TransPiksel 2021: Difference between revisions
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Four days of workshops, exhibitions, audiovisual concerts and a BioARt Lab with international and local artists working on art and technology with a special focus on bioart, enviromental sciences and DIY electronics to be held in Arequipa (Perú), Quito & Pujili (Ecuador) , Mexico D.F. (MX) and Medellín (Colombia). | Four days of workshops, exhibitions, audiovisual concerts and a BioARt Lab with international and local artists working on art and technology with a special focus on bioart, enviromental sciences and DIY electronics to be held in Arequipa (Perú), Quito & Pujili (Ecuador) , Mexico D.F. (MX) and Medellín (Colombia). | ||
'''August - September 2015''' | |||
[[File:Deep diving open lab at BIKS.jpg |740px]] | [[File:Deep diving open lab at BIKS.jpg |740px]] | ||
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August - September 2015 | August - September 2015 | ||
== '''Curatorial text''' == | |||
The development, and therefore use, of digital technology today is mainly controlled by multinational corporations. Despite the prospects of technology expanding the means of artistic expression, the commercial demands of the software industries severely limit them instead. Piksel is focusing on the open source movement as a strategy for regaining artistic control of the technology, but also a means to bring attention to the close connections between art, politics, technology and economy. | |||
With the emergence of internet and the democratisation of computers, the public are increasingly confronted with hybrid software and hardware, made by qualified artists using different titles: Artist programmer, software artist, digital artist or new media artist. These artists create their digital tools either by making them themselves or in close collaboration with programmers. | |||
Piksel argues that the artists in all disciplines should have control over their own production. Therefore tools like open source software and open hardware is considered as the best practice. Internationally Piksel might be the most important forum for participants in this field, which more and more appear as a expanding movement with increased attention directed towards it. | |||
Although coming from different economical and social backgrounds, Northern and Southern countries share a common interest in free culture: free and open source and technologies. | |||
As curators and artists we aim to share our areas of interests: Do It Yourself (DIY) technologies, historical traditions of craftsmanship, environmental sciences, ancient biodiversity knowledge, synthetic molecular biotechnologies, understanding of plants, seeds and biochemistry traditions. All together intertwined with art practices. | |||
As a pilot project, we expect to generate long lasting collaborations between our countries, our cultural associations and artists. | |||
== '''Program''' == | |||
'''Exhibition''' | |||
Piksel Savers, Several artists. | |||
Solar kinetic sculptures, Egil Paulsen (Oslo, Norway) | |||
Cociclo, Alexander Castonguay (Canada) | |||
From DNA to NSA, Maite Cajaraville (Spain) & Gisle Froysland (Norway) | |||
Chemicals talks, Erin Sexton (Canadá) | |||
Tempor Air, Maxim Demancour (Canadá) | |||
TBD, Constanza Piña (Colombia) | |||
'''Concerts & performances''' | |||
Hammer and chisel, Gisle Froysland / John Hegre (Noruega) | |||
Artificial Stupidity, Servando Barreiro (España) | |||
Phase Space, Erin Sexton (Canadá) | |||
'''Workshops''' | |||
TBD, Constanza Piña (Colombia) | |||
Cociclo, Alexander Castonguay (Canadá) | |||
Mapping with processing, Maxim Demancour (Canadá) | |||
Building simple instruments using guitar pedals, Jhon Hegre | |||
Electrical signal feedback, Gisle Froysland | |||
Electrochemical Improvisation: experiments with electronics, sound, and crystallization, Erin Sexton | |||
Solar kinetic sculptures, Egil Paulsen | |||
CrisisRus, Maite Cajaraville | |||
'''DIY Biotechnology Lab''' | |||
