How open is the future?" I will provide an overview to Free Libre Open Source Technologies. Besides answering questions such as: What is this Open Source? Free? Libre? How can I start with it? What are the benefits for using it in education? these questions I will show several examples from art, activism, urban design and architecture simulation. I will conclude with an outlook to the different software packages that Piksel and BAS provide in the Digital Challenge and talk about our upcoming workshops so that you are able to present your projects using Free Libre Open Source Technologies.<br />
<br />
<br />
''As Piksel statement is: The development, and therefore use, of digital technology today is mainly controlled by multinational corporations. Despite the prospects of technology expanding the means of artistic expression, the commercial demands of the software industries severely limit them instead. Piksel is focusing on the Free/Libre and Open Source movement as a strategy for regaining artistic control of the technology, but also a means to bring attention to the close connections between art, politics, technology and economy.''<br />
<br />
<br />
=== '''1st April: Wiki / Jitsi - Maite Cajaraville'''===<br />
*To do all users/pwd - To assign a project page to each.<br />
*What for, why this format<br />
*Commands<br />
**Text<br />
**Links<br />
**Pictures<br />
**videos<br />
*Starting a wiki.Tests<br />
<br />
=== '''2nd April: https://hubs.mozilla.com/ - Andreas''' ===<br />
<br />
=== '''3rd April: OBS/IoT Maite''' ===<br />
<br />
=== ''' 13th April: Email to students to know what do they like more, maybe a form online''' ===<br />
<br />
=== ''' 15th April: Three.js - Andreas ''' ===<br />
<br />
=== '''16th April: https://cryptpad.fr/ - Maite''' ===<br />
<br />
== '''Team''' ==<br />
<br />
<br />
Andreas Zingerle, research and teacher.<br />
http://www.andreaszingerle.com/<br />
<br />
Maite Cajaraville Coordination, research, teacher<br />
https://piksel.no/<br />
http://maitecajaraville.org/<br />
<br />
Gisle Froysland Servers and research<br />
https://piksel.no/<br />
https://piksel.org/~gif/<br />
<br />
== '''Technical equipment provided by Piksel''' ==<br />
<br />
Jitsi server (as a backup server)<br />
<br />
Wiki server + login for each group/project<br />
<br />
== '''Links and resources''' ==<br />
<br />
* [https://etherpad.wikimedia.org/p/online-tools-for-the-pandemic Open source / FLOSS online tools for communicating during the pandemic]<br />
* [https://beyond-social.org/wiki/index.php/Social_Practices_COVID-19_Teaching_Resources?fbclid=IwAR3-afbFm1-nRKJgEX4P8EGUlYX7Xx--mAWAE4BRwJ5tSWZ7pQ9nMuxF_Ww Social Practices COVID-19 Teaching Resources]<br />
* [https://github.com/ahihi/daw-loopback-guide How to get desktop sound into Jitsi (and similar software)]<br />
* [https://www.musikkhjemmekontoret.no/ Musikkhjemmekontoret (BRAK)]</div>Maitehttps://wiki.piksel.org/index.php?title=BAS_Digital_Challenge_Program&diff=7346BAS Digital Challenge Program2020-04-20T12:38:31Z<p>Maite: /* Tools */</p>
<hr />
<div>== '''Introduction to BAS Digital Challenge program''' ==<br />
<br />
'''''With the new Coronavirus situation we all find that we need to do a digital leap forward and we need to find artistic and explorative ways to work and display and share our work.'''''<br />
<br />
BAS is presenting BAS Digital Challenge, an ONLINE program of one lecture and different workshops introducing digital tools based on Free/Libre Open Source Software, to present your work in a digital world.<br />
How to structure your documentation and work collaboratively with your mates, how to present your results in an online web 3D environment, how to communicate with your team and record your videos as they are happening, how to do streaming into the main platforms (youtube, twitch), how to share website content, animations, pictures, videos in an online meeting, these are some of the solutions that the program intends to answer.<br />
<br />
<br />
Starting on Tuesday next week, we invite you to join our online activities. All activities will happen online! We will send you an email with instructions on how to join the platform. <br />
Collaborators: Piksel Festival: Andreas Zingerle, Maite Cajaraville, Gisle Froysland.<br />
<br />
<br />
Piksel is an international network and annual event for electronic art and technological freedom. Part workshop, part festival, it is organised in Bergen, Norway, and involves participants from more than a dozen countries exchanging ideas, coding, presenting art and software projects, doing workshops, performances and discussions on the aesthetics and politics of free technologies.<br />
<br />
<br />
Piksel statement: The development, and therefore use, of digital technology today is mainly controlled by multinational corporations. Despite the prospects of technology expanding the means of artistic expression, the commercial demands of the software industries severely limit them instead. Piksel is focusing on the Free/Libre and Open Source movement as a strategy for regaining artistic control of the technology, but also a means to bring attention to the close connections between art, politics, technology and economy.<br />
<br />
[https://piksel.no/ | Piksel.no ]<br />
<br />
== '''Tools''' ==<br />
<br />
<br />
Piksel proposes to transfer the values of using Free/Libre technologies and the “how to” use a group of digital tools based on free/libre software/hardware, as well as to help BAS (students and teachers) to do the digital change.<br />
<br />
To do that Piksel has chosen a group of recommended tools and will assist the students and teachers in their technical implementation by following up the development of the projects.<br />
<br />
The initial recommended tools:<br />
<br />
'''1. To do professional remote lectures''':<br />
<br />
OBS, Open Broadcaster Software<br />
https://obsproject.com/<br />
Streaming video to different platforms (Youtube, others) where the lecturer can integrate slides, documents, webpages, different cameras, webcam, ...<br />
High performance real time video/audio capturing and mixing. Create scenes made up of multiple sources including window captures, images, text, browser windows, webcams, capture cards and more.<br />
<br />
'''2. To video chat, students meeting with the professor, it can also be streamed and recorded if needed for farther consultation.'''<br />
Jitsi Meet<br />
https://jitsi.org/<br />
Multi-platform, open-source video conferencing<br />
Share your desktop, presentations, and more<br />
Invite users to a conference via a simple, custom URL<br />
Edit documents together using Etherpad<br />
Pick fun meeting URLs for every meeting<br />
<br />
https://bigbluebutton.org<br />
<br />
https://matrix.org/<br />
<br />
<br />
'''3. To do a digital/physical exhibition to show the students work and make a proper opening with people:'''<br />
https://hubs.mozilla.com/<br />
<br />
'''4. Showing architectural projects online, there are some environments on WEBGL very interesting to explore too:'''<br />
three.js<br />
https://threejs.org/<br />
https://sketchfab.com/<br />
3D Alloy: https://www.mediawiki.org/wiki/Extension:3DAlloy<br />
Hubs Mozilla SPOKE: https://hubs.mozilla.com/spoke/<br />
<br />
'''5. To have a unique/common place where to order and index all the info and work in progress, we recommend to use a wiki:'''<br />
WIKI<br />
https://en.wikipedia.org/wiki/Wiki<br />
We use it in many projects:<br />
http://piksel.no/mediawiki/index.php?title=Pikslo_deep_diving_/_underwater_interception_of_the_nordic_sea<br />
It is possible to use a WIKI for each project/group that serves as an index of the development, each student has an user so all of the group members can update it, the index is conforming as they include information. You can insert videos, pictures, links, etc.<br />
<br />
'''6. A collaborative platform to share files in the cloud and to work together with your mates'''<br />
https://nextcloud.com/athome/<br />
<br />
== '''Calendar ''' ==<br />
<br />
'''31st March. 13:00 - 14:30: Lecture - Andreas Zingerle / Piksel |'''<br />
'''How open is the future? Intro to using Free Libre Open Source Technologies'''<br />
<br />
* ~1 hour, with Q&A from students <br />
* https://youtu.be/YdUsbWra8HY<br />
* [[:File:Vortraege-open_source.pdf|Lecture PDF]] <br />
<br />
<br />
[[ BAS_Digital_Challenge#1st_April:_Wiki_.2F_Jitsi_-_Maite_Cajaraville | '''1st April 13:00 - 15:00: Wiki / Jitsi - Maite Cajaraville / Piksel |''']]<br />