DIY BioLab: How to mix molecular biology and electronics as new performances, Cristian Delgado | |||
== '''More about partners''' == | |||
Colombia / Medellín | |||
Museum of Modern Art | |||
Ciudad Del Río Carrera 44 Nº 19A-100 | |||
Medellín – Colombia info@elmamm.org | |||
@mammedellin | |||
Platohedro / artist-run association | |||
Calle 49 | |||
Barrio Buenos Aires, Medellín | |||
Colaboratorio, Parque Explora | |||
Carrera 52 Nº 73 - 75 | |||
Medellín - Colombia | |||
+ 57(4) 516 83 00 | |||
Mexico | |||
Autonomous University of Mexico | |||
Zona Cultural, Ciudad Universitaria | |||
México D.F., Delegación Coyoacán 04510 | |||
Bioscénica | |||
Several spaces | |||
Mexico D.F. | |||
Ecuador | |||
CAC, Centro de Arte Contemporáneo | |||
Montevideo y Luis Dávila | |||
Barrio de San Juan | |||
Quito-Ecuador | |||
Pujinostro / artist-run association | |||
Patoa Las Vacas, Pujili - Ecuador | |||
59332841392 | |||
Perú | |||
Asimtria, artist-run association | |||
Arequipa | |||
Centro Cultural Peruano Norteamericano | |||
Jr. Pichincha 436 | |||
Arequipa |
Revision as of 12:43, 22 February 2016
Piksel Latam
Four days of workshops, exhibitions, audiovisual concerts and a BioARt Lab with international and local artists working on art and technology with a special focus on bioart, enviromental sciences and DIY electronics to be held in Arequipa (Perú), Quito & Pujili (Ecuador) , Mexico D.F. (MX) and Medellín (Colombia).
August - September 2015
Keywords
sound art, sound installation, video research, interactive video, video performance, interactive installation, stand alone video loop (pikselsavers), textile gadgets, DIY BioHacking, visual programming and live coding.
Partners
Colombia Museum of Modern Art – Jorge Barco, http://www.elmamm.org/
Platohedro - Juan Jaramillo, http://platohedro.org/
Colaboratorio, Parque Explora - Camilo Cantor http://www.parqueexplora.org/colaboratorio
Mexico Autonomous University of Mexico - Maria Antonia González, http://www.artemasciencia.com/
Bioscénica - Minerva Hernández, http://bioscenica.mx/
Ecuador CAC, Centro de Arte Contemporáneo - José Luis Jácome y Tania Navarrete, http://www.centrodeartecontemporaneo.gob.ec/
Pujinostro - José Luis Jácome y Tania Navarrete, https://residenciadeartistaspujinostro.wordpress.com/
Perú Asimtria - Marco Valdivia, http://asimtria.org/ Centro Cultural Peruano Norteamericano, http://www.cultural.edu.pe/
Project Description
Piksel is organizing with its partners Piksel Latam, a South American tour comprising 4 countries: Mexico, Perú, Colombia and Ecuador. Our partners are museums, artist-run organisations and other non-profit cultural institutions.
Four days of workshops, exhibitions, audiovisual concerts and a BioARt Lab with international and local artists working on art and technology with a special focus on bioart, enviromental sciences and DIY electronics.
Piksel Satellites will be held in Arequipa (Perú), Quito & Pujili (Ecuador) , Mexico D.F. (MX) and Medellín (Colombia).
The Piksel curatorial team (Maite Cajaraville & Gisle Frøysland) have chosen a representative group of artists and works from Piksel Festival participants in order to present the most innovative artistic research on new and emerging technologies based on openness and free cultural practice.
International group of artists: Egil Paulsen (NO), Gisle Frøysland (NO), John Hegre (NO), Alexander Castonguay (CA), Maxim Demancour (CA), Erin Sexton (CA), Maite Cajaraville (ES), Servando Barreiro (ES), Cristian Delgado (MX) and Constanza Piña (CL).
The works range from sound art, sound installation, video research, interactive video, video performance, interactive installation, stand alone video loop (pikselsavers), textile gadgets, DIY BioHacking, visual programming and live coding.
At each city/country, a group of local artists will be selected from an open call using Piksel festival management software which includes artists automatically at the growing artists database. Curatorial tasks will be shared with local curators and directors.