'''How to use a Wiki to structure and publish the info, and how to use a video chat with Jitsi to work with the team.'''<br />
<br />
*~2 hours, with Q&A from students <br />
* https://youtu.be/vNpK3flDMXc<br />
* [[:File:Wiki__WP_presentation.pdf |WIKI presentation PDF]] <br />
<br />
<br />
<br />
'''2nd April 13:00 - 15:00: Hubs by Mozilla - Andreas Zingerle / Piksel |''' <br />
'''How to use "hubs by Mozilla". Share a virtual room with friends. Watch videos, play with 3D objects, or do an exhibition opening.'''<br />
<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/dIsk4qQNleM<br />
* [[:File:Hubs.pdf |Hubs by Mozilla presentation PDF]]<br />
<br />
<br />
<br />
'''3rd April 13:00 - 15:00: OBS Studio Maite Cajaraville / Piksel |'''<br />
'''How to use Open Broadcaster Software to do a lecture integrating video, text, cameras, etc.'''<br />
Updated video with pop ups.<br />
* ~2 hours, with Q&A from students<br />
* https://youtu.be/mZrIUklh_jU<br />
* [[:File:OBS-Presentation.pdf |OBS Studio presentation PDF]]<br />
<br />
<br />
<br />
''' 13th April 13:00 - 15:00: Email to the students to know which tools they would like to use for their exhibition project'''<br />
* Analysis of the needs<br />
<br />
<br />
<br />
''' 15th April 12:00 - 14:00: Integrating 3D models in a Mediawiki and 3D Editor Spoke- Andreas Zingerle / Piksel | '''<br />
'''Showing architecture projects online, WEBGL environments base in three.js.'''<br />
<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/4fayqPeCnuI<br />
<br />
<br />
<br />
'''16th April 13:00 - 15:00: Nextcloud - Maite Cajaraville / Piksel |'''<br />
'''How to use collaborative tools to work online and to share your files in the cloud.'''<br />
<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/hONNJDjpFcs<br />
<br />
<br />
'''17th April 13:00 - 14:00: How to use Jitsi, video chat and streaming tool - Maite Cajaraville / Piksel | '''<br />
*~2 hours, with Q&A from students<br />
* https://youtu.be/xrQ9m4pvcgI<br />
<br />
<br />
From here we can be doing a follow up to projects/students.<br />
<br />
== '''Preparation. Possible index and content''' ==<br />
<br />
=== '''31st March: Lecture: How open is the future? Intro to using Free Libre Open Source Technologies''' ===<br />
<br />
Platform: https://www.youtube.com/watch?v=YdUsbWra8HY<br />
<br />
In my lecture "How open is the future?" I will provide an overview to Free Libre Open Source Technologies. Besides answering questions such as: What is this Open Source? Free? Libre? How can I start with it? What are the benefits for using it in education? these questions I will show several examples from art, activism, urban design and architecture simulation. I will conclude with an outlook to the different software packages that Piksel and BAS provide in the Digital Challenge and talk about our upcoming workshops so that you are able to present your projects using Free Libre Open Source Technologies.<br />
<br />
<br />
''As Piksel statement is: The development, and therefore use, of digital technology today is mainly controlled by multinational corporations. Despite the prospects of technology expanding the means of artistic expression, the commercial demands of the software industries severely limit them instead. Piksel is focusing on the Free/Libre and Open Source movement as a strategy for regaining artistic control of the technology, but also a means to bring attention to the close connections between art, politics, technology and economy.''<br />
<br />
<br />
=== '''1st April: Wiki / Jitsi - Maite Cajaraville'''===<br />
*To do all users/pwd - To assign a project page to each.<br />
*What for, why this format<br />
*Commands<br />
**Text<br />
**Links<br />
**Pictures<br />
**videos<br />
*Starting a wiki.Tests<br />
<br />
=== '''2nd April: https://hubs.mozilla.com/ - Andreas''' ===<br />
<br />
=== '''3rd April: OBS/IoT Maite''' ===<br />
<br />
=== ''' 13th April: Email to students to know what do they like more, maybe a form online''' ===<br />
<br />
=== ''' 15th April: Three.js - Andreas ''' ===<br />
<br />
=== '''16th April: https://cryptpad.fr/ - Maite''' ===<br />
<br />
== '''Team''' ==<br />
<br />
<br />
Andreas Zingerle, research and teacher.<br />
http://www.andreaszingerle.com/<br />
<br />
Maite Cajaraville Coordination, research, teacher<br />
https://piksel.no/<br />