Curators Gisle Froysland (Norway), Maite Cajaraville (Spain), Marco Valdivia (Perú), Camilo Cantor, Juan Jaramillo and Jorge Barco (Colombia), José Luis Jácome y Tania Navarrete (Ecuador), Maria Antonia González, Minerva Hernández (Mexico).
PIKSEL Latam events, acting as a pilot project, aim to establish a longlasting collaborative network in South America. The goal of the project is to establish a rhizomatic network of interconnected nodes to work with in the next years.
August - September 2015
Curatorial text
The development, and therefore use, of digital technology today is mainly controlled by multinational corporations. Despite the prospects of technology expanding the means of artistic expression, the commercial demands of the software industries severely limit them instead. Piksel is focusing on the open source movement as a strategy for regaining artistic control of the technology, but also a means to bring attention to the close connections between art, politics, technology and economy.
With the emergence of internet and the democratisation of computers, the public are increasingly confronted with hybrid software and hardware, made by qualified artists using different titles: Artist programmer, software artist, digital artist or new media artist. These artists create their digital tools either by making them themselves or in close collaboration with programmers.
Piksel argues that the artists in all disciplines should have control over their own production. Therefore tools like open source software and open hardware is considered as the best practice. Internationally Piksel might be the most important forum for participants in this field, which more and more appear as a expanding movement with increased attention directed towards it.
Although coming from different economical and social backgrounds, Northern and Southern countries share a common interest in free culture: free and open source and technologies.
As curators and artists we aim to share our areas of interests: Do It Yourself (DIY) technologies, historical traditions of craftsmanship, environmental sciences, ancient biodiversity knowledge, synthetic molecular biotechnologies, understanding of plants, seeds and biochemistry traditions. All together intertwined with art practices.
As a pilot project, we expect to generate long lasting collaborations between our countries, our cultural associations and artists.
Program
Exhibition Piksel Savers, Several artists. Solar kinetic sculptures, Egil Paulsen (Oslo, Norway) Cociclo, Alexander Castonguay (Canada) From DNA to NSA, Maite Cajaraville (Spain) & Gisle Froysland (Norway) Chemicals talks, Erin Sexton (Canadá) Tempor Air, Maxim Demancour (Canadá) TBD, Constanza Piña (Colombia)
Concerts & performances Hammer and chisel, Gisle Froysland / John Hegre (Noruega) Artificial Stupidity, Servando Barreiro (España) Phase Space, Erin Sexton (Canadá)
Workshops TBD, Constanza Piña (Colombia) Cociclo, Alexander Castonguay (Canadá) Mapping with processing, Maxim Demancour (Canadá) Building simple instruments using guitar pedals, Jhon Hegre Electrical signal feedback, Gisle Froysland Electrochemical Improvisation: experiments with electronics, sound, and crystallization, Erin Sexton Solar kinetic sculptures, Egil Paulsen CrisisRus, Maite Cajaraville
DIY Biotechnology Lab DIY BioLab: How to mix molecular biology and electronics as new performances, Cristian Delgado
More about partners
Colombia / Medellín Museum of Modern Art Ciudad Del Río Carrera 44 Nº 19A-100 Medellín – Colombia info@elmamm.org @mammedellin
Platohedro / artist-run association
Calle 49
Barrio Buenos Aires, Medellín
Colaboratorio, Parque Explora Carrera 52 Nº 73 - 75 Medellín - Colombia + 57(4) 516 83 00
Mexico
Autonomous University of Mexico
Zona Cultural, Ciudad Universitaria
México D.F., Delegación Coyoacán 04510
Bioscénica Several spaces Mexico D.F.
Ecuador
CAC, Centro de Arte Contemporáneo
Montevideo y Luis Dávila
Barrio de San Juan
Quito-Ecuador
Pujinostro / artist-run association
Patoa Las Vacas, Pujili - Ecuador
59332841392
Perú
Asimtria, artist-run association
Arequipa
Centro Cultural Peruano Norteamericano Jr. Pichincha 436 Arequipa