http://maitecajaraville.org/<br />
<br />
Gisle Froysland Servers and research<br />
https://piksel.no/<br />
https://piksel.org/~gif/<br />
<br />
== '''Technical equipment provided by Piksel''' ==<br />
<br />
Jitsi server (as a backup server)<br />
<br />
Wiki server + login for each group/project<br />
<br />
== '''Links and resources''' ==<br />
<br />
* [https://etherpad.wikimedia.org/p/online-tools-for-the-pandemic Open source / FLOSS online tools for communicating during the pandemic]<br />
* [https://beyond-social.org/wiki/index.php/Social_Practices_COVID-19_Teaching_Resources?fbclid=IwAR3-afbFm1-nRKJgEX4P8EGUlYX7Xx--mAWAE4BRwJ5tSWZ7pQ9nMuxF_Ww Social Practices COVID-19 Teaching Resources]<br />
* [https://github.com/ahihi/daw-loopback-guide How to get desktop sound into Jitsi (and similar software)]<br />
* [https://www.musikkhjemmekontoret.no/ Musikkhjemmekontoret (BRAK)]</div>Maitehttps://wiki.piksel.org/index.php?title=Main_Page&diff=7345Main Page2020-04-20T12:33:07Z<p>Maite: </p>
<hr />
<div><small style="font-size:300%;"> Welcome to BAS Projects 2020.</small><br />
<br />
Here you can create a new wiki page for your project. It will be automatically listed. <br />
<br />
<br />
1.- Edit THIS page to make a new link with the name of your project and your name or team partners name.<br />
<br />
2.- Once you have saved, click in the red link of your project and the page will be created. Now you can share the link with your team and start working on your own project/page. <br />
<br />
<br />
[[Name of my project, My name]] ---- Don't delete this line, it serves as an example. Copy this link and write it in the next line, you will see your project in red as a link when saved.<br />
<br />
<br />
== Student Projects ==<br />
<br />
* [[Tales of Water, Wu-Lung Lu]]<br />
* [[Kindergarten, Tilla Bønes]]<br />
* [[Library Prototype, Veronika Sløk Tvedt]]<br />
* [[Leaving urbanity, Mats Edal]]<br />
* [[liminal landscapes, Karoline Haukjem and Emilie Van de walle]]<br />
* [[Make Use, Axel Högberg]]<br />
* [[Disruptive Space, Tanguy Danis]]<br />
* [[Kjær-Leik, Hulda-Maja Konttinen]] <br />
* [[The radical futures club for the reorganization of matter, Julia R. Morrissey, Julie Barfod, Linda V. Figueiredo]]<br />
* [[Holocaust Recollections, Lior Israel]]<br />
* [[Converging spaces, Stein-Atle Juvik]]<br />
<br />
<br />
== BAS Digital Challenge program - Documentation and updated links ==<br />
* [[BAS Digital Challenge Program]] Updated video links and documentation<br />
* [[Threejs, Andreas]]<br />
* [[Piksel, Piksel Team]]</div>Maitehttps://wiki.piksel.org/index.php?title=Main_Page&diff=7344Main Page2020-04-20T12:32:40Z<p>Maite: </p>
<hr />
<div><small style="font-size:300%;"> Welcome to BAS Projects 2020.</small><br />
<br />
Here you can create a new wiki page for your project. It will be automatically listed. <br />
<br />
<br />
1.- Edit THIS page to make a new link with the name of your project and your name or team partners name.<br />
<br />
2.- Once you have saved, click in the red link of your project and the page will be created. Now you can share the link with your team and start working on your own project/page. <br />
<br />
<br />
[[Name of my project, My name]] ---- Don't delete this line, it serves as an example. Copy this link and write it in the next line, you will see your project in red as a link when saved.<br />
<br />
<br />
== Student Projects ==<br />
<br />
* [[Tales of Water, Wu-Lung Lu]]<br />
* [[Kindergarten, Tilla Bønes]]<br />
* [[Library Prototype, Veronika Sløk Tvedt]]<br />
* [[Leaving urbanity, Mats Edal]]<br />
* [[liminal landscapes, Karoline Haukjem and Emilie Van de walle]]<br />
* [[Make Use, Axel Högberg]]<br />
* [[Disruptive Space, Tanguy Danis]]<br />
* [[Kjær-Leik, Hulda-Maja Konttinen]] <br />
* [[The radical futures club for the reorganization of matter, Julia R. Morrissey, Julie Barfod, Linda V. Figueiredo]]<br />
* [[Holocaust Recollections, Lior Israel]]<br />
* [[Converging spaces, Stein-Atle Juvik]]<br />
<br />
<br><br />
<br><br />
<br />
<br />
== BAS Digital Challenge program - Documentation and updated links ==<br />
* [[BAS Digital Challenge Program]] Updated video links and documentation<br />
* [[Threejs, Andreas]]<br />
* [[Piksel, Piksel Team]]</div>Maite